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IN DIR IST FREUDE
Appears in 48 hymnals Composer and/or Arranger: Giovanni Giacomo Gastoldi, c. 1556-c. 1622 Tune Sources: Würtembergishes Neues Choralbuch, 1956 (Setting) Tune Key: F Major Incipit: 55431 55431 54321 Used With Text: In Thee Is Gladness
IN DIR IST FREUDE
In Thee Is Gladness
Author: Johann Lindemann, 1549-ca. 1631; Catherine Winkworth, 1829-1878 Meter: Irregular Appears in 30 hymnals Topics: Devotional; Joy; Praise; Prayer Used With Tune: IN DIR IST FREUDE
In Thee Is Gladness
Day of Delight and Beauty Unbounded
Author: Delores Dufner, OSB Meter: Irregular Appears in 4 hymnals First Line: Sing of the sun from darkness appearing Topics: Christian Year Palm Sunday; Christian Year Easter Vigil; Christian Year Resurrection/Easter; Jesus Christ Resurrection; Christian Year Easter Scripture: Psalm 30:11 Used With Tune: IN DIR IST FREUDE
Day of Delight and Beauty Unbounded
In Dir ist Freude
Appears in 12 hymnals Used With Tune: [In Dir ist Freude in allem Leide]
In Dir ist Freude
In dir ist Freude
Author: Cyriakus Schneegaß Hymnal: Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten #398 (2014) First Line: In dir ist Freude in allem Leide Lyrics: 1 In dir ist Freude in allem Leide,
o du süßer Jesu Christ!
Durch dich wir haben himmlische Gaben,
du der wahre Heiland bist;
hilfest von Schanden, rettest von Banden.
Wer dir vertrauet, hat wohl gebauet,
wird ewig bleiben. Halleluja.
zu deiner Güte steht unser G'müte,
an dir wir kleben im Tod und Leben;
nichts kann uns scheiden. Halleluja.
2 Wenn wir dich haben, kann uns nicht schaden
Teufel, Welt, Sünd oder Tod;
du hast's in Händen, kannst alles wenden,
wie nur heißen mag die Not.
Drum wir dich ehren, dein Lob vermehren,
mit hellem Schalle, freuen uns alle
zu dieser Stunde. Halleluja.
Wir jubilieren und triumphieren,
lieben und loben dein Macht dort droben
mit Herz und Munde. Halleluja. Topics: Glaube - Liebe - Hoffnung Geborgen in Gottes Leibe Languages: German Tune Title: [In dir ist Freude in allem Leide]
In dir ist Freude
In Dir ist Freude
Hymnal: Sonntagschulbuch #195 (1896) Languages: German Tune Title: [In Dir ist Freude]
In Dir ist Freude
In dir ist Freude in allem Leide
Author: J. Lindemann Hymnal: Deutsches Liederbuch #226 (1895) Languages: German Tune Title: [In dir ist Freude in allem Leide]
In dir ist Freude in allem Leide
Giovanni G. Gastoldi
1554 - 1609 Composer of "IN DIR IST FREUDE" in Voices Together Giovanni G. Gastoldi (b. 1582; d. 1609) served as a deacon and singer in the chapel of the Gonzaga family in Mantua. Succeeding Giaches de Wert, he directed music in the Church of Santa Barbaras in Mantua from 1592 to 1608. Little is known about the rest of his life. Gastoldi composed a considerable body of court music, such as madrigals, and some church music, but he is best known for his Balletti, which influenced composers such as Monteverdi, Hassler, and Morley.
Bert Polman
Giovanni G. Gastoldi
Catherine Winkworth
1827 - 1878 Translator (from German) of "In Thee Is Gladness" in The Cyber Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
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Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
Johann Sebastian Bach
1685 - 1750 Person Name: Johann Sebastian Bach (1685-1750) Adapter of "IN DIR IST FREUDE" in Church Hymnary (4th ed.) Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Small Church Music
Editors: Johann Lindemann Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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