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Take My Life, and Let It Be

Representative Text

1 Take my life and let it be
consecrated, Lord, to thee.
Take my moments and my days;
let them flow in endless praise,
let them flow in endless praise.

2 Take my hands and let them move
at the impulse of thy love.
Take my feet and let them be
swift and beautiful for thee,
swift and beautiful for thee.

3 Take my voice and let me sing
always, only, for my King.
Take my lips and let them be
filled with messages from thee,
filled with messages from thee.

4 Take my silver and my gold;
not a mite would I withhold.
Take my intellect and use
every power as thou shalt choose,
every power as thou shalt choose.

5 Take my will and make it thine;
it shall be no longer mine.
Take my heart it is thine own;
it shall be thy royal throne,
it shall be thy royal throne.

6 Take my love; my Lord, I pour
at thy feet its treasure store.
Take myself, and I will be
ever, only, all for thee,
ever, only, all for thee.

Psalter Hymnal, (Gray)

Author: Frances Ridley Havergal

Havergal, Frances Ridley, daughter of the Rev. W. H. Havergal, was born at Astley, Worcestershire, Dec. 14, 1836. Five years later her father removed to the Rectory of St. Nicholas, Worcester. In August, 1850, she entered Mrs. Teed's school, whose influence over her was most beneficial. In the following year she says, "I committed my soul to the Saviour, and earth and heaven seemed brighter from that moment." A short sojourn in Germany followed, and on her return she was confirmed in Worcester Cathedral, July 17, 1853. In 1860 she left Worcester on her father resigning the Rectory of St. Nicholas, and resided at different periods in Leamington, and at Caswall Bay, Swansea, broken by visits to Switzerland, Scotland, and North Wales. She died… Go to person page >

Text Information

First Line: Take my life and let it be
Title: Take My Life, and Let It Be
Author: Frances Ridley Havergal (1874)
Meter: 7.7.7.7.7
Source: rev. Psalter Hymnal (1987)
Language: English
Refrain First Line: Wash me in the Savior's precious blood

Notes

Scripture References: all st. = Isa. 6:8, Phil. 1:20-21, Rom. 12:1 st. 4 = Luke 21:2-3 (KJV) Frances R. Havergal (b. Astley, Worcestershire, England, 1836; d. Oystermouth, Glamorganshire, Wales, 1879) originally composed her text in eleven couplets as a hymn of "self-consecration to Christ" on February 4, 1874. She told the following story about writing this hymn:
I went for a little visit of five days [to Areley House, Worcestershire, in December 1873]. There were ten persons in the house, some unconverted and long prayed for, some converted but not rejoicing Christians. [God] gave me the prayer, "Lord, give me all this house." And He just did! Before I left the house, everyone had got a blessing. The last night of my visit. . . I was too happy to sleep and passed most of the night in praise and renewal of my own consecration, and these little couplets formed themselves and chimed in my heart, one after another, till they finished with "Ever, only, all, for Thee."
The text is a "catalog" hymn that lists aspects of our lives and offers them in Christ's service. "Take My Life and Let It Be" was first published in the 1874 appendix to Charles B. Snepp's Songs of Grace and Glory (1872). A twelfth couplet was added at some later point, producing the six stanzas published in the Psalter Hymnal. Although her formal education was sporadic because of poor health, Havergal learned six foreign languages, including Greek and Hebrew, and was well read in many subjects. She began writing poetry at an early age and was also an accomplished singer and pianist. The daughter of a clergyman, she had a conversion experience at the age of fourteen and was confirmed in the Church of England in 1853. Taking seriously her own words "take my silver and my gold," she sent all her jewelry to the Church Mission Society to be sold. She also supported other charitable organizations. Her more than one hundred hymns were originally published in leaflets and later gathered into seven collections: Ministry of Song (1869), Twelve Sacred Songs for Little Singers (1870), Under the Surface (1874), Loyal Responses (1878), Life Mosaic (1879), Life Chords (1880), and Life Echoes (1883), as well as in one large volume, Poetical Works (1884). Liturgical Use: Christian worship that emphasizes dedication, offering, or commitment-for example, after the sermon, as an offertory hymn, for ordination or commissioning, for profession of faith, for the dedication or anniversary of a church or congregation; fits well with many stewardship themes. --Psalter Hymnal Handbook ============================ Take my life, and let it be. Frances R. Havergal. [Self-Consecration to Christ.] This hymn was written at Areley House, Feb. 4, 1874, in 11 stanzas of 2 lines, and published in her Loyal Responses, 1878; the musical edition of the same, 1881; and in Life Chords, 1880. It has also been printed as a leaflet, in various forms for Confirmation, Self-Consecration, and for enclosing in letters, some being accompanied by her father's tune Patmos. It has been translated into French, German, Swedish, Russian, and other European languages, and into several of those of Africa and Asia. The history of its origin is thus given in the HAV. Manuscript:—
Perhaps you will be interested to know the origin of the consecration hymn 'Take my life.' I went for a little visit of five days [to Areley House]. There were ten persons in the house, some unconverted and long prayed for, some converted, but not rejoicing Christians. He gave me the prayer 'Lord, give me all in this house!' And He just did! Before I left the house every one had got a blessing. The last night of my visit after I had retired, the governess asked me to go to the two daughters. They were crying, &c.; then and there both of them trusted and rejoiced; it was nearly midnight. I was too happy to sleep, and passed most of the night in praise and renewal of my own consecration; and these little couplets formed themselves, and chimed in my heart one after another till they finished with 'Ever, Only, ALL for Thee!'"
The music to which Miss Havergal invariably sang this hymn, and with which it was always associated in the publications over which she had any influence, was her father's tune Patmos, and the family's desire is that this course may be followed by others. --John Julian, Dictionary of Hymnology (1907)

Tune

HENDON

HENDON was composed by Henri A. Cesar Malan (b. Geneva, Switzerland, 1787; d. Vandoeuvres, Switzerland, 1864) and included in a series of his own hymn texts and tunes that he began to publish in France in 1823, and which ultimately became his great hymnal Chants de Sion (1841). HENDON is thought to…

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MOZART (11175)


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Baptist Hymnal 1991 #277
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Baptist Hymnal 1991 #283
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The Cyber Hymnal #6470
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Psalter Hymnal (Gray) #288
Small Church Music #5181
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The United Methodist Hymnal #399
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Worship and Rejoice #466

Instances

Instances (1 - 86 of 86)

Ambassador Hymnal #453

An Nou Chanté! #36

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Ancient and Modern #787a

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Ancient and Modern #787b

Anglican Hymns Old and New (Rev. and Enl.) #687

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Baptist Hymnal 1991 #277

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Baptist Hymnal 1991 #283

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Baptist Hymnal 2008 #534

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Baptist Hymnal 2008 #541

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Celebrating Grace Hymnal #490

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Chalice Hymnal #609

Christian Science Hymnal #579

Christian Science Hymnal #580

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Christian Worship #469

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Church Hymnal, Fifth Edition #597

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Church Hymnary (4th ed.) #502

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Common Praise (1998) #435

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Common Praise #581a

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Common Praise #581b

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Complete Anglican Hymns Old and New #625a

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Complete Anglican Hymns Old and New #625b

Complete Mission Praise #624

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Evangelical Lutheran Hymnary #444

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Evangelical Lutheran Worship #583

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Evangelical Lutheran Worship #685

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Glory to God #697

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Hymnal 1982 #707

Hymnal #389

Hymns Ancient & Modern, New Standard Edition #249

Hymns and Psalms #705a

Hymns and Psalms #705b

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Hymns for a Pilgrim People #349

Hymns for Today's Church (2nd ed.) #554a

Hymns for Today's Church (2nd ed.) #554b

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Hymns of Faith #380

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Hymns of Promise #129

Hymns of the Saints #408

Hymns Old and New #464

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Hymns to the Living God #243

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Lift Up Your Hearts #863

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Lutheran Service Book #783

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Lutheran Service Book #784

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Lutheran Worship #404

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Moravian Book of Worship #610

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Moravian Book of Worship #647

Praise! Our Songs and Hymns #449

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Presbyterian Hymnal #391

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Psalter Hymnal (Gray) #288

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Psalter Hymnal (Gray) #289

Rejoice Hymns #405

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Rejoice in the Lord #475

Renew! Songs & Hymns for Blended Worship #150

Seventh-day Adventist Hymnal #330

Sing Glory #678

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Sing Joyfully #436

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Sing With Me #226

Singing the Faith #566a

Singing the Faith #566b

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Small Church Music #118

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Small Church Music #119

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Small Church Music #5181

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Songs for Life #74

Soul-stirring Songs & Hymns (Rev. ed.) #315

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The Celebration Hymnal #597

The Covenant Hymnal #375

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The Cyber Hymnal #6470

The Family Hymnal #8

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The Hymnal for Worship and Celebration #379

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The New Century Hymnal #448

The New National Baptist Hymnal #338

The Song Book of the Salvation Army #525

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The United Methodist Hymnal #399

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The Worshiping Church #568

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Timeless Truths #430

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Together in Song #599a

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Together in Song #599b

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Trinity Hymnal (Rev. ed.) #585

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Trinity Hymnal (Rev. ed.) #586

Trinity Psalter Hymnal #538

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Voices United #506

Welsh and English Hymns and Anthems #103

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Worship and Rejoice #466

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Worship in Song #257

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Worship Supplement 2000 #786

찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship #312

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