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God the Father, God the Son

Author: Thomas Benson Pollock Meter: 7.7.7.6 Appears in 22 hymnals First Line: God the Father, God the Son, God the Spirit, Three in One (Pollock) Refrain First Line: We beseech Thee, hear us Lyrics: God the Father, God the Son, God the Spirit, Three in One, Hear us from thy heavenly throne: Spare us, Holy Trinity. Father, hear thy children's call: Humbly at thy feet we fall, Prodigals, confessing all: We beseech thee, hear us. Christ, beneath thy cross, we blame All our life of sin and shame; Penitent we breathe thy Name: We beseech thee, hear us. Holy Spirit, grieved and tried, Oft forgotten and defied, Now we mourn our stubborn pride: We beseech thee, hear us. Love, that caused us first to be, Love, that bled upon the tree, Love, that draws us lovingly: We beseech thee, hear us. We thy call have disobeyed, Into paths of sin have strayed, And repentance have delayed: We beseech thee, hear us. 126 Sick, we come to thee for cure, Guilty, seek thy mercy sure, Evil, long to be made pure: We beseech thee, hear us. Blind, we pray that we may see, Bound, we pray to be made free, Stained, we pray for sanctity: We beseech thee, hear us. Thou who hear'st each contrite sigh, Bidding sinful souls draw nigh, Willing not that one should die: We beseech thee, hear us. Amen.

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LEBBAEUS

Meter: 7.7.7.6 Appears in 96 hymnals Composer and/or Arranger: Arthur S. Sullivan Tune Sources: St. Alban's Tune Book, 1866 Tune Key: G Major Incipit: 33321 15112 23324 Used With Text: God the Father, God the Son
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TURPIN'S LITANY

Meter: 7.7.7.6 Appears in 4 hymnals Composer and/or Arranger: Edmund H. Turpin Tune Key: A Flat Major Incipit: 55617 65112 34323 Used With Text: God the Father, God the Son
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TRES MAGI DE GENTIBUS

Meter: 7.7.7.6 Appears in 7 hymnals Tune Sources: Andernach Gesangbuch, 1608. Tune Key: E Flat Major Incipit: 55345 53553 4553 Used With Text: Litany of the Incarnate Word

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God the Father, God the Son

Author: Thomas B. Pollock Hymnal: The Hymnal #142a (1916) Meter: 7.7.7.6 Lyrics: 1 God the Father, God the Son, God the Spirit, Three in One, Hear us from Thy heavenly throne: Spare us, Holy Trinity. 2 Father, hear Thy children's call: Humbly at Thy feet we fall, Prodigals, confessing all: We beseech Thee, hear us. 3 Christ, beneath Thy cross, we blame All our life of sin and shame; Penitent we breathe thy Name: We beseech Thee, hear us. 4 Holy Spirit, grieved and tried, Oft forgotten and defied, Now we mourn our stubborn pride: We beseech Thee, hear us. 5 Love, that caused us first to be, Love, that bled upon the tree, Love, that draws us lovingly: We beseech Thee, hear us. 6 We Thy call have disobeyed, Into paths of sin have strayed, And repentance have delayed: We beseech Thee, hear us. 7 Sick, we come to Thee for cure, Guilty seek Thy mercy sure, Evil, long to be made pure: We beseech Thee, hear us. 8 Blind, we pray that we may see, Bound, we pray to be made free, Stained, we pray for sanctity: We beseech Thee, hear us. 9 Thou Who hear'st each contrite sigh, Bidding sinful souls draw nigh, Willing not that one should die: We beseech Thee, hear us. Amen. Topics: Ash Wednesday and Lent Tune Title: TURPIN'S LITANY
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God the Father, God the Son

Author: T. B. Pollock Hymnal: The Church Hymnal #565 (1920) Lyrics: 1 God the Father, God the Son, God the Spirit, Three in One, Hear us from Thy heavenly Throne, Spare us, Holy Trinity. 2 Jesus, with Thy Church abide, Be her Saviour, Lord, and guide, While on earth her faith is tried; We beseech Thee, hear us. 3 Keep her life and doctrine pure, Help her, patient to endure, Trusting in Thy promise sure: We beseech Thee, hear us. 4 May her voice be ever clear, Warning of a judgment near, Telling of a Saviour dear: We beseech Thee, hear us. 5 All her fettered powers release, Bid our strife and envy cease, Grant the heavenly gift of peace: We beseech Thee, hear us. 6 May she one in doctrine be, One in truth and charity, Winning all to faith in Thee: We beseech Thee, hear us. 7 May she guide the poor and blind, Seek the lost until she find, And the broken-hearted bind: We beseech Thee, hear us. 8 Save her love from growing cold, Make her watchmen strong and bold, Fence her round, Thy peacefold fold: We beseech Thee, hear us. 9 May her priest Thy people feed, Shepherds of the flock indeed, Ready, where Thou call'st, to lead: We beseech Thee, hear us. 10 Judge her not for work undone, Judge her not for fields unwon, Bless her works in Thee begun: We beseech Thee, hear us. 11 Raise her to her calling high, Let the nations far and nigh Hear Thy heralds' warning cry: We beseech Thee, hear us. 12 May her lamp of truth be bright, Bid her bear aloft its light Thro' the realms of heathen night: We beseech Thee, hear us. 13 May her scattered children be From reproach of evil free, Blameless witnesses for Thee: We beseech Thee, hear us. 14 May she holy triumphs win, Overthrow the hosts of sin, Gather all the nations in: We beseech Thee, hear us. 15 May she soon all glorious be, Spotless and from wrinkle free, Pure, and bright, and worthy Thee: We beseech Thee, hear us. Topics: General Litanies (of the church) Languages: English Tune Title: HERVEY'S LITANY

God the Father, God the Son

Author: Thomas Benson Pollock Hymnal: Hymnal for children #d65 (1887) Languages: English

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Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "LEBBAEUS" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Anonymous

Author of "God the Father, God the Son" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Henry Monk

1823 - 1889 Person Name: William Henry Monk, 1823-1889 Composer of "DEATH" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman