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Text Identifier:now_the_day_is_ending

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Savior, Now the Day Is Ending

Author: Sarah Doudney Meter: 8.7.8.7.7.7 Appears in 67 hymnals

Lighten our darkness now the day is ended

Author: Timothy Dudley-Smith (born 1926) Meter: 11.11.11.5 Appears in 3 hymnals Topics: God's World Days and Nights: Evening Used With Tune: CHRISTE SANCTORUM

Now the Day is Ending (Salup na ang adlaw)

Author: Elena G. Maquiso; Cirilo Rigos; Ellsworth Chandlee Appears in 2 hymnals Text Sources: \

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[Savior, now the day is ending]

Meter: 8.7.8.7.7.7 Appears in 95 hymnals Composer and/or Arranger: J. Chr. Bach Tune Key: F Major Incipit: 31251 27567 11223 Used With Text: Savior, now the day is ending
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MURIEL

Meter: 8.7.8.7.7.7 Appears in 156 hymnals Composer and/or Arranger: Charles F. Gounod, 1818-1893 Tune Key: G Major Incipit: 11132 17153 33543 Used With Text: Saviour, as This Hour Is Ending
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GODESBERG

Meter: 8.7.8.7.7.7 Appears in 143 hymnals Composer and/or Arranger: Heinrich Albert, 1604 - 1651 Tune Key: A Flat Major Incipit: 12351 76567 12321 Used With Text: Saviour, now the day is ending

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Saviour, Now the Day Is Ending

Author: S. Doudney Hymnal: The Calvary Hymnal #19 (1891) Languages: English Tune Title: [Saviour, now the day is ending]
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Softly Now The Day Is Ending

Author: Thomas Kingo Hymnal: Hymnal for Church and Home #45 (1927) Meter: 8.8.7.8.8.7 Lyrics: 1 Softly now the day is ending, Night o’er hill and vale descending; I will kneel before Thee, Lord. Unto Thee my thanks I render That Thou didst, in mercy tender, Life and peace to me accord. 2 May Thy church Thy peace inherit; Guide our leaders by Thy spirit; Give our country strength and peace. To the sinner, sad and dreary, To each Christian, faint and weary, Give Thou solace and surcease. 3 Keep me, Jesus, while I slumber, Free from perils without number; Shield me, Master, in Thy might, That, released from sin and sorrow, I may sing this song to-morrow: Jesus was my sun this night. Topics: Morning and Evening Languages: English Tune Title: [Softly now the day is ending]

Now the Day Is Ending

Author: Elena Maquiso; Cirilo Rigos; Ellsworth Chandlee Hymnal: Hymns from the Four Winds #80 (1983) Topics: The Christian Life Morning and Evening; Responses to God Prayer; Responses to God Thanksgivings; The Christian Life Confession, Mercy, Forgiveness; The Christian Life Discipleship, Service, and Mission; The Christian Life Peace and Joy Scripture: Psalm 63:5-8 Languages: English Tune Title: MONING

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Sarah Doudney

1841 - 1926 Person Name: Miss Sarah Doudney Author of "Saviour, Now the Day Is Ending" in Christian Hymns Doudney, Sarah, daughter of Mr. George E. Doudney, of Cosham, Hants, was born near Portsmouth, but removed into a remote village in Hampshire at an early age. Her first efforts in literature were made when she was quite young, her poem, "The Lessons of the Water-Mill," a popular song, especially in America, having been written when she was only fifteen. Known mainly to the reading public through her stories, A Woman's Glory, Stepping Stones, and others, and through her contributions to the Sunday Magazine, Good Words, and other serials, her works, including fiction, and sacred and secular poems, have been widely read and appreciated. Her sacred poems are the least numerous of her writings. Some of these, as, "The Master hath come, and He calls us to follow," and "Saviour, now the day is ending," for use at the close of Evening Service, and of more than usual merit, create the desire for more of a like kind. Greater use, however, may be made of what she has written than has been done. By being buried in magazine literature, her hymns are somewhat difficult to trace. Her Psalms of Life was published by Houlston in 1871. In the Sunday School Union Songs of Gladness, 1871, the following were given;— 1. He hath gone into His garden. The Vineyard of the Lord. 2. In Thy holy garden ground. The Vineyard of the Lord. 3. Land of peace, and love, and brightness. Heaven. 4. Saviour, now the day is ending. Sunday Evening. 5. The Master hath come, and He calls us to follow. Jesus and Mary of Bethany. 6. We praise our Lord to-day. Sunday. 7. We sing a loving Jesus. Praise of Jesus. Of these, Nos. 1, 2, 3, are in her Psalms of Life, 1871, and all have passed from the Songs of Gladness into other collections. Her:— 8. Room for the wanderer, room. Christ's Invitation. is in W. B. Stevenson's School Hymnal, 1880. -- John Julian, Dictionary of Hymnology (1907) ================== Doudney, Sarah, p. 307, i. Other hymns in common use:— 1. For all Thy care we bless Thee. Morning. 2. Lord of the golden harvest. Harvest. 3. Now the solemn shadows darken. Evening. Nos. 1, 2, are from Miss Doudney's Psalms of Life, 1871, and No. 3 is in Mrs. Brock's Children's Hymn Book, 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Timothy Dudley-Smith

b. 1926 Person Name: Timothy Dudley-Smith (born 1926) Author of "Lighten our darkness now the day is ended" in Hymns for Today's Church (2nd ed.) Timothy Dudley-Smith (b. 1926) Educated at Pembroke College and Ridley Hall, Cambridge, Dudley-Smith has served the Church of England since his ordination in 1950. He has occupied a number of church posi­tions, including parish priest in the diocese of Southwark (1953-1962), archdeacon of Norwich (1973-1981), and bishop of Thetford, Norfolk, from 1981 until his retirement in 1992. He also edited a Christian magazine, Crusade, which was founded after Billy Graham's 1955 London crusade. Dudley-Smith began writing comic verse while a student at Cambridge; he did not begin to write hymns until the 1960s. Many of his several hundred hymn texts have been collected in Lift Every Heart: Collected Hymns 1961-1983 (1984), Songs of Deliverance: Thirty-six New Hymns (1988), and A Voice of Singing (1993). The writer of Christian Literature and the Church (1963), Someone Who Beckons (1978), and Praying with the English Hymn Writers (1989), Dudley-Smith has also served on various editorial committees, including the committee that published Psalm Praise (1973). Bert Polman

Joseph Barnby

1838 - 1896 Composer of "LINGWOOD" in Hymn Tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman