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Text Identifier:lo_the_earth_is_risen_again

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Lo, the Earth Awakes Again

Author: Samuel Longfellow, 1819-1892 Meter: 7.7.7.7 with alleluias Appears in 32 hymnals First Line: Lo, the earth awakes again Alleluia! Lyrics: 1 Lo, the earth is risen again – Alleluia! from the winter’s bond and pain. Alleluia! Bring we leaf and flower and spray – Alleluia! to adorn this happy day. Alleluia! 2 Once again the word comes true, Alleluia! All the earth shall be made new. Alleluia! Now the dark, cold days are o’er, Alleluia! Spring and gladness leap before. Alleluia! 3 Change, then, mourning into praise, Alleluia! And, for dirges, anthems raise. Alleluia! How our spirits soar and sing, Alleluia! How our hearts leap with the spring! Alleluia! Topics: Transcending Mystery and Wonder Spring; Easter Used With Tune: EASTER HYMN

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EASTER HYMN

Meter: 7.7.7.7 with alleluias Appears in 547 hymnals Tune Sources: Lyra Davidica, 1708, version of John Arnold's Compleat Psalmodist, 1749 Tune Key: C Major Incipit: 13514 66534 51434 Used With Text: Lo, the Earth Awakes Again
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MONKLAND

Meter: 7.7.7.7 Appears in 240 hymnals Composer and/or Arranger: John Antes; John B. Wilkes Tune Key: B Flat Major Incipit: 13534 56713 32176 Used With Text: Lo, the Earth Is Risen Again
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LLANFAIR

Meter: 7.7.7.7 with alleluias Appears in 236 hymnals Composer and/or Arranger: Robert Williams Tune Key: G Major Incipit: 11335 43254 34321 Used With Text: Lo, the earth is risen again

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Lo, the Earth Is Risen Again

Author: Samuel Longfellow Hymnal: Worship in Song #114 (1996) Meter: 7.7.7.7 Lyrics: 1 Lo, the earth is risen again From the winter's bond and pain! Bring we leaf and flower and spray To adorn our holiday. 2 Once again the word comes true, Lo, he maketh all things new. Now the dark cold days are over, Light and gladness are before. 3 How our hearts leap with the spring! How our spirits soar and sing! Light is victor over gloom, Life triumphant o'er the tomb. 4 Change, then, mourning into praise, And, for dirges, anthems raise! All our fears and griefs shall be Lost in immortality. Topics: Darkness; Easter; Eternal Life; Hope; Story of Jesus; Praise; Rebirth; Resurrection; Spring; Winter Languages: English Tune Title: MONKLAND
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Lo, The Earth Is Risen Again

Author: Samuel Longfellow Hymnal: The Cyber Hymnal #11079 Meter: 7.7.7.7 Lyrics: 1 Lo, the earth is risen again From the winter’s bond and pain! Bring we leaf and flower and spray To adorn our holiday! 2 Once again the word comes true, Lo, He maketh all things new! Now the dark, cold days are o’er, Light and gladness are before. 3 How our hearts leap with the spring! How our spirits soar and sing! Light is victor over gloom, Life triumphant o’er the tomb. 4 Change, then, mourning into praise, And, for dirges, anthems raise! All our fears and griefs shall be Lost in immortality. Languages: English Tune Title: MONKLAND

Lo, the Earth Is Risen Again

Author: Samuel Longfellow Hymnal: A Hymnal for Friends #132 (1955) Tune Title: MONKLAND

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Samuel Longfellow

1819 - 1892 Person Name: Samuel Longfellow, 1819-1892 Author of "Lo, the Earth Awakes Again" in Singing the Living Tradition Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow

Robert Williams

1782 - 1818 Composer (melody) of "LLANFAIR" in The Beacon Song and Service book Robert Williams United Kingdom 1782-1818. Born at Mynydd Ithel, Anglesey, Wales, blind from birth, he became a basket weaver. He had great innate musical ability. Although blind, he could write out a tune after hearing it just once. He sang hymns at public occasions. No information found regarding family. He died at Mynydd Ithel, Anglesey, Wales. John Perry

John Bacchus Dykes

1823 - 1876 Composer of "GLEBE FIELD" in Services for Congregational Worship. The New Hymn and Tune Book As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman