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Text Identifier:friend_of_sinners_lord_of_glory

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Friend of Sinners

Author: C. Newman Hall Appears in 37 hymnals First Line: Friend of sinners! Lord of Glory Refrain First Line: Friend to help us, comfort, save us Used With Tune: [Friend of sinners! Lord of Glory]

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[Friend of sinners! Lord of Glory]

Appears in 548 hymnals Composer and/or Arranger: I. E. H. Incipit: 12123 43212 54332 Used With Text: Friend of Sinners
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RATHBUN

Appears in 792 hymnals Composer and/or Arranger: Ithamar Conkey Incipit: 51317 65155 63234 Used With Text: Friend of sinners, Lord of glory
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ST. SYLVESTER

Appears in 237 hymnals Composer and/or Arranger: J. B. Dykes Tune Key: F Major or modal Incipit: 33332 34533 33332 Used With Text: "Brother, King!"

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Friend of Sinners! Lord of Glory!

Author: C. Newman Hall Hymnal: The A.M.E. Zion Hymnal #245 (1999) Meter: 8.7.8.7 D Lyrics: 1 Friend of sinners! Lord of Glory! Lowly, Mighty! Brother, King! Musing o’er Thy wondrous story, Grateful we Thy praises sing: Friend to help us, comfort, save us, In whom power and pity blend— Praise we must the grace which gave us Jesus Christ, the sinners’ Friend! 2 Friend who never fails nor grieves us, Faithful, tender, constant, kind!– Friend who at all times receives us, Friend who came the lost to find.– Sorrow soothing, joys enhancing, Loving until life shall end– Then conferring bliss entrancing, Still, in heaven, the sinners’ Friend. 3 O to love and serve Thee better! From all evil set us free; Break, Lord, every sinful fetter; Be each thought conformed to Thee: Looking for Thy bright appearing, May our spirits upward tend; Till no longer doubting, fearing, We behold the sinners’ Friend! AMEN. Topics: Worship of the Son Languages: English Tune Title: WESTON
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Friend of Sinners, Lord of Glory

Author: C. Newman Hall Hymnal: The Cyber Hymnal #1616 Meter: 8.7.8.7 D Lyrics: 1. Friend of sinners, Lord of glory, Lowly, mighty, Brother, King! Musing o’er Thy wondrous story, Grateful we Thy praises sing: Friend to help us, cheer us, save us, In whom pow’r and pity blend— Praise we must the grace which gave us Jesus Christ, the sinners’ Friend. 2. Friend who never fails nor grieves us, Faithful, tender, constant, kind; Friend who at all times receives us, Friend who came the lost to find. Sorrow soothing, joys enhancing, Loving until life shall end; Then conferring bliss entrancing, Still, in heaven, the sinners’ Friend. 3. O to love and serve Thee better! From all evil set us free; Break, Lord, every sinful fetter; Be each thought conformed to Thee: Looking for Thy bright appearing, May our spirits upward tend; Till no longer doubting, fearing, We behold the sinners’ Friend. Languages: English Tune Title: CARLTON
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Friend of Sinners

Author: Rev. Newman Hall Hymnal: Songs of the Covenant #5 (1892) First Line: Friend of sinners! Lord of glory! Languages: English Tune Title: [Friend of sinners! Lord of glory!]

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. SYLVESTER" in Laudes Domini As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Arthur Sullivan

1842 - 1900 Composer of "LUX EOI" in The Congregational Mission Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "TRUST" in Common Praise Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman