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Amazing Grace (Sublime gracia)

Author: John Newton, 1725-1807; John Rees, fl. 1859; Cristóbal E. Morales, 1898-1981; Carlos P. López Meter: 8.6.8.6 Appears in 1,438 hymnals Topics: Gracia First Line: Amazing grace – how sweet the sound (Sublime gracia del Señor) Scripture: Exodus 15:6 Used With Tune: NEW BRITAIN

Por la excelsa majestad

Author: Folliott S. Pierpoint; Federico J. Pagura Appears in 12 hymnals Topics: Acción de Gracias; Acción de Gracias Refrain First Line: te ofrecemos, oh buen Dios Used With Tune: DIX
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Con voz benigna

Author: Fanny J. Crosby; T. M. Westrup Appears in 27 hymnals Topics: Gracia y Misericordia First Line: Con voz benigna te llama Jesus Refrain First Line: Hoy te convida, hoy te convida Used With Tune: CALLING TODAY

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HOW GREAT THOU ART

Meter: 11.10.11.10 with refrain Appears in 147 hymnals Composer and/or Arranger: Stuart K. Hine, 1899-1989 Topics: Dar Gracias Tune Key: B Flat Major Incipit: 55535 55664 66665 Used With Text: How Great Thou Art (¡Cuán Grande Eres, Oh Señor)
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RESIGNATION

Meter: 8.6.8.6 D Appears in 105 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Topics: Gracia Tune Sources: Funk's Compilation of Genuine Church Music, 1832 Tune Key: B Flat Major Incipit: 13532 35165 31351 Used With Text: My Shepherd, you Supply My Need (Señor, Tú Eres Mi Pastor)
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HAMBURG

Meter: 8.8.8.8 Appears in 915 hymnals Composer and/or Arranger: Lowell Mason, 1792-1872 Topics: Gracia Tune Key: F Major Incipit: 11232 34323 33343 Used With Text: When I Survey the Wondrous Cross (La Cruz Excelsa al Contemplar)

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Published text-tune combinations (hymns) from specific hymnals
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Maravillosa Gracia

Author: Haldor Lillenas; W. R. Adell Hymnal: Celebremos Su Gloria #8 (1992) Topics: Gracia de Dios First Line: Maravillosa gracia vino Jesús a dar Refrain First Line: Inefable es la divina, la divina gracia Lyrics: 1 Maravillosa gracia vino Jesús a dar, Más alta que los cielos, más honda que la mar, Más grande que mis culpas clavadas en la cruz Es la maravillosa gracia de Jesús. Coro: Inefable es la divina gracia, (la divina gracia); Es inmensurable cual la mar, (la más profunda mar), Fuente preciosa para el pecador, el pecador (Como clara fuente, siempre suficiente A los pecadores rescatar). Perdonando todos mis pecados (mis pecados todos) Cristo me limpió de mi maldad (de mi maldad). Alabaré su dulce nombre por la eternidad. 2 Maravillosa gracia, gracia de compasión, Gracia que sacia el alma con plena salvación, Gracia que lleva al cielo, gracia de paz y luz Es la maravillosa gracia de Jesús. [Coro] 3 Maravillosa gracia llama con dulce voz, Llámanos a ser hechos hijos de nuestro Dios; Colma de su consuelo, nos llena de virtud, Es la maravillosa gracia de Jesús. [Coro] Scripture: Ephesians 1:3-14 Languages: Spanish Tune Title: WONDERFUL GRACE
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Gracia Admirable

Author: Julia H. Johnston; G. P. Simmonds Hymnal: Celebremos Su Gloria #165 (1992) Topics: Gracia de Dios First Line: ¡Gracia admirable del Dios de amor Refrain First Line: ¡Gracia! ¡Gracia! Lyrics: 1 ¡Gracia admirable del Dios de amor que excede a todo nuestro pecar! Cristo en la cruz por el pecador su vida ha dado. ¡Qué amor sin par! Coro: ¡Gracia! ¡Gracia! ¡Gracia de Dios que nos da perdón! ¡Gracia! ¡Gracia! ¡Gracia que limpia el corazón! 2 Negras las olas de la maldad me amenazaron con perdición; Pudo en la gracia de Dios hallar dulce refugio me corazón. [Coro] 3 Nunca tu mancha podrás limpiar sino en la sangre del buen Jesús; En ella, sí, la podrás lavar, hoy sin cesar fluye de la cruz. [Coro] 4 Gracia infinita recibirá todo el que cree en Cristo el Señor; Si del pecado cansado estás, ven, gracia ofrece tu Salvador. [Coro] Scripture: Romans 5:1-11 Languages: Spanish Tune Title: MOODY

La gracia mayor que nuestro pecado

Author: Julia H. Johnston; Tulio N. Peverini, b. 1932; Benjamín Alicea-Lugo, b. 1952 Hymnal: Praise y Adoración #235b (2016) Topics: Gracia First Line: Maravillosa su gracia es Refrain First Line: Gracia, gracia, gracia Languages: Spanish

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Authors, composers, editors, etc.

William W. Walford

1772 - 1850 Topics: Acción de Gracias Author of "Dulce Oración" in Celebremos Su Gloria William W. Walford, a blind preacher of England, is the author of the hymn beginning "Sweet hour of prayer." This hymn first appeared in print in the New York Observer September 13, 1845. The contributor who furnished the hymn says: "During my residence at Coleshill, Warwickshire, England, I became acquainted with W. W. Walford, the blind preacher, a man of obscure birth and connections and no education, but of strong mind and most retentive memory. In the pulpit he never failed to select a lesson well adapted to his subject, giving chapter and verse with unerring precision, and scarcely ever misplacing a word in his repetition of the Psalms, every part of the New Testament, the prophecies, and some of the histories, so as to have the reputation of knowing the whole Bible by heart." Rev. Thomas Salmon, who was settled as the pastor of the Congregational Church at Coleshill in 1838, remained until 1842, and then removed to the United States, is believed to have been the contributor who says of the hymn: "I rapidly copied the lines with my pencil as he uttered them, and send them for insertion in the Observer if you think them worthy of preservation." From: Nutter, C. S., & Tillett, W. F. (1911). The hymns and hymn writers of the church, an annotated edition of The Methodist hymnal. New York: Methodist Book Concern.

John Goss

1800 - 1880 Person Name: John Goss, 1800-1880 Topics: Gracia Composer of "LAUDA ANIMA" in Oramos Cantando = We Pray In Song John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

William Kethe

? - 1594 Person Name: William Kethe, d. c. 1592 Topics: Dar Gracias Author of "All People That on Earth Do Dwell (Oh Pueblos Todos Alabad)" in Oramos Cantando = We Pray In Song William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)