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Text Identifier:"^your_love_o_god_has_called_us_here$"

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Texts

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Your Love, O God, Has Called Us Here

Author: Russell Schulz-Widmar Meter: 8.8.8.8 Appears in 13 hymnals

Tunes

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CANONBURY

Meter: 8.8.8.8 Appears in 669 hymnals Composer and/or Arranger: Robert Schumann Tune Sources: Hymns Ancient and Modern, 1875 Tune Key: A Flat Major Incipit: 53334 32123 56712 Used With Text: Your Love, O God, Has Called Us Here
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QUEBEC

Meter: 8.8.8.8 Appears in 537 hymnals Composer and/or Arranger: Henry W. Baker, 1821-1877 Tune Key: E Flat Major Incipit: 33351 22355 54234 Used With Text: Your Love, O God, Has Called Us
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WAREHAM

Meter: 8.8.8.8 Appears in 575 hymnals Composer and/or Arranger: William Knapp, 1698-1768; James Turle, 1802-1882 Tune Sources: Hymns Ancient and Modern, 1875 (harm.) Tune Key: A Major Incipit: 11765 12171 23217 Used With Text: Your love, O God, has called us here

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Your Love, O God, Has Called Us Here

Author: Russell Schulz-Widmar Hymnal: The New Century Hymnal #361 (1995) Meter: 8.8.8.8 Lyrics: 1 Your love, O God, has called us here, for all love finds its source in you, The perfect love that casts out fear, the love that Christ makes ever new. 2 O gracious God, you consecrate all that is lovely, good, and true. Bless those who in your presence wait, and every day their love renew. 3 O God of love, inspire our life, reveal your will in all we do; join every husband, every wife in mutual love and love for you. Topics: Marriage; Seasons Festival of the Christian Home Scripture: 1 Peter 1:22 Languages: English Tune Title: GERMANY (GARDINER)
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Your Love, O God, Has Called Us Here

Author: Russell Schulz-Widmar Hymnal: Baptist Hymnal 1991 #509 (1991) Meter: 8.8.8.8 Lyrics: 1. Your love, O God, has called us here, For all love finds its source in You, The perfect love that casts out fear, The love that Christ makes ever new. 2. O gracious God, You consecrate All that is lovely, good, and true. Bless those who in Your presence wait And ev'ry day their love renew. 3. O God of love, inspire our life, Reveal Your will in all we do; Join ev'ry husband, ev'ry wife In mutual love and love for You. Scripture: 1 Corinthians 13:13 Languages: English Tune Title: CANONBURY

Your Love, O God, Has Called Us Here

Author: Russell Schulz-Widmar, b. 1944 Hymnal: Christian Worship (1993) #601 (1993) Meter: 8.8.8.8 First Line: Your love, o God,has called us here Topics: Marriage; Marriage Languages: English Tune Title: WAREHAM

People

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Authors, composers, editors, etc.

William Gardiner

1770 - 1853 Arranger of "GARDINER" in A New Hymnal for Colleges and Schools William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Robert Schumann

1810 - 1856 Composer of "CANONBURY" in Baptist Hymnal 1991 Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

William Knapp

1698 - 1768 Person Name: William Knapp, 1698-1768 Composer (melody) of "WAREHAM" in The Hymnal 1982 Born: 1698, Ware­ham, Dor­set­shire, Eng­land. Died: Sep­tem­ber 26, 1768, Poole, Dor­set­shire, Eng­land. Buried: Poole, Dor­set­shire, Eng­land.
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