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O Zion, Acclaim Your Redeemer
Author: Mary Elizabeth Servoss; Erik Nyström; E. Gustav Johnson Appears in 3 hymnals Refrain First Line: Rejoice! Rejoice! Rejoice in your Savior and King Topics: Christ His Triumphal Entry Used With Tune: [O Zion, acclaim your Redeemer]
O Zion, Acclaim Your Redeemer
O meu coração sofredor
Author: Achilles Barbosa (1894-1967); Mary Elizabeth Servoss Appears in 2 hymnals First Line: O meu coração sofredor descanso seguro encontrou Refrain First Line: Cantai, cantai no templo do nosso Senhor Topics: Vida Cristã Testemunho Scripture: Hebrews 2:12 Used With Tune: CANTAI
O meu coração sofredor
Rejoice! Rejoice! Rejoice in your Savior and King
Author: Mary Elizabeth Servoss Hymnal: The Hymnal of the Evangelical Mission Covenant Church of America #106 (1950) First Line: O Zion, acclaim your Redeemer Languages: English Tune Title: GÅ SION
Rejoice! Rejoice! Rejoice in your Savior and King
O Zion, Acclaim Your Redeemer!
Author: Mary Elizabeth Servoss, 1849-190; Erik Nyström, 1842-1907; E. Gustav Johnson, 1893-1974 Hymnal: The Covenant Hymnal #122 (1996) Meter: 9.8.9.8 with refrain Refrain First Line: Rejoice! Rejoice! Rejoice in your Savior Topics: Advent Coming; Heritage Hymns; Jesus Christ Presence; Jesus Christ Redeemer; Palm Sunday; Redemption Scripture: Isaiah 59:20 Tune Title: GÅ SION
O Zion, Acclaim Your Redeemer!
Chantons du Sauveur la tendresse
Author: Charles Rochedieu, 1857-1928 Hymnal: Sélections d'Hymnes Chrétiens #70 (2015) Topics: Redemption Languages: French Tune Title: [Chantons du Sauveur la tendresse]
Chantons du Sauveur la tendresse
Erik Nyström
Translator (Swedish) of "O Zion, Acclaim Your Redeemer" in Praise! Our Songs and Hymns
Erik Nyström
Norman Johnson
1928 - 1983 Person Name: Norman E. Johnson, 1928-1983 Arranger of "GÅ SION" in The Covenant Hymnal
Norman Johnson
James McGranahan
1840 - 1907 Person Name: James McGranahan, 1840-1907 Composer of "GÅ SION" in The Covenant Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
Small Church Music
Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
