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Epiphany 6Year AYear BYear C

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Lord Jesus, Think on Me

Author: Allen William Chatfield; Synesius of Cyrene, Bishop of Ptolemais Meter: 6.6.8.6 Appears in 135 hymnals Topics: Ancient Hymns; Devotional; Historical; Inner Life
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Love Divine, All Loves Excelling

Author: Charles Wesley Meter: 8.7.8.7 D Appears in 1,906 hymnals Topics: Epiphany 6 Year B Lyrics: 1 Love divine, all loves excelling, joy of heaven, to earth come down, fix in us thy humble dwelling, all thy faithful mercies crown. Jesus, thou art all compassion, pure, unbounded love thou art; visit us with thy salvation, enter every trembling heart. 2 Come, almighty to deliver, let us all thy life receive; suddenly return, and never, nevermore thy temples leave. Thee we would be always blessing, serve thee as thy hosts above, pray, and praise thee, without ceasing, glory in thy perfect love. 3 Finish then thy new creation; pure and spotless let us be; let us see thy great salvation perfectly restored in thee, changed from glory into glory, till in heaven we take our place, till we cast our crowns before thee, lost in wonder, love, and praise. Used With Tune: HYFRYDOL
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What Gift Can We Bring?

Author: Jane Marshall Meter: 11.11.11.11 Appears in 14 hymnals Topics: Year A Epiphany 6 First Line: What gift can we bring, what present, what token? Lyrics: 1 What gift can we bring, what present, what token? What words can convey it, the joy of this day? When grateful we come, remembering, rejoicing, what song can we offer in honor and praise? 2 Give thanks for the past, for those who had vision, who planted and watered so dreams could come true. Give thanks for the now, for study, for worship, for mission that bids us turn prayer into deed. 3 Give thanks for tomorrow, full of surprises, for knowing whatever tomorrow may bring, The Word is our promise always, forever; we rest in God’s keeping and live in God’s love. 4 This gift we now bring, this present, this token, these words can’t convey it, the joy of this day! When grateful we come, remembering, rejoicing, this song we now offer in honor and praise! Scripture: 1 Corinthians 3:8-9 Used With Tune: ANNIVERSARY SONG

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JUDAS MACCABAEUS

Appears in 156 hymnals Composer and/or Arranger: George Frideric Handel Topics: Epiphany 6 Year B Tune Key: D Major Incipit: 53451 23454 32345 Used With Text: Thine is the Glory (À toi la gloire)
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PUER NOBIS NASCITUR

Meter: 8.8.8.8 Appears in 229 hymnals Composer and/or Arranger: Michael Praetorius; G. R. Woodward; Frances P. Macphail Topics: Epiphany 6 Year C Tune Key: D Major Incipit: 11234 32115 55671 Used With Text: O Love, How Deep
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CRÜGER

Meter: 7.6.7.6 D Appears in 75 hymnals Composer and/or Arranger: Johann Crüger; W. H. Monk Topics: Epiphany 6 Year A Tune Key: F Major Incipit: 56543 23311 25356 Used With Text: Hail to God's Own Anointed

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O for a Thousand Tongues to Sing

Author: Charles Wesley Hymnal: Voices United #326 (1996) Meter: 8.6.8.6 Topics: Epiphany 6 Year A; Epiphany 6 Year B Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and king, the triumphs of God's grace. 2 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life and health and peace. 3 He speaks, and listening to his voice, new life the dead receive, the mournful broken hearts rejoice, the humble poor believe. 4 Hear him, you deaf, you voiceless ones, your tongues again employ; you blind, behold your Saviour comes, and leap, you lame, for joy! 5 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honours of your name. Tune Title: AZMON
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Hail to God's Own Anointed

Author: James Montgomery Hymnal: Voices United #30 (1996) Meter: 7.6.7.6 D Topics: Epiphany 6 Year A Lyrics: 1 Hail to God's own anointed, great David's greater Son! Hail, in the time appointed, God's reign on earth begun! Christ comes to break oppression, to set the captive free; to take away transgression, and rule in equity. 2 Christ comes with justice surely to those who suffer wrong, to help the poor and needy, and bid the weak be strong, to give them songs for sighing, their darkness turn to light, whose souls, condemned and dying, are precious in his sight. 3 Christ shall come down like showers upon the fruitful earth, and love, joy, hope, like flowers, spring in his path to birth. Before him on the mountains shall peace, the herald, go, and righteousness in fountains from hill to valley flow. 4 To him shall prayer unceasing and daily vows ascend, his kingdom still increasing, a kingdom without end. The tide of time shall never his covenant remove. His name shall stand for ever: that name to us is Love. Languages: English Tune Title: CRÜGER
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Hail to the Lord's Anointed

Author: James Montgomery (1771-1854) Hymnal: Ancient and Modern #99 (2013) Meter: 7.6.7.6.7.6.7.6 Topics: Advent; Adoration; Church Universal; Church Year Advent; Church Year Epiphany; Deliverance; Epiphany; Freedom and Liberation; Jesus Names and images for; Kingdom of God; Proper 24 Year C; Proper 6 Year B; The Fourth Sunday of Epiphany Year A; The Second Sunday of Epiphany Year C; The Third Sunday of Epiphany Year C Lyrics: 1 Hail to the Lord's Anointed, great David's greater Son! hail, in the time appointed, his reign on earth begun! He comes to break oppression, to set the captive free, to take away transgression, and rule in equity. 2 He comes with succour speedy to those who suffer wrong; to help the poor and needy, and bid the weak be strong; to give them songs for sighing, their darkness turn to light, whose souls, condemned and dying, were precious in his sight. 3 He shall come down like showers upon the fruitful earth, and love, joy, hope, like flowers, spring in his path to birth: before him on the mountains shall peace, the herald, go; and righteousness in fountains from hill to valley flow. 4 Kings shall bow down before him, and gold and incense bring; all nations shall adore him, his praise all people sing: to him shall prayer unceasing and daily vows ascend; his kingdom still increasing, a kingdom without end. 5 O'er every foe victorious, he on his throne shall rest; from age to age more glorious, all-blessing and all-blest: the tide of time shall never his covenant remove; his name shall stand for ever, his changeless name of love. Scripture: Psalm 72 Languages: English Tune Title: CRÜGER

People

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Authors, composers, editors, etc.

Daniel Iverson

1890 - 1977 Topics: Epiphany 6 Year A Author (v. 1) of "Spirit of the Living God" in Voices United Daniel Iverson (b. Brunswick, GA, 1890; d. Asheville, NC, 1977) wrote the first stanza and tune of this hymn after hearing a sermon on the Holy Spirit during an evangelism crusade by the George Stephens Evangelistic Team in Orlando, Florida, 1926. The hymn was sung at the crusade and then printed in leaflets for use at other services. Published anonymously in Robert H. Coleman's Revival Songs (1929) with alterations in the tune, this short hymn gained much popularity by the middle of the century. Since the 1960s it has again been properly credited to Iverson. Iverson studied at the University of Georgia, Moody Bible Institute, Columbia Theological Seminary, and the University of South Carolina. Ordained in the Presbyterian Church in 1914, he served congregations in Georgia and in North and South Carolina. In 1927 he founded the Shenandoah Presbyterian Church in Miami, Florida, and served there until his retirement in 1951. An evangelist as well as a preacher, Iverson planted seven new congregations during his ministry in Miami. --www.hymnary.org/hymn/PsH/424

César Malan

1787 - 1864 Person Name: H. A. César Malan Topics: Epiphany 6 Year A Composer of "HENDON" in Voices United Rv Henri Abraham Cesar Malan, 1787-1864. Born in Geneva, Switzerland, into a bourgeois family that moved to Switzerland to escape religious persecution during the French Revolution, he attended the university in Marseilles, France, intending to become a businessman. Although having some grounding in religious faith by his mother, he decided to attend the Academy at Geneva (founded by Calvin) in preparation for ministry. He was ordained in 1810, after being appointed a college master (teaching Latin) in 1809. Malan was in accord with the National Church of Geneva as a Unitarian, but the Reveil Movement caused him to become a dissident (evangelical) instead of a proponent of the Reformed Church (believing works, not faith, was what mattered). In 1811 he married (wife’s name not found). They had at least two children (one son was Solomon, referenced below). From 1813 on Malan slowly became an evangelical, after being given an understanding of true salvation through grace (not works) in 1816 by two German Lutherans from Geneva. He became saved upon this realization and was so changed that he burned his prized collection of classical authors and manuscripts. In 1817 he preached around Geneva, and one sermon in particular, “Man only justified by faith alone” created a firestorm and brought him into conflict with religious authorities of the region. From then on he wished to help reform the national church from within, but the forces of the Venerable Company were too strong for him and excluded him from the pulpits and caused his dismissal from his regentsship at the college in 1818. Others in agreement with Malan were Charles Spurgeon, Robert Wilcox, Robert Haldane, and Henry Drummond. In 1820 he built a chapel in his garden and obtained the license of the State for it as a separatist place of worship. He preached in that chapel 43 years. In 1823 he was formally deprived of his status as a minister of the national Church. Various events caused his congregation to diminish over the next few years, and he began long tours of evangelization subsidized by religious friends in his land, Belgium, France, England and Scotland. He often preached to large congregations. Malan also authorized a hymn book, “Chants de Sion” (1841). A strong Calvinist, Malan lost no opportunity to evangelize. On one occasion an old man he visited pulled Malan’s hymnal out and told him he had prayed to see the author of it before he died. On a visit to England Malan also inspired author, Charlotte Elliott, to write the hymn lyrics for “Just as I am”, when seeking an answer to her conversion she asked and he advised her to come to Christ ‘just as she was’. Malan published a score of books and also produced many religious tracts and pamphlets largely on questions in dispute between the National and evangelical churches of Rome. He also wrote articles in the “Record” and in American reviews. His hymns were set to his own melodies. He was an artist, a mechanic, a carpenter, a metal forger, and a printer. He had his own workshop, forge and printing press. One of his greatest joys was the meeting of the evangelical alliance at Geneva in 1861 which helped change church views. He retired to his home, Vandoeuvres, in the countryside near Geneva in 1857, dying there seven years later.. He was honored by a visit from the Queen of Holland two years before his death. He is mainly remembered as a hymn writer, having written 1000+ hymn lyrics and tunes. One son, Solomon, a gifted linguist and theologian, became Vicar of Broadwindsor. About a dozen of his hymns appeared translated in the publication “Friendly visitor” (1826). He was an author, creator, composer, editor, correspondent, contributor, translator, owner, and performer. John Perry ================= Malan, Henri Abraham César. The family of Malan traces its origin to the valleys of Piedmont. A branch of it settled at Mérindol, in Dauphiné, but was driven from France by the persecutions that followed the Revocation of the Edict of Nantes. Pierre Malan [Cesar's father], after seeing his sister fall a victim to persecution, left Mérindol (1714), and arrived at Geneva (1722). Henri Abraham César Malan was born at Geneva in 1787. After an education at the College, he went to Marseilles, with the intention of learning business: but, soon after, entered the Academy at Geneva, as a preparation for the ministry, to which he was ordained in 1810. He had been appointed one of the masters at the College in the previous year. The National Church of Geneva was at that time almost Unitarian, and Malan's convictions were in accord with it. But the great movement known as the Réveil, of which the first products were the dissident church of Bourg de Four and at a later date that founded by Malan himself, and which finally imbued the whole Swiss Church with its spirit, was silently preparing itself. The germ of the movement may be traced in the Société des Amis (1810), of which Empeytaz and A. Bost were leaders; and in Malan's independent attainment to the doctrines of the Divinity of the Saviour and the free gifts of salvation through Him (1816). But the human agency, which gave it force, and determined its Calvinistic direction, was the visit of Robert Haldane (in the autumn of 1816), to whom not only these pioneers of the movement, but F. Monod, E. Rieu, Guers, Gonthier, Merle d'Aubigné, and others, always pointed as their spiritual father. Empeytaz and others sought to attain enfranchisement by the establishment of the "petite Eglise of Bourg de Four." Malan wished to reform the national Church from within: and a sermon at Geneva, which brought on him the obloquy of the professors and theologians that composed his audience, and which Haldane characterized as a republication of the Gospel, was his first overt act (Jan. 19, 1817). But the opposing forces were far too strong for him. The Venerable Company excluded him from the pulpits, and achieved his dismissal from his regentship at the College (1818). In 1820 he built a chapel (Chapelle du Temoignage) in his garden, and obtained the licence of the State for it, as a separatist place of worship. In 1823 he was formally deprived of his status as a minister of the national Church. The seven years that succeeded were the palmy days of the little chapel. Strangers, especially from England, mingled with the overflowing Swiss congregation. But (in 1830) a secession to Bourg de Four, and then the foundation of the Oratoire and the Société Evangelique, which in 1849 absorbed the congregation of Bourg de Four under the title of the Église Evangélique, thinned more and more the number of his adherents. His burning zeal for the conversion of souls found a larger outlet in long tours of evangelization, subsidized by religious friends, in his own land and Belgium and France, and also in Scotland and England, where he had friends among many religious bodies, and where he preached to large congregations. The distinguishing characteristic of these tours was his dealing with individuals. On the steamboat or the diligence, in the mountain walk, at the hotel, no opportunity was lost. On one occasion an old,man whom he visited drew from under his pillow a copy of his great hymnbook, Chants de Sion, 1841, and told him how he had prayed to see the author of it before he died. It is as the originator of the modern hymn movement in the French Reformed Church that Malan's fame cannot perish. The spirit of his hymns is perpetuated in the analysis of Christian experience, the never-wearied delineation of the hopes and fears, the joys and sorrows of the believer's soul, which are still the staple of French Protestant hymns. To this was added, in Malan himself, a marked didactic tone, necessitated by the great struggle of the Réveil for Evangelical doctrine; and an emphatic Calvinism, expressing itself with all the despondency of Newton and Cowper, but, in contrast with them, in bright assurance, peace and gladness. French criticism has pronounced his hymns unequal, and full of literary defects; but their unaffected freshness and fervent sincerity are universally allowed. In the Chants de Sion, hymns 20, ”Hosanna! Béni soit"; 165, “Mon coeur joyeux, plein d'espérance"; 199, "Du Rocher de Jacob"; 200, "Agneau de Dieu"; 239, "Trois fois Jehovah," are in every Protestant French hymnbook; and several others are very widely used. Besides his hymns Malan produced numberless tracts and pamphlets on the questions in dispute between the National and Evangelical Churches and the Church of Rome, as well as articles in the Record and in American reviews. He was a man of varied acquirements. His hymns were set to his own melodies. He was an artist, a mechanic: his little workshop had its forge, its carpenter's bench, its printing press. To the end of his life his strong Calvinism, and his dread of mere external union in church government, kept him distinct from all movements of church comprehension, though freely joining in communion with all the sections of Evangelical thought in Geneva and Scotland. At one time there seemed a prospect of his even rejoining the national Church, which had driven him from her. One of his greatest joys was the meeting of the Evangelical Alliance at Geneva (1861). He left no sect; one of his latest orders was the demolition of his decayed chapel, in which he had preached for 43 years. He died at Vandoeuvres, near Geneva, in 1864, leaving a numerous family, one of whom, the Rev. S. C. Malan, D.D., sometime Vicar of Broadwindsor, is well known as a linguist and a theologian of the English Church. To English readers Malan is chiefly known as a hymn-writer through translations of his "Non, ce n'est pas mourir" (q.v.): "It is not death to die", &c. About a dozen of his hymns appear in a translated form in the Friendly Visitor for 1826. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= http://en.wikipedia.org/wiki/César_Malan

Frederick Whitfield

1829 - 1904 Topics: Year C Epiphany 6 Author of "There Is a Name I Love to Hear (O How I Love Jesus)" in The New Century Hymnal Whitfield, Frederick, B.A., son of H. Whitfield, was born at Threapwood, Shropshire, Jan. 7, 1829, and educated at Trinity College, Dublin, where he took his B.A. in 1859. On taking Holy Orders, he was successively curate of Otley, vicar of Kirby-Ravensworth, senior curate of Greenwich, and Vicar of Stanza John's, Bexley. In 1875 he was preferred to St. Mary's, Hastings. Mr. Whitfield's works in prose and verse number upwards of thirty, including Spiritual unfolding from the Word of Life; Voices from the Valley Testifying of Jesus; The Word Unveiled; Gleanings from Scripture, &c. Several of his hymns appeared in his Sacred Poems and Prose, 1861, 2nd Series, 1864; The Casket, and Quiet Hours in the Sanctuary. The hymn by which he is most widely known is I need Thee, precious Jesu.” Other hymns by him in common use include:~ 1. I have a Great High Priest above. Christ the High Priest. 2. I saw the Cross of Jesus. The Cross. 3. In spirit, Lord, we meet Thee now. Missions. This was written at the request of the Committee of the Irish Church Missions for one of their annual meetings in London. 4. Jesus, Thou Name of magic power. The Name of Jesus. Sometimes given as "Jesus, Thou Name of power divine." 5. The sprinkled blood is speaking. The Blood of Christ. 6. There is a day I long to see. Heaven Anticipated. 7. There is a Name I love to hear. The Name of Jesus. Published in 1855 in hymnsheets and leaflets in various languages. From this the hymn “Jesus, the Name I love so well" is taken. 8. There's naught on earth to rest upon. God Unchangeable. 9. When dead in sin and far from God. Redemption. All these hymns, with the exception of No. 3, are in his Sacred Poems and Prose, 1861, and several of them have been printed as leaflets, and set to special music. The Sacred Poems, &c, contains 26 hymns, some of which are of considerable merit. -- John Julian, Dictionary of Hymnology (1907)
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