Search Results

Topics:trust+in+god

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
FlexScoreAudio

Trust in God (Psalm 125)

Author: David Gambrell Meter: 7.7.7.7 Appears in 1 hymnal Topics: Trusting in the Promises of God First Line: Trust in God and you will be Scripture: Psalm 125 Used With Tune: SONG 13
TextPage scansFlexScoreFlexPresentAudio

My Hope Is Built on Nothing Less

Author: Edward Mole Meter: 8.8.8.8 with refrain Appears in 1,118 hymnals Topics: Trust in God Refrain First Line: On Christ, the solid rock, I stand Lyrics: 1 My hope is built on nothing less than Jesus' blood and righteousness; I dare not trust the sweetest frame, but wholly lean on Jesus' name. Refrain: On Christ, the solid rock, I stand; all other ground is sinking sand; all other ground is sinking sand. 2 When darkness veils his lovely face, I rest on his unchanging grace; in every high and stormy gale my anchor holds within the veil. [Refrain] 3 His oath, his covenant, his blood support me in the whelming flood; when all around my soul gives way, he then is all my hope and stay. [Refrain] 4 When he shall come with trumpet sound, O may I then in him be found; dressed in his righteousness alone, faultless to stand before the throne. [Refrain] Scripture: 1 Corinthians 3:11 Used With Tune: SOLID ROCK
TextPage scansFlexScoreFlexPresentAudio

When We Walk with the Lord

Author: John H. Sammis Appears in 480 hymnals Topics: Trust in God Refrain First Line: Trust and obey, for there's no other way Lyrics: 1 When we walk with the Lord in the light of his Word, what a glory he sheds on our way! While we do his good will he abides with us still, and with all who will trust and obey. Refrain: Trust and obey, for there's no other way to be happy in Jesus but to trust and obey. 2 But we never can prove the delights of his love until all on the altar we lay; for the favor he shows, and the joy he bestows are for them who will trust and obey. [Refrain] 3 Then in fellowship sweet we will sit at his feet, or we'll walk by his side in the way; what he says we will do, where he sends we will go - never fear, only trust and obey. [Refrain] Scripture: Exodus 19:5 Used With Tune: TRUST AND OBEY

Tunes

tune icon
Tune authorities
FlexScoreAudio

CRIMOND

Meter: 8.6.8.6 Appears in 172 hymnals Composer and/or Arranger: Jessie Seymour Irvine; David Grant; W. Baird Ross, 1871-1950 Topics: Trust in God; Trust in God Tune Key: F Major Incipit: 53425 42171 33224 Used With Text: The LORD, My Shepherd, Rules My Life
Page scansFlexScoreAudio

SOLID ROCK

Appears in 541 hymnals Composer and/or Arranger: William B. Bradbury, 1816-1868 Topics: Trust in God Tune Key: F Major Incipit: 51353 32234 44217 Used With Text: My Hope Is Built on Nothing Less
Page scansFlexScoreAudio

HE LEADETH ME

Meter: 8.8.8.8 D Appears in 668 hymnals Composer and/or Arranger: William B. Bradbury Topics: Death Trusting God in Tune Key: C Major Incipit: 53215 64465 33213 Used With Text: He Leadeth Me: O Blessed Thought!

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scanAudioFlexScore

If You But Trust in God to Guide You

Author: Georg Neumark Hymnal: Psalter Hymnal (Gray) #446 (1987) Meter: 9.8.9.8.8.8 Topics: Trust in God; Trust in God Lyrics: 1 If you but trust in God to guide you and place your confidence in him, you'll find him always there beside you to give you hope and strength within; for those who trust God's changeless love build on the rock that will not move. 2 Only be still and wait his pleasure in cheerful hope with heart content. He fills your needs to fullest measure with what discerning love has sent; doubt not our inmost wants are known to him who chose us for his own. 3 Sing, pray, and keep his ways unswerving, offer your service faithfully, and trust his word; though undeserving, you'll find his promise true to be. God never will forsake in need the soul that trusts in him indeed. Scripture: Psalm 55:22 Languages: English Tune Title: WER NUR DEN LIEBEN GOTT
TextPage scan

Courage, brother! do not stumble

Author: Dr. Norman Macleod, 1812-1872 Hymnal: Methodist Hymn and Tune Book #401 (1917) Topics: Trust, in God Lyrics: 1 Courage, brother! do not stumble, Though thy path be dark as night; There's a star to guide the humble "Trust in God, and do the right." Let the road be rough and dreary, And its end far out of sight, Foot it bravely! strong or weary, Trust in God, and do the right. 2 Perish policy and cunning! Perish all that fears the light! Whether losing, whether winning, Trust in God, and do the right. Trust no party, sect, or faction; Trust no leaders in the fight; But in every word and action Trust in God, and do the right. 3 Trust no lovely forms of passion Fiends may look like angels bright; Trust no custom, school or fashion; Trust in God, and do the right. Some will hate thee, some will love thee, Some will flatter, some will slight: Cease from man, and look above thee Trust in God, and do the right. 4 Simple rule, and safest guiding, Inward peace, and inward might, Star upon our path abiding "Trust in God, and do the right." Courage, brother! do not stumble, Though my path be dark as night; There's a star to guide the humble "Trust in God, and do the right." Languages: English Tune Title: COURAGE, BROTHER

If we will trust in God to guide us

Author: Georg Neumark, 1621-81; David Arthur Schubert, 1942- Hymnal: Together in Song #554 (1999) Meter: 9.8.9.8.8.8 Topics: Trust in God Languages: English Tune Title: NEUMARK

People

person icon
Authors, composers, editors, etc.

John Henry Newman

1801 - 1890 Person Name: John H. Newman Topics: Trust in God Author of "Lead, kindly Light, amid the encircling gloom" in Elmhurst Hymnal Newman, John Henry , D.D. The hymnological side of Cardinal Newman's life and work is so small when compared with the causes which have ruled, and the events which have accompanied his life as a whole, that the barest outline of biographical facts and summary of poetical works comprise all that properly belongs to this work. Cardinal Newman was the eldest son of John Newman, and was born in London, Feb. 21, 1801. He was educated at Ealing under Dr. John Nicholas, and at Trinity College, Oxford, where he graduated in honours in 1820, and became a Fellow of Oriel in 1822. Taking Holy Orders in 1824, he was for a short time Vice-Principal of St. Alban's Hall, and then Tutor of Oriel. His appointment to St. Mary's, Oxford, was in the spring of 1828. In 1827 he was Public Examiner, and in 1830 one of the Select University Preachers. His association with Keble, Pusey, and others, in what is known as "The Oxford Movement," together with the periodical publication of the Tracts for the Times, are matters of history. It is well known how that Tract 90, entitled Bernards on Certain Passages in the Thirty-nine Articles, in 1841, was followed by his retirement to Littlemore; his formal recantation, in February, 1843, of all that he had said against Rome; his resignation in September of the same year of St. Mary's and Littlemore; and of his formal application to be received into the communion of the Church of Rome, Oct. 8, 1845. In 1848 he became Father Superior of the Oratory of St. Philip Neri, at Birmingham; in 1854 Rector of the newly founded Roman Catholic University at Dublin; and in 1858 he removed to the Edgbaston Oratory, Birmingham. In 1879 he was created a Cardinal, and thus received the highest dignity it is in the power of the Pope to bestow. Cardinal Newman's prose works are numerous, and his Parochial Sermons especially being very popular. His Apologia pro Vita Sua, 1864, is a lucid exposition and masterly defence of his life and work. Cardinal Newman's poetical work began with poems and lyrical pieces which he contributed to the British Magazine, in 1832-4 (with other pieces by Keble and others), under the title of Lyra Apostolica. In 1836 these poems were collected and published under the same title, and Greek letters were added to distinguish the authorship of each piece, his being δ. Only a few of his poems from this work have come into use as hymns. The most notable is, "Lead, kindly Light". His Tract for the Times, No. 75, On the Roman Breviary, 1836, contained translations of 14 Latin hymns. Of these 10 were repeated in his Verses on Religious Subjects, 1853, and his Verses on Various Occasions, 1865, and translations of 24 additional Latin hymns were added. Several of these translations are in common use, the most widely known being "Nunc Sancte nobis" ("Come, Holy Ghost, Who ever One"). His collection of Latin hymns from the Roman and Paris Breviaries, and other sources was published as Hymni Ecclesiae, in 1838, and again in 1865. His Dream of Gerontius, a poem from which his fine hymn, "Praise to the Holiest in the height," is taken, appeared in his Verses on Various Occasions, in 1868. Cardinal Newman's influence on hymnology has not been of a marked character. Two brilliant original pieces, and little more than half a dozen translations from the Latin, are all that can claim to rank with his inimitable prose. --John Julian, Dictionary of Hymnology (1907) ================= Newman, John Henry, p. 822, ii. He died at Edgbaston, Birmingham, Aug. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Newman, Card. J. H., pp. 802, ii.; 1581, ii. The following are also in use at the present time, but, except No. 13, almost exclusively in R. C. collections. The dates in brackets are those given in Newman's Verses, 1868; all thus marked were composed in the Birmingham Oratory at these dates:— i. In the Rambler, 1850. 1. In the far North our lot is cast. [S. Philip Neri.] (1850.) March, 1850, p. 250. In the Birmingham Oratory Hymn Book, 1857 and 1906, it begins, " On Northern coasts," and in the Parochial Hymn Book, 1880, with st. ii. " Founder and Sire! to mighty Rome." 2. The Angel-lights of Christmas morn. [Candlemas.] (1849.) March, 1850, p. 251. 3. There sat a Lady all on the ground. [B. V. M.] (1849.) May, 1850, p. 425. ii. Verses, 1853. 4. All is Divine which the Highest has made. [For an inclement May.] (1850.) 1853, p. 128. 5. Green are the leaves, and sweet the flowers. [May.] (1850.) 1853, p. 125. 6. My oldest friend, mine from the hour. [Guardian Angel] (1853.) 1853, p. 12. 7. The holy monks conceal'd from men. [S. Philip Neri.] (1850.) 1853, p. 134. 8. The one true Faith, the ancient Creed. [The Catholic Faith.] 1853, p. 140. 9. This is the saint of sweetness and compassion. [S. Philip Neri.] 1853, p. 136. Rewritten (1857) as "This is the saint of gentleness and kindness" in the Birmingham Oratory Hymn Book, 1857, No. 49. iii. Birmingham Oratory Hymn Book, 1857. 10. Help, Lord, the souls which Thou hast made. [The Faithful Departed.] (1857.) 1857, No. 76. iv. Birmingham Oratory H. Book, 1862. 11. I ask not for fortune, for silken attire. [S. Philip Neri.] (1857.) 1862, No. 54. 12. Thou champion high. [S. Michael.] (1862.) 1862, No. 41. v. Dream of Gerontius, 1866. 13. Firmly I believe and truly. [The Faith of a Christian.] 1866, p. 9; Verses, 1868, p. 318; The English Hymnal 1906. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ----- John Henry Newman was born in London, in 1801. He studied at Trinity College, Oxford, graduating B.A. in 1820, and was subsequently Fellow of Oriel College. In 1825, he became Vice Principal of S. Alban's Hall, and was Tutor of his college for several years. In 1828, he became incumbent of S. Mary's, Oxford, with the chaplaincy of Littlemore. In 1842, he went to preside over a Brotherhood he had established at Littlemore. He was the author of twenty-four of the "Tracts for the Times," amongst them the celebrated Tract No. 90, which brought censure upon its author. In 1845, he left the Church of England and entered the Church of Rome. He was appointed Father Superior of the Oratory of S. Philip Neri, at Birmingham, and in 1854, Rector of the new Roman Catholic University at Dublin, an office he filled till 1858. He has published a large number of works. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================

Thomas T. Lynch

1818 - 1871 Topics: Trust in God Author of "The Lord is rich and merciful" in Elmhurst Hymnal Lynch, Thomas Toke, was born at Dunmow, Essex, July 5, 1818, and educated at a school at Islington, in which he was afterwards an usher. For a few months he was a student at the Highbury Independent College; but withdrew, partly on account of failing health, and partly because his spirit was too free to submit to the routine of College life. From 1847 to 1849 he was Minister of a small charge at Highgate, and from 1849 to 1852 of a congregation in Mortimer Street, which subsequently migrated to Grafton Street, Fitzroy Square. From 1856 to 1859 he was laid aside by illness. In 1860 he resumed his ministry with his old congregation, in a room in Gower Street, where he remained until the opening of his new place of worship, in 1862, (Mornington Church), in Hampstead Road, London. He ministered there till his death, on the 9th of May, 1871. The influence of Lynch's ministry was great, and reached far beyond his own congregation (which was never large), since it included many students from the Theological Colleges of London, and thoughtful men from other churches, who were attracted to him by the freshness and spirituality of his preaching. His prose works were numerous, beginning with Thoughts on a Day, 1844, and concluding with The Mornington Lecture, 1870. Several of his works were published after his death. His Memoir, by W. White, was published in 1874. Lynch's hymns were published in:— The Rivulet: a Contribution to Sacred Song, London., Longman, 1855, 2nd ed., 1856. This was enlarged by an addition of 67 hymns in 1868. From the first edition of The Rivulet, 1855, the following hymns have come into common use:— 1. All faded is the glowing light. Second Advent. 2. Be Thy word with power fraught. Before Sermon. 3. Christ in His word draws near. Holy Scripture. 4. Dismiss me not Thy service, Lord. Work for Christ. 5. Gracious Spirit, dwell with me. Holy Spirit's presence desired. 6. How calmly the evening once more is descending. Evening. Sometimes "How calmly once more the night is descending." 7. I give myself to prayer. Prayer in Trouble. 8. Lord, on Thy returning day. Public Worship. 9. Lord, when in silent hours I muse. Resignation. 10. Love me, O Lord, forgivingly. Resignation. 11. Mountains by the darkness hidden. Resignation. 12. Now have we met that we may ask. Public Worship. 13. O, break my heart; but break it as a field. Penitence desired. 14. O Lord, Thou art not fickle. Sympathy. 15. O where is He that trod the sea. Christ Walking on the Sea. 16. Oft when of God we ask. Trust in Trial. 17. Rise, He calleth thee, arise. Blind Bartimaeus. 18. Say not, my soul, from whence. Resignation. 19. Where is thy God, my soul? Resignation and Hope. There are also from the 1856 and 1868 eds. the following:— 20. A thousand years have come and gone. Christmas. 21. Lift up your heads, rejoice; (1856.) Advent. 22. Praying by the river side. Holy Baptism. 23. The Lord is rich and merciful. Have Faith in God. 24. There is purpose in this waste. Easter. Lynch's hymns are marked by intense individuality, gracefulness and felicity of diction, picturesqueness, spiritual freshness, and the sadness of a powerful soul struggling with a weak and emaciated body. Although The Rivulet was published for use by his own congregation as a supplement to Watts, more than one half of the hymns were designed for private use only, but were not so distinguished in the work. Its publication caused one of the most bitter hymnological controversies known in the annals of modern Congregationalism. Time, however, and a criticism, broader and more just, have declared emphatically in favour of his hymns as valuable contributions to cultured sacred song. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) ================== Lynch, T. T., p. 705, ii. Other hymns by him in recent books are:— 1. My faith it is an oaken staff. Faith in Christ. In the Rivulet, 1855, p. 78. 2. Together for our country now we pray. National, In the Rivulet, 1868, p. 170. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Topics: God Trust in Composer of "[Alleluia, alleluia, alleluia]" in Psalms for All Seasons Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.