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Tune Identifier:"^st_peter_reinagle$"

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ST. PETER

Meter: 8.6.8.6 Appears in 686 hymnals Composer and/or Arranger: Alexander R. Reinagle Tune Sources: Hymns Ancient and Modern, 1861 (harm.) Tune Key: D Major Incipit: 51765 54332 14323 Used With Text: Where Charity and Love Prevail

Texts

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Where Charity and Love Prevail

Author: Omer Westendorf Meter: 8.6.8.6 Appears in 41 hymnals Topics: The Sacraments and Rites of the Church Marriage; The Nature of the Church United in Christ; The Sacraments and Rites of the Church Marriage; Christian Year Holy Week; Church Community in Christ; Home and Family; Love; Reconciliation; Weddings Scripture: 1 John 4:16 Used With Tune: ST. PETER Text Sources: 9th cent. Latin

O Jesus, King Most Wonderful

Author: Bernard of Clairvaux Appears in 246 hymnals Used With Tune: ST. PETER
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In Christ There Is No East or West

Author: John Oxenham, 1852-1941 Meter: 8.6.8.6 Appears in 331 hymnals Lyrics: 1 In Christ there is no east or west, in him no south or north, but one great fellowship of love throughout the whole wide earth. 2 In him shall true hearts everywhere their high communion find; his service is the golden cord close binding humankind. 3 Join hands, disciples of the faith, whate'er your race may be! Who serves my Father as his child is surely kin to me. 4 In Christ now meet both east and west; in him meet south and north; all Christly souls are one in him throughout the whole wide earth. Topics: Fellowship Scripture: Ephesians 2:14-16 Used With Tune: ST. PETER

Instances

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Published text-tune combinations (hymns) from specific hymnals

In Christ There Is No East or West

Author: John Oxenham, d. 1941 Hymnal: The Chapbook #83 (1959) Languages: English Tune Title: ST. PETER (Reinagle)
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Though trouble springs not from the dust

Hymnal: The Irish Presbyterian Hymnbook #R5 (2004) Meter: 8.6.8.6 Lyrics: 1 Though trouble springs not from the dust, nor sorrow from the ground; yet ills on ills, by Heav’n’s decree, in man’s estate are found. 2 As sparks in close succession rise, so man, the child of woe, is doom'd to endless cares and toils through all his life below. 3 But with my God I leave my cause; from him I seek relief; to him, in confidence of pray'r unbosom all my grief. 4 Unnumbered are his wondrous works, unsearchable his ways; ’tis his the mourning soul to cheer, the bowed down to raise. Scripture: Job 5:6-12 Languages: English Tune Title: ST PETER (REINAGLE)
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Soon shall this earthly frame, dissolv'd

Hymnal: The Irish Presbyterian Hymnbook #R51b (2004) Meter: 8.6.8.6 Lyrics: 1 Soon shall this earthly frame, dissolv'd, in death and ruins lie; but better mansions wait the just, prepar'd above the sky. 2 An house eternal, built by God, shall lodge the holy mind; When once those prison-walls have fall’n by which ‘tis now confined. 3 Hence, burden'd with a weight of clay, we groan beneath the load, waiting the hour which sets us free, and brings us home to God. 4 We know, that when the soul, uncloth'd, shall from this body fly, ’twill animate a purer frame with life that cannot die. 5 Such are the hopes that cheer the just; these hopes their God hath giv’n; his Spirit is the earnest now, and seals their souls for heav’n. 6 We walk by faith of joys to come, faith grounded on his word; but while this body is our home, we mourn an absent Lord. 7 What faith rejoices to believe, we long and pant to see; we would be absent from the flesh, and present, Lord! with thee. 8 But still, or here, or going hence, to this our labours tend, that, in his service spent, our life may in his favour end. 9 For, Lo! before the Son, as judge, th’ assembled world shall stand, to take the punishment or prize from his unerring hand. 10 Impartial retributions then our different lives await; our present actions, good or bad, shall fix our future fate. Scripture: 2 Corinthians 5:1-11 Languages: English Tune Title: ST PETER (REINAGLE)

People

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Authors, composers, editors, etc.

Joseph Addison

1672 - 1719 Author of "When all thy mercies, O my God" in The Hymnal Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

Matthew Bridges

1800 - 1894 Author of "My God, Accept My Heart This Day" in The Cyber Hymnal Matthew Bridges

Henry Alford

1810 - 1871 Author of "O Thou Who Hast Thy Servants Taught" in The Cyber Hymnal Alford, Henry, D.D., son of  the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place  at  Canterbury, Jan. 12, 1871.  In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour.    His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages.    As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original.   They are evangelical in their teaching,   but somewhat cold  and  conventional. They vary greatly in merit, the most popular being "Come, ye thankful  people, come," "In token that thou  shalt  not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success.  His poetical and hymnological works include— (1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J.   J.  Deighton, 1833.  (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832.   (18) A translation of Cantemus cuncti, q.v. -- John Julian, Dictionary of Hymnology (1907) ================== Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:— 1. Herald in the wilderness. St. John Baptist. (1867.) 2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.) 3. Not in anything we do. Sexagesima. (1867.) 4. O Thou at Whose divine command. Sexagesima. (1844.) 5. 0 why on death so bent? Lent. (1867.) 6. Of all the honours man may wear. St. Andrew's Day. (1867.) 7. Our year of grace is wearing to a close. Close of the Year. (1867.) 8. Saviour, Thy Father's promise send. Whit-sunday. (1844.) 9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.) 10. Thou that art the Father's Word. Epiphany. (1844.) 11. Thou who on that wondrous journey. Quinquagesima. (1867.) 12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.) 13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.) 14. When in the Lord Jehovah's name. For Sunday Schools. (1844.) All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same. --Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Hymnals

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Published hymn books and other collections

Small Church Music

Editors: William Arthur Dunkerley Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library