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Nothing But the Blood of Jesus

Author: Robert Lowry Meter: 7.8.7.8 with refrain Appears in 510 hymnals Topics: liturgical Communion Songs First Line: What can wash away my sin Refrain First Line: O precious is the flow Lyrics: 1 What can wash away my sin? Nothing but the blood of Jesus. What can make me whole again? Nothing but the blood of Jesus. Refrain: O precious is the flow that makes me white as snow; no other fount I know; nothing but the blood of Jesus. 2 For my pardon this I see: nothing but the blood of Jesus. For my cleansing this my plea: nothing but the blood of Jesus. [Refrain] 3 Nothing can for sin atone: nothing but the blood of Jesus. Naught of good that I have done: nothing but the blood of Jesus. [Refrain] 4 This is all my hope and peace: nothing but the blood of Jesus. This is all my righteousness: nothing but the blood of Jesus. [Refrain] United Methodist Hymnal, 1989

Come, Share the Lord

Author: Bryan Jeffery Leech Meter: Irregular Appears in 18 hymnals Topics: liturgical Communion Songs First Line: We gather here in Jesus' name
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Just as I Am, Without One Plea

Author: Charlotte Elliott Meter: 8.8.8.8 Appears in 2,137 hymnals Topics: liturgical Communion Songs Lyrics: 1 Just as I am, without one plea, but that thy blood was shed for me, and that thou bidd'st me come to thee, O Lamb of God, I come, I come. 2 Just as I am, and waiting not to rid my soul of one dark blot, to thee, whose blood can cleanse each spot, O Lamb of God, I come, I come. 3 Just as I am, though tossed about with many a conflict, many a doubt, fightings and fears within, without, O Lamb of God, I come, I come. 4 Just as I am, thou wilt receive, wilt welcome, pardon, cleanse, relieve; because thy promise I believe, O Lamb of God, I come, I come. Psalter Hymnal, (Gray)

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LOVE UNKNOWN

Meter: 6.6.12.4.4.8 Appears in 83 hymnals Composer and/or Arranger: John Ireland Topics: liturgical Communion Songs Tune Key: D Major Incipit: 35632 12345 36676 Used With Text: Now to Your Table Spread
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RENDEZ À DIEU

Meter: 9.8.9.8 D Appears in 178 hymnals Composer and/or Arranger: Ralph Vaughan Williams (1872-1958) Topics: liturgical Communion Songs Tune Sources: Strasbourg, 1545; Geneva, 1551 Tune Key: G Major Incipit: 16511 24325 33143 Used With Text: Bread of the World, in Mercy Broken

DIVERNON

Meter: Irregular Appears in 15 hymnals Composer and/or Arranger: Bryan Jeffery Leach Topics: liturgical Communion Songs Tune Key: G Major Incipit: 17151 71417 15171 Used With Text: We Gather Here (Come, Share the Lord)

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Here, O My Lord, I See You Face to Face

Author: Horatius Bonar Hymnal: Voices United #459 (1996) Meter: 10.10.10.10 Topics: liturgical Communion Songs Lyrics: 1 Here, O my Lord, I see you face to face, here would I touch and handle things unseen, here grasp with firmer hand eternal grace, and all my weariness upon you lean. 2 Here I will feed upon the bread of God, here drink with you the royal wine of heaven; here I will lay aside each earthly load, here taste afresh the calm of sin forgiven. 3 This is the hour of banquet and of song; this is the heavenly table for me spread; here let me feast, and feasting, still prolong the fellowship of living wine and bread. 4 Too soon we rise, the symbols disappear. The feast, though not the love, is past and gone: the bread and wine remove, but you are here, nearer than ever, still my shield and sun. 5 Feast after feast thus comes and passes by, yet, passing, points to that glad feast above, giving sweet foretaste of the festal joy, the Lamb’s great bridal feast of bliss and love. Languages: English Tune Title: ST AGNES

All Who Hunger

Author: Sylvia G. Dunstan Hymnal: Voices United #460 (1996) Meter: 8.7.8.7 D Topics: liturgical Communion Songs First Line: All who hunger, gather gladly Languages: English Tune Title: HOLY MANNA

Christ, Be Our Host

Author: Herman G. Stuempfle, Jr. Hymnal: Voices United #465 (1996) Meter: 4.5.7 D with refrain Topics: liturgical Communion Songs Tune Title: EARTH AND ALL STARS

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William Walsham How

1823 - 1897 Person Name: William W. How, 1823-1897 Topics: Christ the King; All Saints November 1st; All Souls November 2nd; Funeral Sacraments; Communion of Saints; Courage; Discipleship; Eternal Life; Faith; Heaven; Holy Name of Jesus; Music; Praise; Providence; Rest; Second Coming; Song; Strength; Struggle; Trust, Confidence; Worship and Adoration Author of "For All the Saints" in Lead Me, Guide Me (2nd ed.) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Leland B. Sateren

1913 - 2007 Person Name: Leland Bernhard Sateren Topics: liturgical Communion Songs Harmonizer of "THE ASH GROVE" in Voices United From the obituary in the Star Tribune, Nov. 11-13, 2007:Sateren, Leland B. 94, Edina, died Saturday, Nov. 10, 2007. Sateren, a renowned composer and conductor, served as chairman of the Augsburg College Department of Music from 1950 to 1973, and as director of the Augsburg Choir from 1950 until his retirement in 1979. Survived by devoted wife, Pauline; sons, Terry, Mark (Judi), Roald (Shelley); daughter, Kirsten Bergherr (Jon); and grandchildren, Stacy Lindholm (Pete), Anne Sateren Burow (Matt), Ben Bergherr, Sara Bergherr, Erik Sateren, and Anders Sateren. Sateren is also survived by sisters, Margaret Trautwein, Norma (Ray) Anderson, Sylvia (Dean) Elness; and brother, Donald Sateren. The family would like to thank the staff at Redeemer Residence in Minneapolis for their concern and care. Memorial service at 11 am Saturday, Nov. 17 at the Augsburg College Foss Chapel. Visitation will be from 9:30-10:30 am. Memorials preferred to the Leland B. Sateren Choral Scholarship Fund at Augsburg. From Inside Augsburg:The campus community mourns the death of one of Augsburg’s music giants, composer and conductor Leland Sateren ‘35, who died on Saturday, Nov. 10, at the age of 94. His work includes more than 400 choral pieces he composed, which are sung in churches around the county. Sateren was passionate about Scandinavian choral music and introduced the work of many Scandinavian composers to American choral directors. Sateren graduated from Augsburg in 1935, and for the next 10 years, he attended graduate school at the University of Minnesota, was music director at the university’s KUOM radio station, and served in public service during World War II. In 1946, he returned to Augsburg; 4 years later, he became chair of the Music Department and director of the Augsburg Choir, which he led until his retirement in 1979. He is recognized for the excellence he brought to the Augsburg Choir and Augsburg’s choral arts program. During his long tenure, the choir developed a more contemporary sound and expanded its reach beyond churches into the community, and beyond the Midwest into Europe and international locations. Among Sateren’s many notable accomplishments are premieres of works with the Minnesota Symphony Orchestra and a commissioned piece at the United Nations to commemorate the 20th anniversary of the Universal Declaration of Human Rights. Sateren was the first recipient of the F. Melius Christiansen Memorial Award for choral directors. In 2002 he was awarded the Weston Noble Choral Directors Award. He was also honored with the St. Olaf Medal, presented by King Olav V of Norway, and received two honorary doctorates. Sateren’s impact on the many hundreds of Augsburg students who sang in his choir was remarkable. Peter Hendrickson ’76, director of choral activities and current conductor of the Augsburg Choir, studied with Sateren. A number of other choir alumni who studied under Sateren currently sing in the Masterworks Chorale at Augsburg, also directed by Hendrickson. Sateren’s first wife, Eldora, died in 1968. He is survived by his second wife, Pauline. He is also survived by four siblings, all of whom attended Augsburg — Margaret Trautwein ’37, Norma Anderson ’46, Sylvia Elness ’48, and Donald. Sateren’s four children also all graduated from Augsburg — Terry ’68, Mark ’69, Kirsten Bergherr ’78, and Roald ’80.

Iona Community

Person Name: The Iona Community Topics: liturgical Communion Songs Author of "Shout for Joy" in Voices United Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation