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Take My Life, and Let It Be
Author: Frances R. Havergal Meter: 7.7.7.7.7 Appears in 1,215 hymnals Topics: Good Works First Line: Take my life and let it be Used With Tune: HENDON
Take My Life, and Let It Be
At the Cross
Author: Isaac Watts, 1674-1748; Ralph E. Hudson, 1843-1901 Meter: 8.6.8.6 D Appears in 2,321 hymnals Topics: The Celebration of the Gospel Story Good Friday; Cross; Cross of Jesus Christ; Jesus Christ Crucifixion; Death of Jesus Christ; Jesus Christ Redemptive work First Line: Alas! And did my Savior bleed Refrain First Line: At the cross, at the cross where I first saw the light Lyrics: 1 Alas! And did my Savior bleed?
And did my Sov'reign die?
Would He devote that sacred head
For such a one as I?
Refrain:
At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away–
It was there by faith I received my sight,
And now I am happy all the day!
2 Was it for crimes that I have done
He groaned upon the tree?
Amazing pity! Grace unknown!
And love beyond degree! [Refrain]
3 Well might the sun in darkness hide
And shut His glories in,
When God, the mighty Maker, died
For man, the creature's sin. [Refrain]
4 But drops of grief can ne'er repay
The debt of love I owe;
Here, Lord, I give myself away–
'Tis all that I can do! [Refrain] Scripture: Romans 5:8 Used With Tune: HUDSON
At the Cross
All People That on Earth Do Dwell
Author: William Kethe Meter: 8.8.8.8 Appears in 727 hymnals Topics: God His perfections; Church Covenant People; Church Lord's House; God Goodness of; God Immutability of; God Praise of; God Truth of; Work of Creation Lyrics: 1 All people that on earth do dwell,
sing to the Lord with cheerful voice;
him serve with fear, his praise forth tell,
come ye before him and rejoice.
2 The Lord ye know is God indeed;
without our aid he did us make;
we are his folk, he doth us feed,
and for his sheep he doth us take.
3 O enter then his gates with praise,
approach with joy his courts unto;
praise, laud, and bless his name always,
for it is seemly so to do.
4 For why? The Lord our God is good,
his mercy is forever sure;
his truth at all times firmly stood,
and shall from age to age endure.
Scripture: Psalm 100 Used With Tune: OLD HUNDREDTH
All People That on Earth Do Dwell
OLD HUNDREDTH
Meter: 8.8.8.8 Appears in 1,972 hymnals Composer and/or Arranger: Louis Bourgeois Topics: God His perfections; Church Covenant People; Church Lord's House; God Goodness of; God Immutability of; God Praise of; God Truth of; Work of Creation Tune Sources: Louis Bourgeois's Genevan Psalter Tune Key: G Major Incipit: 11765 12333 32143 Used With Text: All People That on Earth Do Dwell
OLD HUNDREDTH
ST. FLAVIAN
Meter: 8.6.8.6 Appears in 287 hymnals Topics: Good Works Tune Sources: Day's Psalter, 1562 Tune Key: F Major Incipit: 11713 22114 31233 Used With Text: Fill Thou My Life, O Lord My God
ST. FLAVIAN
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #27a (1786) Topics: Good Works profit Man, not God; Good Works profit Man, not God First Line: Preserve me, Lord, in time of need Lyrics: 1 Preserve me, Lord, in time of need,
For succour to thy throne I flee,
But have no merits there to plead;
My goodness cannot reach to thee.
2 Oft have my heart and tongue confest
How empty and how poor I am;
My praise can never make thee blest,
Nor add new glories to thy name.
3 Yet, Lord, thy saints on earth may reap
Some profit by the good we do;
These are the company I keep,
These are the choicest friends I know.
4 Let others chuse the sons of mirth,
To give a relish to their wine?
I love the men of heavenly birth,
Whose thoughts and language are divine. Scripture: Psalm 16 Languages: English
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Hymnal: Doctor Watts's Imitation of the Psalms of David #27a (1790) Topics: Good Works profit Man, not God; Good Works profit Man, not God First Line: Preserve me, Lord, in time of need Lyrics: 1 Preserve me, Lord, in time of need,
For succour to thy throne I flee,
But have no merits there to plead;
My goodness cannot reach to thee.
2 Oft have my heart and tongue confest
How empty and how poor I am;
My praise can never make thee blest,
Nor add new glories to thy name.
3 Yet, Lord, thy saints on earth may reap
Some profit by the good we do;
These are the company I keep,
These are the choicest friends I know.
4 Let others chuse the sons of mirth,
To give a relish to their wine?
I love the men of heavenly birth,
Whose thoughts and language are divine. Scripture: Psalm 16 Languages: English
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #31a (1786) Topics: Good Works profit Man, not God; Good Works profit Man, not God First Line: Preserve me, Lord, in time of need Lyrics: 1 Preserve me, Lord, in time of need,
For succour to thy throne I flee,
But have no merits there to plead;
My goodness cannot reach to thee.
2 Oft have my heart and tongue confest
How empty and how poor I am;
My praise can never make thee blest,
Nor add new glories to thy name.
3 Yet, Lord, thy saints on earth may reap
Some profit by the good we do;
These are the company I keep,
These are the choicest friends I know.
4 Let others chuse the sons of mirth,
To give a relish to their wine?
I love the men of heavenly birth,
Whose thoughts and language are divine. Scripture: Psalm 16 Languages: English
Confession of our poverty; and, Saints the best Company; or, Good Works profit Men, not God
Samuel Medley
1738 - 1799 Person Name: Samuel Medley, 1738-1799 Topics: The Celebration of the Gospel Story Easter; Christian Year Easter; Goodness of Jesus Christ; Intercession of Jesus Christ; Jesus Christ Redemptive work; Jesus Christ Resurrection Author of "I Know That My Redeemer Lives" in One Lord, One Faith, One Baptism Medley, Samuel, born June 23, 1738, at Cheshunt, Herts, where his father kept a school. He received a good education; but not liking the business to which he was apprenticed, he entered the Royal Navy. Having been severely wounded in a battle with the French fleet off Port Lagos, in 1759, he was obliged to retire from active service. A sermon by Dr. Watts, read to him about this time, led to his conversion. He joined the Baptist Church in Eagle Street, London, then under the care of Dr. Gifford, and shortly afterwards opened a school, which for several years he conducted with great success. Having begun to preach, he received, in 1767, a call to become pastor of the Baptist church at Watford. Thence, in 1772, he removed to Byrom Street, Liverpool, where he gathered a large congregation, and for 27 years was remarkably popular and useful. After a long and painful illness he died July 17, 1799. Most of Medley's hymns were first printed on leaflets or in magazines (the Gospel Magazine being one). They appeared in book form as:—
(1) Hymns, &c. Bradford, 1785. This contains 42 hymns. (2) Hymns on Select Portions of Scripture by the Rev. Mr. Medley. 2nd ed. Bristol. W. Pine. 1785. This contains 34 hymns, and differs much from the Bradford edition both in the text and in the order of the hymns. (3) An enlargement of the same in 1787. (4) A small collection of new Hymns, London, 1794. This contains 23 hymns. (5) Hymns. The Public Worship and Private Devotion of True Christians Assisted in some thoughts in Verse; principally drawn from Select Passages of the Word of God. By Samuel Medley. London. Printed for J. Johnson. 1800. A few of his hymns are also found in a Collection for the use of All Denominations, published in London in 1782.
Medley's hymns have been very popular in his own denomination, particularly among the more Calvinistic churches. In Denham's Selections there are 48, and in J. Stevens's Selections, 30. Their charm consists less in their poetry than in the warmth and occasional pathos with which they give expression to Christian experience. In most of them also there is a refrain in the last line of each verse which is often effective. Those in common use include:—
1. Come, join ye saints, with heart and voice. (1800). Complete in Christ.
2. Death is no more among our foes. Easter.
3. Eternal Sovereign Lord of all. (1789). Praise for Providential Care.
4. Far, far beyond these lower skies. (1789). Jesus, the Forerunner.
5. Father of mercies, God of love, whose kind, &c. (1789.) New Year.
6. Great God, today Thy grace impart. Sermon.
7. Hear, gracious God! a sinner's cry. (1789). Lent.
8. In heaven the rapturous song began. Christmas.
9. Jesus, engrave it on my heart. (1789). Jesus, Needful to all.
10. Mortals, awake, with angels join. (1782). Christmas.
11. My soul, arise in joyful lays. (1789). Joy in God.
12. Now, in a song of grateful praise. Praise to Jesus. In the Gospel Magazine, June, 1776.
13. O could I speak the matchless worth. (1789.) Praise of Jesus.
14. O for a bright celestial ray. Lent.
15. O God, Thy mercy, vast and free. (1800). Dedication of Self to God.
16. O let us tell the matchless love. Praise to Jesus.
17. O what amazing words of grace. (1789). Foutain of Living Waters.
18. Saints die, and we should gently weep. (1800). Death and Burial. From his "Dearest of Names, Our Lord and King."
19. See a poor sinner, dearest Lord. Lent.
20. Sing the dear Saviour's glorious fame. (1789). Jesus the Breaker of bonds.
In 1800 a Memoir of Medley was published by his son, which is regarded by members of the family now living as authoritative. But in 1833 appeared another Memoir by Medley's daughter Sarah, to which are appended 52 hymns for use on Sacramental occasions. These she gives as her father's. But 8 of them are undoubtedly by Thos. Kelly, published by him in 1815, and reprinted in subsequent editions of his Hymns. The remainder are by Medley. Nearly all of these 52 hymns (both Medley's and Kelly's) have been altered in order to adapt them to Sacramental use. In Sarah Medley's volume, Kelly's hymns all follow one another, and three of them are in a metre which Medley apparently never used. What could have been Sarah Medley's motive in all this it is hard to divine. She is said to have been a clever, though unamiable woman, and was herself the author of a small volume of Poems published in 1807. In the Memoir she does not conceal her hatred of her brother. [Rev. W. R. Stevenson, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Samuel Medley
Washington Gladden
1836 - 1918 Topics: Good Works Author of "O Master, Let Me Walk With Thee" in Psalter Hymnal (Blue) Washington Gladden (1836-1918) was called to the First Congregational Church in Columbus, OH in 1882 and remained there for 32 years. In 1883-84 he was known for his success in fighting the corrupt Tweed Ring, for arbitrating the Telegraphers' Strike and the Hocking Valley Coal Strike. He attacked John D. Rockefeller, Sr. for giving $100,000 of "tainted money" to the Congregational Church's Foreign Missions program. Throughout his ministry he emphasized applying the gospel to life in America. He wrote "O Master, let me walk with thee" in 1879.
Mary Louise VanDyke
===================
Gladden, Washington, was born at Pottsgrove, Pennsylvania, Feb. 11, 1836; was educated at Williams College: and entered the Congregational Ministry. He was for some time editor of the New York Independent, and of the Sunday Afternoon. In the Sunday Afternoon, his hymn, "O Master, let me walk with Thee" (Walking with God), appeared in 3 stanzas of 8 lines, in March 1879. Of these stanzas i. and iii. are in Laudes Domini, 1884, and others.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
==================
Gladden, W., p. 1565, ii. Dr. Gladden has been Pastor of the First Congregational Church, Columbus, Ohio, since 1882. His hymn-writing has not been extensive. The most popular of his hymns is "0 Master, let me walk with Thee," noted on p. 1565, ii. It has come into somewhat extensive use during the last ten years. Additional hymns in common use include:—
1. Behold a Sower from afar. [The Kingdom of God.] In the Boston Pilgrim Hymnal, 1904, this is dated 1897.
2. Forgive, 0 Lord, the doubts that break Thy promises to me. [Doubting repented of.] Dated 1879, in The Pilgrim Hymnal, 1904.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Washington Gladden
César Malan
1787 - 1864 Person Name: H. A. Cesar Malan, 1787-1864 Topics: Good Works Composer of "HENDON" in Psalter Hymnal (Blue) Rv Henri Abraham Cesar Malan, 1787-1864. Born in Geneva, Switzerland, into a bourgeois family that moved to Switzerland to escape religious persecution during the French Revolution, he attended the university in Marseilles, France, intending to become a businessman. Although having some grounding in religious faith by his mother, he decided to attend the Academy at Geneva (founded by Calvin) in preparation for ministry. He was ordained in 1810, after being appointed a college master (teaching Latin) in 1809. Malan was in accord with the National Church of Geneva as a Unitarian, but the Reveil Movement caused him to become a dissident (evangelical) instead of a proponent of the Reformed Church (believing works, not faith, was what mattered). In 1811 he married (wife’s name not found). They had at least two children (one son was Solomon, referenced below). From 1813 on Malan slowly became an evangelical, after being given an understanding of true salvation through grace (not works) in 1816 by two German Lutherans from Geneva. He became saved upon this realization and was so changed that he burned his prized collection of classical authors and manuscripts. In 1817 he preached around Geneva, and one sermon in particular, “Man only justified by faith alone” created a firestorm and brought him into conflict with religious authorities of the region. From then on he wished to help reform the national church from within, but the forces of the Venerable Company were too strong for him and excluded him from the pulpits and caused his dismissal from his regentsship at the college in 1818. Others in agreement with Malan were Charles Spurgeon, Robert Wilcox, Robert Haldane, and Henry Drummond. In 1820 he built a chapel in his garden and obtained the license of the State for it as a separatist place of worship. He preached in that chapel 43 years. In 1823 he was formally deprived of his status as a minister of the national Church. Various events caused his congregation to diminish over the next few years, and he began long tours of evangelization subsidized by religious friends in his land, Belgium, France, England and Scotland. He often preached to large congregations. Malan also authorized a hymn book, “Chants de Sion” (1841). A strong Calvinist, Malan lost no opportunity to evangelize. On one occasion an old man he visited pulled Malan’s hymnal out and told him he had prayed to see the author of it before he died. On a visit to England Malan also inspired author, Charlotte Elliott, to write the hymn lyrics for “Just as I am”, when seeking an answer to her conversion she asked and he advised her to come to Christ ‘just as she was’. Malan published a score of books and also produced many religious tracts and pamphlets largely on questions in dispute between the National and evangelical churches of Rome. He also wrote articles in the “Record” and in American reviews. His hymns were set to his own melodies. He was an artist, a mechanic, a carpenter, a metal forger, and a printer. He had his own workshop, forge and printing press. One of his greatest joys was the meeting of the evangelical alliance at Geneva in 1861 which helped change church views. He retired to his home, Vandoeuvres, in the countryside near Geneva in 1857, dying there seven years later.. He was honored by a visit from the Queen of Holland two years before his death. He is mainly remembered as a hymn writer, having written 1000+ hymn lyrics and tunes. One son, Solomon, a gifted linguist and theologian, became Vicar of Broadwindsor. About a dozen of his hymns appeared translated in the publication “Friendly visitor” (1826). He was an author, creator, composer, editor, correspondent, contributor, translator, owner, and performer.
John Perry
=================
Malan, Henri Abraham César. The family of Malan traces its origin to the valleys of Piedmont. A branch of it settled at Mérindol, in Dauphiné, but was driven from France by the persecutions that followed the Revocation of the Edict of Nantes. Pierre Malan [Cesar's father], after seeing his sister fall a victim to persecution, left Mérindol (1714), and arrived at Geneva (1722). Henri Abraham César Malan was born at Geneva in 1787. After an education at the College, he went to Marseilles, with the intention of learning business: but, soon after, entered the Academy at Geneva, as a preparation for the ministry, to which he was ordained in 1810. He had been appointed one of the masters at the College in the previous year. The National Church of Geneva was at that time almost Unitarian, and Malan's convictions were in accord with it. But the great movement known as the Réveil, of which the first products were the dissident church of Bourg de Four and at a later date that founded by Malan himself, and which finally imbued the whole Swiss Church with its spirit, was silently preparing itself. The germ of the movement may be traced in the Société des Amis (1810), of which Empeytaz and A. Bost were leaders; and in Malan's independent attainment to the doctrines of the Divinity of the Saviour and the free gifts of salvation through Him (1816). But the human agency, which gave it force, and determined its Calvinistic direction, was the visit of Robert Haldane (in the autumn of 1816), to whom not only these pioneers of the movement, but F. Monod, E. Rieu, Guers, Gonthier, Merle d'Aubigné, and others, always pointed as their spiritual father. Empeytaz and others sought to attain enfranchisement by the establishment of the "petite Eglise of Bourg de Four." Malan wished to reform the national Church from within: and a sermon at Geneva, which brought on him the obloquy of the professors and theologians that composed his audience, and which Haldane characterized as a republication of the Gospel, was his first overt act (Jan. 19, 1817). But the opposing forces were far too strong for him. The Venerable Company excluded him from the pulpits, and achieved his dismissal from his regentship at the College (1818). In 1820 he built a chapel (Chapelle du Temoignage) in his garden, and obtained the licence of the State for it, as a separatist place of worship. In 1823 he was formally deprived of his status as a minister of the national Church. The seven years that succeeded were the palmy days of the little chapel. Strangers, especially from England, mingled with the overflowing Swiss congregation. But (in 1830) a secession to Bourg de Four, and then the foundation of the Oratoire and the Société Evangelique, which in 1849 absorbed the congregation of Bourg de Four under the title of the Église Evangélique, thinned more and more the number of his adherents. His burning zeal for the conversion of souls found a larger outlet in long tours of evangelization, subsidized by religious friends, in his own land and Belgium and France, and also in Scotland and England, where he had friends among many religious bodies, and where he preached to large congregations. The distinguishing characteristic of these tours was his dealing with individuals. On the steamboat or the diligence, in the mountain walk, at the hotel, no opportunity was lost. On one occasion an old,man whom he visited drew from under his pillow a copy of his great hymnbook, Chants de Sion, 1841, and told him how he had prayed to see the author of it before he died.
It is as the originator of the modern hymn movement in the French Reformed Church that Malan's fame cannot perish. The spirit of his hymns is perpetuated in the analysis of Christian experience, the never-wearied delineation of the hopes and fears, the joys and sorrows of the believer's soul, which are still the staple of French Protestant hymns. To this was added, in Malan himself, a marked didactic tone, necessitated by the great struggle of the Réveil for Evangelical doctrine; and an emphatic Calvinism, expressing itself with all the despondency of Newton and Cowper, but, in contrast with them, in bright assurance, peace and gladness. French criticism has pronounced his hymns unequal, and full of literary defects; but their unaffected freshness and fervent sincerity are universally allowed. In the Chants de Sion, hymns 20, ”Hosanna! Béni soit"; 165, “Mon coeur joyeux, plein d'espérance"; 199, "Du Rocher de Jacob"; 200, "Agneau de Dieu"; 239, "Trois fois Jehovah," are in every Protestant French hymnbook; and several others are very widely used.
Besides his hymns Malan produced numberless tracts and pamphlets on the questions in dispute between the National and Evangelical Churches and the Church of Rome, as well as articles in the Record and in American reviews. He was a man of varied acquirements. His hymns were set to his own melodies. He was an artist, a mechanic: his little workshop had its forge, its carpenter's bench, its printing press. To the end of his life his strong Calvinism, and his dread of mere external union in church government, kept him distinct from all movements of church comprehension, though freely joining in communion with all the sections of Evangelical thought in Geneva and Scotland. At one time there seemed a prospect of his even rejoining the national Church, which had driven him from her. One of his greatest joys was the meeting of the Evangelical Alliance at Geneva (1861). He left no sect; one of his latest orders was the demolition of his decayed chapel, in which he had preached for 43 years. He died at Vandoeuvres, near Geneva, in 1864, leaving a numerous family, one of whom, the Rev. S. C. Malan, D.D., sometime Vicar of Broadwindsor, is well known as a linguist and a theologian of the English Church. To English readers Malan is chiefly known as a hymn-writer through translations of his "Non, ce n'est pas mourir" (q.v.): "It is not death to die", &c. About a dozen of his hymns appear in a translated form in the Friendly Visitor for 1826. [Rev. H. Leigh Bennett, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
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http://en.wikipedia.org/wiki/César_Malan
César Malan
