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Text Identifier:when_streaming_from_the_eastern_skies

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When, streaming from the eastern [eternal] skies

Author: William Shrubsole Appears in 204 hymnals Used With Tune: SOLID ROCK

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BROWNWELL

Meter: 8.8.8.8.8.8 Appears in 62 hymnals Composer and/or Arranger: Franz Joseph Haydn, (1732-1809). Tune Key: A Flat Major Incipit: 53511 72524 43513 Used With Text: When, Streaming from the Eastern Skies
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PATER OMNIUM

Appears in 82 hymnals Composer and/or Arranger: H. J. E. Holmes Incipit: 12354 21234 36511 Used With Text: When, streaming from the eastern skies
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STELLA

Appears in 125 hymnals Tune Sources: Crown of Jesus Incipit: 55355 11765 55432 Used With Text: When, streaming from the eastern skies

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When, streaming from the eastern skies

Author: Wm. Shrubsole Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #638 (1894) Lyrics: 1 When, streaming from the eastern skies, The morning light salutes mine eyes, O Sun of Righteousness divine, On me with beams of mercy shine; Chase the dark clouds of guilt away And turn my darkness into day. 2 As every day, Thy mercy spares, Will bring its trials and its cares, O Saviour, till my life shall end, Be Thou my counselor and friend! Teach me Thy precepts, all divine, And be Thy great example mine. 3 When each day's scenes and labors close, And wearied nature seeks repose, With pardoning mercy richly blest, Guard me, my Saviour, while I rest; And as each morning sun shall rise, Oh, lead me onward to the skies! 4 And at my life's last setting sun, My conflicts o'er, my labors done, Jesus, Thy heavenly radiance shed, To cheer and bless my dying bed; And, from death's gloom my spirit raise, To see Thy face and sing Thy praise. Amen. Topics: Home and Personal Use Languages: English Tune Title: [When, streaming from the eastern skies]
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When, Streaming From the Eastern Skies

Author: W. Shrubsole Hymnal: The New Christian Hymnal #47 (1929) Meter: 8.8.8.8 Lyrics: 1 When, streaming from the eastern skies, The morning light salutes mine eyes, O Sun of Righteousness divine, On me with beams of mercy shine; Chase the dark shades of night away, And turn my darkness into day. 2 As ev'ry day, Thy mercy spares, Will bring its trials and its cares, O Savior, till my life shall end, Be Thou my Counselor and Friend; Teach me Thy precepts all divine, And be Thy great example mine. 3 When each day's scenes and labors close, And wearied nature seeks repose, With pard'ning mercy richly blest, Guard me, my Savior, while I rest; And as each morning's sun shall rise, Oh, lead me onward to the skies. 4 And at my life's last setting sun, My conflicts o'er, my labors done, Jesus, Thy heav'nly radiance shed, To cheer and bless my dying bed: Then from death's gloom my spirit raise, To see Thy face and sing Thy praise. Amen. Topics: God In Nature Morning Languages: English Tune Title: ST. PETERSBURG
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When, streaming from the eastern skies

Author: Sir R. Grant Hymnal: Church Chorals and Choir Studies #60 (1850) Languages: English Tune Title: [When, streaming from the eastern skies]

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Robert Grant

1779 - 1838 Person Name: Sir Robert Grant (1785-1838) Author of "When, streaming from the eastern skies" in Hymns of the Ages Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Joseph Haydn

1732 - 1809 Person Name: Haydn Composer of "BROWNELL" in The Church Hymnal Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "MELITA" in The Hymnal of Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman