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God, that madest earth and heaven
Author: Reginald Heber, d. 1826; Richard Whately; William Mercer Appears in 476 hymnals Lyrics: 1 God, that madest earth and heaven,
Darkness and light;
Who the day for toil hast given,
For rest the night;
May thine angel-guards defend us,
Slumber sweet Thy mercy send us,
Holy dreams and hopes attend us,
This livelong night.
2 And when morn again shall call us
To run life's way,
May we still, whate'er befall us,
Thy will obey.
From the power of evil hide us,
In the narrow pathway guide us,
Nor Thy smile be e'er denied us
The live-long day.
3 Guard us waking, guard us sleeping,
And, when we die,
May we in Thy mighty keeping
All peaceful lie.
When the last dread trump shall wake us,
Do not Thou, O God, forsake us,
But to reign in glory take us
With Thee on high.
Amen. Topics: Times and Seasons Evening Used With Tune: TEMPLE
God, that madest earth and heaven
Now to heaven our cry ascending
Author: W. E. Hickson, 1803-1870 Appears in 156 hymnals Lyrics: 1 Now to heaven our cry ascending,
God speed the right!
In a noble cause contending,
God speed the right!
May we live our lives before Thee,
Like the good and great in story,
If we fail we fail with glory,
God speed the right!
2 Patient, firm, and persevering,
God speed the right!
No event or danger fearing,
God speed the right!
Pains, nor toils, nor trials heeding,
Never from the truth receding,
And in heaven's own time succeeding,
God speed the right!
3 Still our onward course pursuing,
God speed the right!
Every foe at length subduing,
God speed the right!
Truth! thy cause, whate'er delay it,
There's no power on earth can stay it,
Proudly let us then obey it,
God speed the right! Topics: Right, God speed the; Right, God speed the; The Church and the Kingdom of God Social Service Used With Tune: TEMPLE
Now to heaven our cry ascending
All must be well
Author: M. Peters Appears in 193 hymnals First Line: Through the love of God our Saviour Lyrics: 1 Through the love of God our Saviour,
All will be well;
Free and changeless is His favour,
All, all is well.
Precious is the blood that heal'd us;
Perfect is the grace that seal'd us;
Strong the hand stretch'd out to shield us;
All must be well.
2 Though we pass through tribulation,
All will be well.
Ours is such a full salvation,
All, all is well.
Happy, still in God confiding,
Fruitful, if in Christ abiding;
Holy, through the Spirit's guiding,
All must be well.
3 We expect a bright tomorrow,
All will be well,
Faith can sing through days of sorrow,
All, all is well.
On our Father's love relying,
Jesus every need supplying,
Or in living or in dying,
All must be well. Topics: General Brotherhood, Service, Guilds, Parochial Missions Used With Tune: TEMPLE
All must be well
God, That madest Earth and Heaven
Author: The Rt. Rev. Reginald Heber, D. D. (1783-1826); The Most Rev. Richard Whately, D. D. (1787-1863); The Rev. William Mercer (1811-1873) Hymnal: The Packer Hymnal #6 (1895) Languages: English Tune Title: TEMPLE
God, That madest Earth and Heaven
God, That madest Earth and Heaven
Author: Rev. Rt. Rev. Reginald Heber, D. D. (1783-1826); The Most Rev. Richard Whateley, D. D., (1787-1863); The Rev. William Mercer (1811-1873) Hymnal: The Hymnal for Schools #6 (1895) Languages: English Tune Title: TEMPLE
God, That madest Earth and Heaven
God, That madest Earth and Heaven
Author: The Rt. Rev. Reginald Heber, D. D. (1783-1826); The Most Rev. Richard Whatley, D. D. (1787-1863); The Rev. William Mercer (1811-1873) Hymnal: The Institute Hymnal #7 (1899) Languages: English Tune Title: TEMPLE
God, That madest Earth and Heaven
Mary Peters
1813 - 1856 Person Name: M. Peters Author of "All must be well" in The Church Hymnal Also known as Mary P. Bowly
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Peters, Mary, née Bowly, daughter of Richard Bowly, of Cirencester, was born in 1813, and subsequently married to the Rev. John McWilliam Peters, sometime Rector of Quennington, Gloucestershire, and died at Clifton, July 29, 1856. Her prose work, The World’s History from the Creation to the Accession of Queen Victoria, was published in seven volumes. Several of her hymns were contributed to the Plymouth Brethren's Psalms, Hymns, and Spiritual Songs, London, D. Walther, 1842. These with others, 58 in all, were published by Nisbet & Co., London, 1847, as Hymns intended to help the Communion of Saints. Dr. Walker introduced several from these collections into his Cheltenham Psalms & Hymns, 1855. Many of these have been repeated in Snepp's Songs of Grace & Glory, 1872. and other Church of England hymnbooks. These include, besides those annotated under their respective first lines :—
i. From Psalms, Hymns, & Sacred Songs, 1842:—
1. Blessed Lord, our hearts are panting. Buria. Given in later collections as "Blessed Lord, our souls are longing."
2. How can there be one holy thought! Holiness through Christ.
3. Jesus, how much Thy Name unfolds. The Name of Jesus.
4. Lord, we see the day approaching. Second Advent.
5. 0 Lord, we know it matters not. Taught by the Spirit.
6. The murmurs of the wilderness. Praise to Jesus.
7. The saints awhile dispersed abroad. God within us.
8. Unworthy is thanksgiving. Jesus the Mediator.
9. Whom have we, Lord, but Thee. Christ All in All.
10. With thankful hearts we meet, 0 Lord. Public Worship.
From her Hymns, &c, 1847:—
11. Earth's firmest ties will perish. Burial.
12. Enquire, my soul, enquire. Second Advent.
13. Hallelujah, we are hastening. Journeying Heavenward.
14. Holy Father, we address Thee. Holy Trinity.
15. Jesus, of Thee we ne'er would tire. Holy Communion.
16. Lord Jesus, in Thy Name alone. Holy Communion.
17. Lord, through the desert drear and wide. Prayer for Perseverance.
18. Many sons to glory bring. Security in Christ.
19. 0 Lord, whilst we confess the worth. Dead in Christ. Sometimes it begins with st. ii., "Dead to the world we here avow."
20. Our God is light, we do not go. Christ the Guide.
21. Praise ye the Lord, again, again. Public Worship.
22. Salvation to our God. Passiontide.
23. The holiest we enter. Public Worship. Sometimes given as "The holiest now we enter."
24. Through the love of God our Saviour. Security in Christ.
25. Thy grace, 0 Lord, to us hath shown. Offertory.
26. We're pilgrims in the wilderness. Life a Pilgrimage.
-- John Julian, Dictionary of Hymnology (1907)
Mary Peters
Reginald Heber
1783 - 1826 Person Name: Reginald Heber, d. 1826 Author of "God, that madest earth and heaven" in Common Service Book of the Lutheran Church Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
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Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
E. J. Hopkins
1818 - 1901 Person Name: Edward J. Hopkins Composer of "TEMPLE" in Common Service Book of the Lutheran Church Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
