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Man of Sorrows! What a Name

Author: Philip P. Bliss Meter: 7.7.7.8 Appears in 349 hymnals Topics: Christ Man of Sorrows Lyrics: 1 Man of Sorrows! what a name for the Son of God, who came ruined sinners to reclaim: Hallelujah! what a Savior! 2 Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood: Hallelujah! what a Savior! 3 Guilty, vile, and helpless, we; spotless Lamb of God was he; full atonement! can it be? Hallelujah! what a Savior! 4 Lifted up was he to die, "It is finished!" was his cry: now in heav'n exalted high: Hallelujah! what a Savior! 5 When he comes, our glorious King, all his ransomed home to bring, then anew this song we'll sing: Hallelujah! what a Savior! Scripture: Isaiah 53:3 Used With Tune: HALLELUJAH! WHAT A SAVIOR!
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Come ye sinners, poor and wretched

Author: Rev. Joseph Hart, 1712-1768 Meter: 8.7.8.7.4.4.7 Appears in 1,480 hymnals Topics: Fall of Man Used With Tune: DUSSELDORF
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Behold What Love the Father Hath

Author: Robert Boswell, 1746-1804 Meter: 8.6.8.6 Appears in 13 hymnals Topics: God the Father The Redemption of Man Lyrics: 1 Behold what love the Father hath On guilty men bestowed, That we, who children are of wrath, Should children be of God. 2 O how beyond expression great His love in Christ doth shine! ‘Tis like Himself, the Eternal God, Past knowledge, all divine. 3 Behold, for fallen, guilty man The Lord of glory dies; Lays down His life us to redeem, A precious sacrifice. 4 Peace and goodwill are now to man Most gloriously displayed, And life eternal we obtain From God in Christ our Head. Used With Tune: SOUTHAMPTON

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EVENING PRAISE

Meter: 7.7.7.7.4 with refrain Appears in 430 hymnals Composer and/or Arranger: William F. Sherwin Topics: Man Tune Key: A Flat Major Incipit: 11165 45111 65457 Used With Text: Lord, Our Lord, Thy Glorious Name
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MATERNA

Appears in 518 hymnals Composer and/or Arranger: Samuel A. Ward, 1847-1903 Topics: Law, God's Man's Tune Key: C Major Incipit: 55335 52234 56755 Used With Text: O beautiful for spacious skies
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OLIVE'S BROW

Meter: 8.8.8.8 Appears in 322 hymnals Composer and/or Arranger: William B. Bradbury Topics: Jesus Christ Man of Sorrows Tune Key: A Flat Major Incipit: 55566 55511 12322 Used With Text: 'Tis Midnight! and on Olive's Brow

Instances

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Published text-tune combinations (hymns) from specific hymnals
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The Vanity of Man, and Condescention of God

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #254a (1786) Topics: Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal; Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal First Line: Lord, what is man, poor feeble man Lyrics: 1 Lord, what is man, poor feeble man, Born of the earth at first? His life a shadow, light and vain, Still hasting to the dust. 2 Oh what is feeble dying man, Of all his sinful race, That God should make it his concern To visit him with grace? 4 That God who darts his lightnings down, Who shakes the worlds above, And terrors wait his awful frown, How wondrous is his love? Scripture: Psalm 144:3-6 Languages: English
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The Vanity of Man, and Condescention of God

Hymnal: Doctor Watts's Imitation of the Psalms of David #254a (1790) Topics: Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal; Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal First Line: Lord, what is man, poor feeble man Lyrics: 1 Lord, what is man, poor feeble man, Born of the earth at first? His life a shadow, light and vain, Still hasting to the dust. 2 Oh what is feeble dying man, Of all his sinful race, That God should make it his concern To visit him with grace? 4 That God who darts his lightnings down, Who shakes the worlds above, And terrors wait his awful frown, How wondrous is his love? Scripture: Psalm 144:3-6 Languages: English
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The Vanity of Man, and Condescention of God

Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #270b (1786) Topics: Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal; Frailty of Man; God his sovereignty and goodness to man; Man his vanity as mortal; Vanity of man as mortal First Line: Lord, what is man, poor feeble man Lyrics: 1 Lord, what is man, poor feeble man, Born of the earth at first? His life a shadow, light and vain, Still hasting to the dust. 2 Oh what is feeble dying man, Of all his sinful race, That God should make it his concern To visit him with grace? 4 That God who darts his lightnings down, Who shakes the worlds above, And terrors wait his awful frown, How wondrous is his love? Scripture: Psalm 144:3-6 Languages: English

People

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Authors, composers, editors, etc.

Katharine Lee Bates

1859 - 1929 Person Name: Katherine Lee Bates, 1859-1929 Topics: Law, God's Man's Author of "O beautiful for spacious skies" in The Hymnal Katharine Lee Bates was born in Falmouth, Mass., August 12, 1859. Her father was a pastor in the Congregational Church; he died when she was an infant. Her mother moved the family to Wellesley. She received a B.A. (1880) and M.A. (1891) from Wellesley College. She taught high school from 1880-1885 and then was a professor of English literature at Wellesley. She wrote poetry, children's stories, textbooks and travel books. In the summer if 1893 when she was lecturing at Colorado College she went to the top of Pike's Peak. Inspired by the beauty of the view she wrote all four verses of "America the Beautiful" which was an instant hit when it was published. She had an intimate relationship with Katharine Coman, dean of Wellesley, who she lived with for 25 years, until Coman's death. "Yellow Clover: A Book of Remembrance" celebrates their love and partnership.She enjoyed traveling, the out of doors, reading and friends, Dianne Shapiro from Woman's Who's who in America, 1914-1915 by John William Leonard, New York: The American Commonwealth Company and Harvard Square Library, Digital Library of Unitarian Universalist Biographies, History, Books and Media (http://harvardsquarelibrary.org/cambridge-harvard/katharine-lee-bates/) (accessed 7-4-2018

John Goss

1800 - 1880 Topics: Christ Man of Sorrows Composer of "ST. PAUL" in Book of Worship with Hymns and Tunes John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Anna Letitia Waring

1823 - 1910 Person Name: Anna L. Waring, 1823-1910 Topics: Wisdom, God's, Man's Author of "In heavenly love abiding" in The Hymnal See also in: Hymn Writers of the Church ================ Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:— 1. Dear Saviour of a dying world. Resurrection. (1854.) 2. In heavenly love abiding. Safety in God. (1850.) 3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.) 4. Lord, a happy child of Thine. Evening. (1850.) 5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately. 6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.) 7. O Thou Lord of heaven above. The Resurrection. 8. Source of my life's refreshing springs. Rest in God. (1850.) 9. Sunlight of the heavenly day. New Year (1854.) 10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.) 11. Tender mercies on my way. Praise of Divine Mercies. (1850.) 12. Thanksgiving and the voice of melody. New Year (1854). 13. Though some good things of lower worth. Love of God in Christ, (1860.) These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848: 1. Father, I know that all my life, p. 367, ii. 2. Sweet is the solace of Thy love, p. 1233, ii. 10. 3. Though some good things of, &c., p. 1233, ii. 13. The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)
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