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Meter: Irregular Appears in 225 hymnals Topics: liturgical Scripture Songs First Line: Were you there when they crucified my Lord? Refrain First Line: O Sometimes it causes me to tremble Lyrics: 1 Were you there when they crucified my Lord? Were you there when they crucified my Lord? Oh, sometimes it causes me to tremble, tremble, tremble. Were you there when they crucified my Lord? 2 Were you there when they nailed him to the tree? Were you there when they nailed him to the tree? Oh, sometimes it causes me to tremble, tremble, tremble. Were you there when they nailed him to the tree? 3 Were you there when they laid him in the tomb? Were you there when they laid him in the tomb? Oh, sometimes it causes me to tremble, tremble, tremble. Were you there when they laid him in the tomb? 4 Were you there when God raised him from the tomb? Were you there when God raised him from the tomb? Oh, sometimes it causes me to tremble, tremble, tremble. Were you there when God raised him from the tomb? Psalter Hymnal (Gray), 1987 Text Sources: African-American spiritual

Lord Jesus, Think on Me

Author: Allen William Chatfield; Synesius of Cyrene, Bishop of Ptolemais Meter: 6.6.8.6 Appears in 130 hymnals Topics: Ancient Hymns; Devotional; Historical; Inner Life

I love Thy kingdom, Lord

Author: Timothy Dwight Meter: 6.6.8.6 Appears in 1,334 hymnals Topics: Church Fellowship and Unity; Church Militant & Trumphant; Church Her Fellowship and Unity; Fellowship with Men

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Tunes

Tune authorities

BLESSED ASSURANCE

Meter: Irregular Appears in 695 hymnals Composer and/or Arranger: Phoebe Palmer Knapp, 1839-1908 Topics: Year C Easter 4; Year C Proper 2; Years A, B, and C Epiphany Tune Key: D Major Incipit: 32155 45655 35177 Used With Text: Blessed assurance

DUKE STREET

Meter: 8.8.8.8 Appears in 1,472 hymnals Composer and/or Arranger: John L. Hatton (d. 1793) Topics: The Third Sunday before Advent Year C Tune Sources: Boyd's Psalm and Hymn Tunes, 1793 Tune Key: D Major Incipit: 13456 71765 55565 Used With Text: Forth in the peace of Christ we go

VICTORY

Meter: 8.8.8 with alleluias Appears in 359 hymnals Composer and/or Arranger: William Henry Monk (1823-1889); Palestrina Topics: The Fifth Sunday of Easter Year C; The Third Sunday of Easter Year C Tune Sources: Adapted from Gloria Patri of Palestrina's Magnificat tertii toni with Alleluia Tune Key: D Major Incipit: 55565 54353 33333 Used With Text: The strife is o'er, the battle done

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Instances

Published text-tune combinations (hymns) from specific hymnals

Amazing Grace, How Sweet the Sound

Author: John Newton, 1725-1807; Jacques de Réland; Josephine S. (Konwenne) Day; Wing-Hee Heyward Wong; Chirstopher Cheung; Megumi Hara; Haruo Harold Aihara Hymnal: Voices United #266 (1996) Meter: 8.6.8.6 Topics: Advent 3 Year C; Epiphany 5 Year C; Lent 3 Year C; Trinity Sunday Year C; Trinity Sunday Year C; Proper 14 Year C; Proper 19 Year C Lyrics: 1 Amazing grace, How sweet the sound that saved a wretch like me! I once was lost, but now am found, was blind, but now I see. 2 'Twas grace first taught my heart to fear and grace my fears relieved; how precious did that grace appear the hour I first believed! 3 Through many dangers, toils, and snares, I have already come; 'tis grace that brought me safe thus far, and grace will lead me home. 4 The Lord has promised good to me, this word my hope secures; God will my shield and portion be as long as life endures. 5 When we've been there ten thousand years bright shining as the sun, we've no less days to sing God's praise than when we'd first begun. Languages: Chinese; Cree; English; French; Inuktitut; Japanese; Mohawk; Ojibway Tune Title: AMAZING GRACE (NEW BRITAIN)

O for a Thousand Tongues to Sing

Author: Charles Wesley Hymnal: Voices United #326 (1996) Meter: 8.6.8.6 Topics: Advent 3 Year C; Epiphany 3 Year C; Epiphany 9 Year C; Easter 2 Year C; Easter 3 Year C; Proper 4 Year C; Proper 5 Year C; Proper 10 Year C; Proper 23 Year C; Proper 27 Year C; Proper 28 Year C; Reign of Christ Year C Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and king, the triumphs of God's grace. 2 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life and health and peace. 3 He speaks, and listening to his voice, new life the dead receive, the mournful broken hearts rejoice, the humble poor believe. 4 Hear him, you deaf, you voiceless ones, your tongues again employ; you blind, behold your Saviour comes, and leap, you lame, for joy! 5 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honours of your name. Tune Title: AZMON

Love Divine, All Loves Excelling

Author: Charles Wesley Hymnal: Voices United #333 (1996) Meter: 8.7.8.7 D Topics: Advent 2 Year C; Epiphany 3 Year C; Epiphany 9 Year C; Epiphany Last/Transfig. Year C; Lent 4 Year C; Easter 5 Year C; Pentecost Year C; Proper 5 Year C; Proper 6 Year C Lyrics: 1 Love divine, all loves excelling, joy of heaven, to earth come down, fix in us thy humble dwelling, all thy faithful mercies crown. Jesus, thou art all compassion, pure, unbounded love thou art; visit us with thy salvation, enter every trembling heart. 2 Come, almighty to deliver, let us all thy life receive; suddenly return, and never, nevermore thy temples leave. Thee we would be always blessing, serve thee as thy hosts above, pray, and praise thee, without ceasing, glory in thy perfect love. 3 Finish then thy new creation; pure and spotless let us be; let us see thy great salvation perfectly restored in thee, changed from glory into glory, till in heaven we take our place, till we cast our crowns before thee, lost in wonder, love, and praise. Languages: English Tune Title: HYFRYDOL

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People

Authors, composers, editors, etc.

Rowland Hugh Prichard

1811 - 1887 Topics: Advent 2 Year C; Epiphany 3 Year C; Epiphany 9 Year C; Epiphany Last/Transfig. Year C; Lent 4 Year C; Easter 5 Year C; Pentecost Year C; Proper 5 Year C; Proper 6 Year C Composer of "HYFRYDOL" in Voices United Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell. Bert Polman

Caroline M. Noel

1817 - 1877 Person Name: Caroline Maria Noel Topics: Advent 3 Year C; Baptism of Jesus Year C; Epiphany Last/Transfig. Year C; Lent 1 Year C; Palm/Passion Sunday Year C; Proper 4 Year C; Proper 9 Year C; Proper 20 Year C; Reign of Christ Year C Author of "At the Name of Jesus" in Voices United Caroline Marie Noel (b. Teston, Kent, England, 1817; d. St. Marylebone, London, England, 1877) The daughter of an Anglican clergyman and hymn writer, she began to write poetry in her late teens but then abandoned it until she was in her forties. During those years she suffered frequent bouts of illness and eventually became an invalid. To encourage both herself and others who were ill or incapacitated, Noel began to write devotional verse again. Her poems were collected in The Name of Jesus and Other Verses for the Sick and Lonely (1861, enlarged in 1870). Bert Polman ================ Noel, Caroline Maria, daughter of the Hon. Gerard T. Noel (p. 809, ii.), and niece of the Hon. Baptist W. Noel, was born in London, April 10, 1817, and died at 39 Great Cumberland Place, Hyde Park, Dec. 7, 1877. Her first hymn, "Draw nigh unto my soul" (Indwelling), was written when she was 17. During the next three years she wrote about a dozen pieces: from 20 years of age to 40 she wrote nothing; and during the next 20 years the rest of her pieces were written. The first edition of her compositions was published as The Name of Jesus and Other Verses for the Sick and Lonely, in 1861. This was enlarged from time to time, and its title subsequently changed by the publishers to The Name of Jesus and Other Poems. The 1878 ed. contains 78 pieces. Miss Noel, in common with Miss Charlotte Elliott, was a great sufferer, and many of these verses were the outcome of her days of pain. They are specially adapted "for the Sick and Lonely" and were written rather for private meditation than for public use, although several are suited to the latter purpose. Her best known hymn is the Processional for Ascension Day, "At the Name of Jesus." It is in the enlarged edition of The Name of Jesus, &c, 1870, p. 59, and is dated 1870 by her family. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Edward Perronet

1721 - 1792 Topics: Epiphany 2 Year C; Lent 5 Year C; Easter 3 Year C; Easter 4 Year C; Ascension Year C; All Saints Year C; Reign of Christ Year C; Thanksgiving Year C Author of "All Hail the Power of Jesus' Name" in Voices United Edward Perronet was the son of the Rev. Vincent Perronet, Vicar of Shoreham, Kent. For some time he was an intimate associate of the Wesleys, at Canterbury and Norwich. He afterwards became pastor of a dissenting congregation. He died in 1792. In 1784, he published a small volume, entitled "Occasional Verses, Moral and Social;" a book now extremely rare. At his death he is said to have left a large sum of money to Shrubsole, who was organist at Spafield's Chapel, London, and who had composed the tune "Miles Lane" for "All hail the power of Jesus' Name!" --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ------ Perronet, Edward. The Perronets of England, grandfather, father, and son, were French emigres. David Perronet came to England about 1680. He was son of the refugee Pasteur Perronet, who had chosen Switzerland as his adopted country, where he ministered to a Protestant congregation at Chateau D'Oex. His son, Vincent Perronet, M.A., was a graduate of Queen's College, Oxford, though his name is not found in either Anthony Woods's Athenae Oxonienses nor his Fasti, nor in Bliss's apparatus of additional notes. He became, in 1728, Vicar of Shoreham, Kent. He is imperishably associated with the Evangelical Revival under the Wesleys and Whitefield. He cordially cooperated with the movement, and many are the notices of him scattered up and down the biographies and Journals of John Wesley and of Selina, Countess of Huntingdon. He lived to the venerable age of ninety-one; and pathetic and beautiful is the account of John Wesley's later visits to the white-haired saint (b. 1693, d. May 9, 1785).* His son Edward was born in 1726. He was first educated at home under a tutor, but whether he proceeded to the University (Oxford) is uncertain. Born, baptized, and brought up in the Church of England, he had originally no other thought than to be one of her clergy. But, though strongly evangelical, he had a keen and searching eye for defects. A characteristic note to The Mitre, in referring to a book called The Dissenting Gentleman's answer to the Rev. Mr. White, thus runs:—"I was born, and am like to die, in the tottering communion of the Church of England; but I despise her nonsense; and thank God that I have once read a book that no fool can answer, and that no honest man will". The publication of The Mitre is really the first prominent event in his life. A copy is preserved in the British Museum, with title in the author's holograph, and manuscript notes; and on the fly-leaf this:— "Capt. Boisragon, from his oblig'd and most respectful humble servt. The Author. London, March 29th, 1757." The title is as follows:— The Mitre; a Sacred Poem (1 Samuel ii. 30). London: printed in the year 1757. This strangely overlooked satire is priceless as a reflex of contemporary ecclesiastical opinion and sentiment. It is pungent, salted with wit, gleams with humour, hits off vividly the well-known celebrities in Church and State, and is well wrought in picked and packed words. But it is a curious production to have come from a "true son" of the Church of England. It roused John Wesley's hottest anger. He demanded its instant suppression; and it was suppressed (Atmore's Methodist Memorial, p. 300, and Tyerman, ii. 240-44, 264, 265); and yet it was at this period the author threw himself into the Wesleys' great work. But evidences abound in the letters and journals of John Wesley that he was intermittently rebellious and vehement to even his revered leader's authority. Earlier, Edward Perronet dared all obloquy as a Methodist. In 1749 Wesley enters in his diary: "From Rochdale went to Bolton, and soon found that the Rochdale lions were lambs in comparison with those of Bolton. Edward Perronet was thrown down and rolled in mud and mire. Stones were hurled and windows broken" (Tyerman's Life and Times of the Rev. John Wesley, M.A., 3 vols., 1870 ; vol. ii. 57). In 1750 John Wesley writes: ”Charles and you [Edward Perronet] behave as I want you to do; but you cannot, or will not, preach where I desire. Others can and will preach where I desire, but they do not behave as I want them to do. I have a fine time between the one and the other. I think Charles and you have in the general a right sense of what it is to serve as sons in the gospel; and if all our helpers had had the same, the work of God would have prospered better both in England and Ireland. I have not one preacher with me, and not six in England, whose wills are broken to serve me" (ibid. ii. 85, and Whitehead's Life of Wesley, ii. 259). In 1755 arrangements to meet the emergency created by its own success had to be made for Methodism. As one result, both Edward and Charles Perronet broke loose from John Wesley's law that none of his preachers or "helpers" were to dispense the Sacraments, but were still with their flocks to attend the parish churches. Edward Perronet asserted his right to administer the Sacraments as a divinely-called preacher ibid. ii. 200). At that time he was resident at Canterbury, "in a part of the archbishop's old palace" (ibid. ii. 230. In season and out of season he "evangelized." Onward, he became one of the Countess of Huntingdon's "ministers" in a chapel in Watling Street, Canterbury. Throughout he was passionate, impulsive, strong-willed; but always lived near his divine Master. The student-reader of Lives of the Wesleys will be "taken captive" by those passages that ever and anon introduce him. He bursts in full of fire and enthusiasm, yet ebullient and volatile. In the close of his life he is found as an Independent or Congregational pastor of a small church in Canterbury. He must have been in easy worldly circumstances, as his will shows. He died Jan. 2, 1792, and was buried in the cloisters of the great cathedral, Jan. 8. His Hymns were published anonymously in successive small volumes. First of all came Select Passages of the Old and New Testament versified; London: Printed by H. Cock, mdcclvi. … A second similar volume is entitled A Small Collection of Hymns, &c, Canterbury: printed in the year dcclxxxii. His most important volume was the following:— Occasional Verses, moral and sacred. Published for the instruction and amusement of the Candidly Serious and Religious. London, printed for the Editor: And Sold by J. Buckland in Paternoster Row; and T. Scollick, in the City Road, Moorfields, mdcclxxxv. pp. 216 (12°). [The British Museum copy has the two earlier volumes bound up with this.] The third hymn in this scarce book is headed, “On the Resurrection," and is, ”All hail the power of Jesus' name". But there are others of almost equal power and of more thorough workmanship. In my judgment, "The Lord is King" (Psalm xcvi. 16) is a great and noble hymn. It commences:— “Hail, holy, holy, holy Loud! Let Pow'rs immortal sing; Adore the co-eternal Word, And shout, the Lord is King." Very fine also is "The Master's Yoke—the Scholar's Lesson," Matthew xi. 29, which thus opens:— O Grant me, Lord, that sweet content That sweetens every state; Which no internal fears can rent, Nor outward foes abate." A sacred poem is named "The Wayfaring Man: a Parody"; and another, "The Goldfish: a Parody." The latter has one splendid line on the Cross, "I long to share the glorious shame." "The Tempest" is striking, and ought to be introduced into our hymnals; and also "The Conflict or Conquest over the Conqueror, Genesis xxxii. 24". Still finer is "Thoughts on Hebrews xii.," opening:— "Awake my soul—arise! And run the heavenly race; Look up to Him who holds the prize, And offers thee His grace." "A Prayer for Mercy on Psalm cxix. 94," is very striking. On Isaiah lxv. 19, is strong and unmistakable. "The Sinner's Resolution," and "Thoughts on Matthew viii. 2," and on Mark x. 51, more than worthy of being reclaimed for use. Perronet is a poet as well as a pre-eminently successful hymnwriter. He always sings as well as prays. It may be added that the brief paraphrase after Ovid given below, seems to echo the well-known lines in Gray's immortal elegy:— "How many a gem unseen of human eyes, Entomb'd in earth, a sparkling embryo lies; How many a rose, neglected as the gem, Scatters its sweets and rots upon its stem: So many a mind, that might a meteor shone, Had or its genius or its friend been known; Whose want of aid from some maternal hand, Still haunts the shade, or quits its native land." [Rev. A. B. Grosart, D.D., LL.D.] * Agnew's Protestant Exiles from France in the Reign of Louis XIV. confounds Vincent the father with Edward his son. -- John Julian, Dictionary of Hymnology (1907)

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