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[Glory be to the Father, and to the Son, and to the Holy Ghost]

Appears in 4 hymnals Composer and/or Arranger: Wm. J. Kirkpatrick Incipit: 11111 31567 12317 Used With Text: Gloria Patri

Gloria Patri

Appears in 1,031 hymnals First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Used With Tune: [Glory be to the Father, and to the Son, and to the Holy Ghost]

Instances

Published text-tune combinations (hymns) from specific hymnals

Gloria Patri

Hymnal: The Young People's Hymnal No. 2 #3 (1905) First Line: Glory be to the Father, and to the Son Languages: English Tune Title: [Glory be to the Father, and to the Son]

Gloria Patri

Hymnal: Sunday-School Praises #4 (1900) First Line: Glory be to the Father, and to the Son Languages: English Tune Title: [Glory be to the Father, and to the Son]

Hymnal: The Young People's Hymnal No. 3 #280 (1906) First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Languages: English Tune Title: [Glory be to the Father, and to the Son, and to the Holy Ghost]

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People

Authors, composers, editors, etc.

William J. Kirkpatrick

1838 - 1921 Person Name: Wm. J. Kirkpatrick Composer of "[Glory be to the Father, and to the Son]" in Sunday-School Praises William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia. Bert Polman