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Text Identifier:jesus_came_the_heavens_adoring

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Jesus Came, the Heavens Adoring

Author: Godfrey Thring Meter: 8.7.8.7.8.7 Appears in 111 hymnals

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ST. THOMAS (TANTUM ERGO)

Meter: 8.7.8.7.8.7 Appears in 190 hymnals Tune Sources: J. F. Wade's Cantus Diversi, 1751. Tune Key: E Flat Major Incipit: 12312 34365 43221 Used With Text: Jesus came - the heavens adoring
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REGENT SQUARE

Meter: 8.7.8.7.8.7 Appears in 875 hymnals Composer and/or Arranger: Henry T. Smart, 1813-1879; John Barnard, 1948- Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: Jesus Came, the Heavens Adoring
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PRAISE, MY SOUL

Meter: 8.7.8.7.8.7 Appears in 268 hymnals Composer and/or Arranger: John Goss Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: Jesus came, the heavens adoring

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Jesus came, the heavens adoring

Author: Rev. Godfrey Thring Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #318 (1894) Meter: 8.7 Lyrics: 1 Jesus came, the heavens adoring, Came with peace from realms on high; Jesus came for man's redemption, Lowly came on earth to die; Alleluia! Alleluia! Came in deep humility. 2 Jesus comes again in mercy When our hearts are worn with care; Jesus comes again in answer To an earnest, heart-felt prayer; Alleluia! Alleluia! Comes to save us from despair. 3 Jesus comes to hearts rejoicing, Bringing news of sins forgiven; Jesus comes in sounds of gladness, Leading souls redeemed to heaven; Alleluia! Alleluia! Now the gate of death is riven. 4 Jesus comes in joy and sorrow, Shares alike our hopes and fears; Jesus comes, whate'er befalls us, Cheers our hearts and dries our tears; Alleluia! Alleluia! Cheering e'en our failing years. 5 Jesus comes on clouds triumphant, When the heavens shall pass away; Jesus comes again in glory; Let us then our homage pay, Alleluia! ever singing, Till the dawn of endless day. Amen. Topics: General; Hope Languages: English Tune Title: [Jesus came, the heavens adoring]
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Jesus Came, the Heavens Adoring

Author: Godfrey Thring (1823-1903) Hymnal: Common Praise (1998) #97 (1998) Meter: 8.7.8.7.8.7 Lyrics: 1 Jesus came, the heavens adoring, came with peace from realms on high. Jesus came for our redemption, lowly came on earth to die: alleluia, alleluia! came in deep humility. 2 Jesus comes again in mercy, when our hearts are bowed with care. Jesus comes again in answer to our earnest heart-felt prayer, alleluia, alleluia! comes to save us from despair. 3 Jesus comes to hearts rejoicing, bringing news of sins forgiven. Jesus comes in sounds of gladness, leading souls redeemed to heaven. Alleluia, alleluia! Now the gate of death is riven. 4 Jesus comes on clouds triumphant, when the heavens shall pass away. Jesus comes again in glory: let us then our homage pay, alleluia, alleluia! till the dawn of endless day. Topics: Advent; Salvation/Redemption Scripture: Daniel 7:1-3 Languages: English Tune Title: TANTUM ERGO (ST. THOMAS)
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Jesus Came, the Heavens Adoring

Author: Godfrey Thring, 1823-1903 Hymnal: African Methodist Episcopal Church Hymnal #100 (2011) Meter: 8.7.8.7.8.7 Lyrics: 1 Jesus came, the heavens adoring, Came with peace from realms on high; Jesus came for man's redemption, Lowly came on earth to die: Alleluia! Alleluia! Came in deep humility. 2 Jesus comes again in mercy, When our hearts are bowed with care; Jesus comes again in answer To our earnest heart-felt prayer; Alleluia! Alleluia! Comes to save us from despair. 3 Jesus comes in joy and sorrow, Shares alike our hopes and fears; Jesus comes, whate'er befalls us, Glads our hearts and dries our tears; Alleluia! Alleluia! Cheering even our failing years. 4 Jesus comes on clouds triumphant, When the heavens shall pass away: Jesus comes again in glory; Let us then our homage pay, Alleluia! ever singing Till the dawn of endless day. Amen. Topics: Jesus Christ Advent and Nativity; Jesus Advent and Nativity; Jesus Ascension; Jesus His Coming in Glory Scripture: Luke 1:78 Languages: English Tune Title: REGENT SQUARE

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Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett, Mus. Doc. Composer of "TRIUMPH" in The Sunday School Hymnary Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Godfrey Thring

1823 - 1903 Author of "Jesus Came, the Heavens Adoring" in The Worshiping Church Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

John Goss

1800 - 1880 Composer of "LAUDA ANIMA" in The Worshiping Church John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman