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John Zundel

1815 - 1882 Composer of "BEECHER" in The Celebration Hymnal John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882 Evangelical Lutheran Hymnal, 1908

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "[Father, we adore Thee, for Thy gift that bought us]" in Songs of Comfort As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Louis Bourgeois

1510 - 1561 Person Name: Louis Bourgeois (1510-1561) Composer of "OLD 42nd" in The Believers Hymn Book with Music Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven, 1770-1827 Composer of "SARDIS" in The Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Adam Geibel

1855 - 1933 Composer of "[Holy Father, we adore Thee]" in Consecrated Hymns Born: September 15, 1855, Neuenheim, Germany. Died: August 3, 1933, Philadelphia, Pennsylvania. Though blinded by an eye infection at age eight, Geibel was a successful composer, conductor, and organist. Emigrating from Germany probably around 1864, he studied at the Philadelphia Institute for the Blind, and wrote a number of Gospel songs, anthems, cantatas, etc. He founded the Adam Geibel Music Company, later evolved into the Hall-Mack Company, and later merged to become the Rodeheaver Hall-Mack Company. He was well known for secular songs like "Kentucky Babe" and "Sleep, Sleep, Sleep." In 1885, Geibel organized the J. B. Stetson Mission. He conducted the Stetson Chorus of Philadelphia, and from 1884-1901, was a music instructor at the Pennsylvania Institution for the Instruction of the Blind. His works include: Evening Bells, 1874 Saving Grace, with Alonzo Stone (Philadelphia, Pennsylvania: Stone & Bechter, Publishers, 1898) Consecrated Hymns, (Philadelphia, Pennsylvania: Geibel & Lehman, 1902) Uplifted Voices, co-editor with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1901) World-Wide Hosannas, with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1904) Hymns of the Kingdom, co-editor with R. Frank Lehman et al. (Philadelphia, Pennsylvania: Geibel & Lehman, 1905) --www.hymntime.com/tch/

Thoro Harris

1874 - 1955 Author of "We Adore Thee" in Little Branches No. 4 Born: March 31, 1874, Washington, DC. Died: March 27, 1955, Eureka Springs, Arkansas. Buried: International Order of Odd Fellows Cemetery, Eureka Springs, Arkansas. After attending college in Battle Creek, Michigan, Harris produced his first hymnal in Boston, Massachusetts, in 1902. He then moved to Chicago, Illinois at the invitation of Peter Bilhorn, and in 1932, to Eureka Springs, Arkansas. He composed and compiled a number of works, and was well known locally as he walked around with a canvas bag full of handbooks for sale. His works include: Light and Life Songs, with William Olmstead & William Kirkpatrick (Chicago, Illinois: S. K. J. Chesbro, 1904) Little Branches, with George J. Meyer & Howard E. Smith (Chicago, Illinois: Meyer & Brother, 1906) Best Temperance Songs (Chicago, Illinois: The Glad Tidings Publishing Company, 1913) (music editor) Hymns of Hope (Chicago, Illinois: Thoro Harris, undated, circa 1922) --www.hymntime.com/tch

Anonymous

Person Name: Anon. Author of "Holy Father, we adore Thee" in Hymnal Companion to the Prayer Book with Accompanying Tunes (Second Edition) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

George W. Frazer

1830 - 1896 Author, st. 1, 2, 4 of "God, Our Father, We Adore Thee" in Baptist Hymnal 1991 George West Frazer

Asa Hull

1828 - 1907 Composer of "[Holy Father, we adore thee]" in Garlands of Praise Asa Hull USA 1828-1907. Born in Keene, NY, he became a music publisher in New York City. He married Emma F Atherton, and they had a daughter, Harriett. He wrote many tunes and authored temperance rallying songs. He published 33 works, of which 21 were songbooks, between 1863-1895. He died in Philadelphia, PA. John Perry

Claude Goudimel

1514 - 1572 Person Name: Claude Goudimel (1514-1572) Harmonizer of "OLD 42nd" in The Believers Hymn Book with Music The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

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