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Text Identifier:his_trial_oer_and_now_beneath

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This Trial Over

Author: Charles Coffin; John Chandler Appears in 9 hymnals Matching Instances: 9 First Line: His trial over, and now beneath

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VERLEIH UNS FREIDEN GNÄDIGLICH

Meter: 8.7.8.7 Appears in 14 hymnals Matching Instances: 1 Composer and/or Arranger: Anonymous Tune Sources: Church Book by Harriet R. Krauth (Philadelphia: J. K. Shryock, 1890) Tune Key: f minor Incipit: 11171 23213 44345 Used With Text: His Trial Is O'er
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[His trial o'er, and now, beneath]

Appears in 5 hymnals Matching Instances: 1 Tune Sources: German, 1525 Tune Key: d minor Incipit: 11171 65412 3412 Used With Text: His trial o'er, and now, beneath
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GOOD FRIDAY

Appears in 8 hymnals Matching Instances: 1 Tune Key: E Flat Major Incipit: 33213 22335 32122 Used With Text: His trial o'er, and now beneath

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His Trial Is O'er

Author: Charles Coffin; John Chandler Hymnal: The Cyber Hymnal #8714 Meter: 8.7.8.7 First Line: His trial o’er, and now beneath Lyrics: 1 His trial o’er, and now beneath His own cross faintly bending, Jesus the fatal hill of death Is wearily ascending. 2 And now, His hands and feet pierced through, Upon the cross they raise Him: Where even now, in distant view, The eye of faith surveys Him. 3 O wondrous love, which God most high Toward man was pleased to cherish! His sinless Son He gave to die, That sinners might not perish. 4 Yes, ’tis the cross that breaks the rod And chain of condemnation, And makes a league ’twixt man and God For our entire salvation. 5 O praise the Father, praise the Son, The Lamb for sinners given, And Holy Ghost, by whom alone Our hearts are raised to Heaven. Languages: English Tune Title: VERLEIH UNS FREIDEN GNÄDIGLICH
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His trial o'er, and now, beneath

Author: C. Coffin Hymnal: The Lutheran Hymnary #296 (1913) Lyrics: 1 His trial o'er, and now, beneath His own cross faintly bending, Jesus the fatal hill of death Is wearily ascending. And now, His hands and feet pierced through, Upon the cross thy raise Him, Where even now, in distant view, The eye of faith surveys Him. 2 O wondrous love, which God most high Toward man was please to cherish! His sinless Son He gave to die, That sinners might not perish. Our sins's pollution to remove, His blood was asked and given; So mighty was the Saviors's love, So vast the wrath of heaven. 3 Yes! 'tis the cross that breaks the rod And chain of condemnation, And makes a league 'twist man and God, For our entire salvation. O praise the Father, praise the Son, The Lamb for sinners given, And Holy Ghost, through whom alone Our hearts are raised to heaven. Topics: The Church Year Lent and Passion Week; The Church Year Lent and Passion Week Tune Title: [His trial o'er, and now, beneath]
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His trial o'er, and now beneath

Author: John Chandler; Charles Coffin Hymnal: Hymns for the use of the Evangelical Lutheran Church, by the Authority of the Ministerium of Pennsylvania #174 (1865) Languages: English

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Charles Coffin

1676 - 1749 Person Name: Charles Coffin, d. 1749 Author of "His trial o'er, and now beneath" in Church Book Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)

John Chandler

1806 - 1876 Translator of "His trial o'er, and now beneath" in Church Book John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Anonymous

Composer of "VERLEIH UNS FREIDEN GNÄDIGLICH" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.