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Text Identifier:friend_of_the_home_as_when_in_galilee

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Friend of the Home

Author: Howell E. Lewis, 1860-1953 Meter: 10.10.10.10 Appears in 17 hymnals First Line: Friend of the home, as when, in Galilee Topics: The Christian Life The Christian Home Used With Tune: ELLERS

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FFIGYSBREN

Meter: 10.10.10.10 Appears in 32 hymnals Composer and/or Arranger: Anonymous Tune Sources: Welsh hymn tune Tune Key: F Major Incipit: 13335 43223 13335 Used With Text: Friend of the Home
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ELLERS

Meter: 10.10.10.10 Appears in 615 hymnals Composer and/or Arranger: Edward J. Hopkins, 1818-1901 Incipit: 55651 17123 11213 Used With Text: Friend of the Home
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LANGRAN

Appears in 264 hymnals Composer and/or Arranger: James Langran Incipit: 31235 43321 33252 Used With Text: Friend of the home: as when in Galilee

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Friend of the Home

Author: Howell E. Lewis Hymnal: Tabernacle Hymns #308 (1960) First Line: Friend of the home: as when in Galilee Lyrics: 1 Friend of the home: as when in Galilee The mothers bro't their little ones to Thee, So we, dear Lord, would now the children bring, And seek for them the shelter of Thy wing. 2 Thine are they, by Thy love’s eternal claim, Thine we baptize them in the threefold Name; Yet not the sign we trust, Lord, but the grace That in Thy fold prepared the lambs a place. 3 Lord, may Thy Church, as with a mother’s care, For Thee the lambs within her bosom bear; And grant, as morning grows to noon, that they Still in her love and holy service stay. 4 Draw thro' the child the parents nearer Thee, Endue their home with growing sanctity; And gather all, by earthly homes made one, In heav'n, O Christ, when earthly days are done. Topics: Baptism; Consecration Languages: English Tune Title: [Friend of the home: as when in Galilee]
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Friend of the Home

Author: Howell E. Lewis Hymnal: The Cyber Hymnal #1612 Meter: 10.10.10.10 First Line: Friend of the home: as when in Galilee Lyrics: 1. Friend of the home: as when in Galilee The mothers brought their little ones to Thee, So we, dear Lord, would now the children bring, And seek for them the shelter of Thy wing. 2. Thine are they, by Thy love’s eternal claim, Thine we baptize them in the threefold name; Yet not the sign we trust, Lord, but the grace That in Thy fold prepared the lambs a place. 3. Lord, may Thy Church, as with a mother’s care, For Thee the lambs within her bosom bear; And grant, as morning grows to noon, that they Still in her love and holy service stay. 4. Draw through the child the parents nearer Thee, Endue their home with growing sanctity; And gather all, by earthly homes made one, In Heaven, O Christ, when earthly days are done. Languages: English Tune Title: FFIGYSBREN

Friend of the home, as when in Galilee

Author: Howell Elvet Lewis Hymnal: Worship in Song #d78 (1942)

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E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins, 1818-1901 Composer of "ELLERS" in Baptist Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Anonymous

Composer of "FFIGYSBREN" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan, 1842-1900 Composer of "LIVORNO" in The Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman