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Anonymous

Person Name: Anon. Meter: 7.8.7.8 with refrain Translator of "Jesus the Light of the World" in The A.M.E. Zion Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Schop

1590 - 1667 Meter: 7.8.7.8 with refrain Composer of "WE'LL WALK IN THE LIGHT" in The A.M.E. Zion Hymnal Johann Schop Germany 1590-1667. Born at lower Saxony, Germany, he became a Lutheran composer and violinist, much admired for his virtuoso and technical ability. In 1614 Duke Friedrich Ulrich made him a probationary musician in the Hofkapelle at Wolfenbuttel. He performed playing various instruments, but excelled as a violinist. He was engaged permanently in 1615, but the same year he responded to a summons to join the flourishing musical establishment of King Christian IV of Denmark in Copenhagen. There he met English viol player, William Brade, who had earlier been in service to Hamburg, Germany (and may have taught Schop there). Schops compositions for the violin set impressive demands for that area at that time. He also played other instruments, including the violi, lute, cornet, trombon, trumpet, zinke, and violin (virtuoso). In 1619 Schop and Brade left Copenhagen to escape the plague. He then went to Iburg, where he worked at the courtof the Osnabruck bishop, Philipp Sigismund. Schop had such a reputation that he soon acquired a post as Kapellmeister at an establishment in Hamburg and was the first member of the council music. In 1621 he was its director and the leading municipal violinist in that city, which offered him a substantial income for his participation in the church music program. He also was organist at the Jacobikirche. In 1634 he again traveled to Copenhagen with Heinrich Schutz and Heinrich Albert for the wedding of Crown Prince Christian. He won a violin contest there. Few German violinists were of his caliber musically. He returned to Hamburg, and the Danish king tried several times to woo him back to Denmark, but he stayed in Hamburg, becoming a director of music. He published books of violin music in 4 to 6 parts. He wrote two books of well-loved dance pieces and sacred concertos. He co-founded a school of song writing there in Hamburg with Thomas Selle. Many of his tunes were writtten for fellow townsmen and friend Johann Rist. Some of his music was performed at the Peace of Westphalia celebrations. Some of his tunes were used by chants in a cantata. Schop was married (wife’s name not found) and they had two sons, Johann II, and Albert, who also became musicians. He died in Hamburg. John Perry

Ken Barker

b. 1955 Meter: 7.8.7.8 with refrain Arranger (choral ending) of "PLAINFIELD" in The Celebration Hymnal

Johann Sebastian Bach

1685 - 1750 Person Name: J S Bach Meter: 7.8.7.8 with refrain Arranger of "WE'LL WALK IN THE LIGHT" in The A.M.E. Zion Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Martin Janus

1620 - 1682 Meter: 7.8.7.8 with refrain Author of "Jesus the Light of the World" in The A.M.E. Zion Hymnal Janus, Martin, seems to have been a native of Silesia, and to have been born about 1620. After receiving his license in theology, he became Precentor of the two churches at Sorau, in Silesia, then, about 1653, was appointed Rector of the Evangelical School at Sagan, and Precentor at the church near the Eckersdorf gate. He became Pastor at Eckersdorf about 1664, but was expelled by the Imperial Edict of March 13, 1668, by which all Evangelical pastors and teachers were driven out of the principality. He is said to have become Precentor at Ohlau, in Silesia, and died there about 1682. The only hymn by him translation into English is:— Jesu meiner Seelen Wonne. Love to Christ. Included in the Christlich Herzens Andacht, Nürnberg, 1665 [Wolfenbüttel], No. 24, in 18 stanzas, repeated with his name in the Nürnberg Gesang-Buch, 1676, &c, and in Porst's Gesang-Buch, ed. 1855, No. 715. Sometimes erroneously ascribed to J. Scheffler. The translation is, "0! at last I did discover," beginning with stanza v. as No. 464 in pt. i. of the Moravian Hymn Book, 1754. In the 1789 and later eds. (1886, No. 338) it begins "0! at last I've found my Saviour." [Rev. James Mearns, M. A.] --John Julian, Dictionary of Hymnology (1907)

Graham Kendrick

b. 1950 Person Name: Graham Kendrick, 1950- Meter: 7.8.7.8 with refrain Author of "This is our God, the Servant King" in CPWI Hymnal Graham Kendrick (b. England, August 2, 1950), the son of a Baptist minister in Northamptonshire, is one of the most prolific Christian singer-songwriters in the United Kingdom. He’s written music for over thirty years, and to date has released thirty-eight albums. He is best known for his songs “Shine, Jesus, Shine,” “Knowing You,” and “The Servant King.” Kendrick has received honorary doctorates in divinity from Brunel University and Wycliffe College. In 1987 he helped co-found the March for Jesus, which today is a global phenomenon in which Christians take their faith to the streets in a celebration of Christ. In 1995 Kendrick received a Dove Award for his international work, and he remains an active advocate for Compassion International, which is a Christian child sponsorship organization dedicated to the long-term development of children living in poverty around the world, and also is a contributor to CompassionArt, an organization with the aim of generating income from works of art to assist in the relief of suffering around the planet. Laura de Jong

Eugene Thomas

b. 1941 Meter: 7.8.7.8 with refrain Arranger of "LAMB OF GLORY" in The Hymnal for Worship and Celebration

Geo. D. Elderkin

1845 - 1928 Person Name: George D. Elderkin Meter: 7.8.7.8 with refrain Author of "Jesus the Light of the World" in The A.M.E. Zion Hymnal Almost nothing is known about George D. Elderkin (b. 1845; d. 1928). There was a George D. Elderkin Publishing Company in Chicago which published four collections of gospel hymns entitled The Finest of the Wheat. Book Three (1904) includes 259 songs, including music by both George D. and George W. Elderkin, “for prayer and evangelistic meetings, church and missionary services, Sunday schools and young people’s societies,” and was edited by Geo. D. Elderkin, C. C. McCabe, Wm. J. Kirkpatrick, H. L. Gilmour, G. W. Elderikn, and F. A. Hardon.” It was hardbound, and sold for 30 cents per copy, postpaid. Emily Brink

Nolan Williams

Person Name: Nolan Williams, Jr. b. 1969 Meter: 7.8.7.8 with refrain Arranger of "PLAINFIELD" in African American Heritage Hymnal

James Phillip McAuley

1917 - 1976 Meter: 7.8.7.8 with refrain Author of "By your kingly power, O risen Lord"

Greg Nelson

b. 1948 Meter: 7.8.7.8 with refrain Author of "Lamb of Glory" in The Celebration Hymnal Greg Nelson (born September 10, 1948) is a music producer from Nashville, Tennessee. Overview and early career Nelson was born in Bismarck, North Dakota. He has produced recordings for Christian and theatrical artists including Sandi Patty, Steve Green, Larnelle Harris, Twila Paris, Michael Crawford and Richard Smallwood as well as multiple artist recordings with Amy Grant, Steven Curtis Chapman, Michael W. Smith, CeCe Winans, Graham Kendrick, Jennifer Holliday, Wintley Phipps, Máire Brennan, Kathie Lee Gifford and the American Boychoir. Nelson headed Spirit Records, a division of Sparrow Records, with artists Benny Hester and Albrecht, Roley and Moore. He went on to co-found Refuge Records in 1980 with Jack Hafer, another Sparrow employee. In addition, he served as the first publishing director for Billy Ray Hearn at Sparrow. As an arranger/orchestrator Nelson composed the "Prelude" to John Michael Talbot's “Last Supper” and later created string arrangements for various gospel and contemporary Christian artists. Production Nelson has produced 13 gold records and 3 platinum records. He has received 20 Dove Awards as well as over 30 nominations. In addition his productions have garnered 7 Grammy Awards and 13 Grammy nominations for Sandi Patty and Larnelle Harris. He has received song, songwriter and publisher awards from Broadcast Music Incorporated (BMI), the Nashville Songwriters Association and the Gospel Music Association. He received a BMI "Special Contribution Award" in appreciation of his many outstanding contributions to the world of Christian music. He was the third recipient of the Gospel Music Association “Impact Award” for his outstanding work and influence in the contemporary Christian music industry. His productions of The New Young Messiah and Emmanuel have been successful Christmas tours featuring many high-profile Christian artists. Songwriting Nelson, a well-known composer in Christian music, has penned several hymns in The Celebration Hymnal and the Baptist Hymnals. "People Need The Lord", written by Phill McHugh and Nelson, is considered a Christian classic[citation needed]. His modern oratorio, "Saviour", co-written with Bob Farrell, continues to tour in the United States, Europe and Russia. Hallel (A Musical Suite for Chamber Orchestra, Chamber Choir and Soloists) is his most recent major composition which is orchestrated by Ronn Huff. Greg also co-wrote the #1 Larnelle Harris song 'All Along the Way'[3]with Dan Schafer, from the album 'First Love' that he produced, which reached the No. 1 spot for 5 weeks on the CCM Christian Inspirational chart and No. 6 for the top songs of 1998. Current work Nelson began serving in a dual role at LifeWay Worship in 2004 as an exclusive songwriter and as Creative Supervisor for song and writer development. His work at LifeWay has included recording over 1000 hymns and worship songs for the creation of the 2008 Baptist Hymnal and the associated website. Nelson supervised the production of this recording, the largest recording project ever in Nashville, which took 10 months to complete with five production teams. The "SongMap" technology developed by LifeWay Christian Resources is based on his ideas of song manipulation. --en.wikipedia.org/

David Peacock

b. 1949 Person Name: David Peacock, 1949- Meter: 7.8.7.8 with refrain Arranger of "THE SERVANT KING" in CPWI Hymnal

Robert Lowry

1826 - 1899 Meter: 7.8.7.8 with refrain Author of "Nothing but the Blood" in Trinity Hymnal (Rev. ed.) Robert Lowry was born in Philadelphia, March 12, 1826. His fondness for music was exhibited in his earliest years. As a child he amused himself with the various musical instruments that came into his hands. At the age of seventeen he joined the First Baptist Church of Philadelphia, and soon became an active worker in the Sunday-school as teacher and chorister. At the age of twenty-two he gave himself to the work of the ministry, and entered upon a course of study at the University of Lewisburg, Pa. At the age of twenty-eight he was graduated with the highest honors of his class. In the same year of his graduation, he entered upon the work of the ministry. He served as pastor at West Chester, Pa., 1851-1858; in New York City, 1859-1861; in Brooklyn, 1861-1869; in Lewisburg, Pa., 1869-1875. While pastor at Lewisburg, he was also professor of belles lettres in the University, and received the honorary degree of D. D. in 1875. He then went to Plainfield, N. J., where he became pastor of Park Avenue Church. In each of these fields his work was crowned with marked success. Dr. Lowry was a man of rare administrative ability, a most excellent preacher, a thorough Bible student, and whether in the pulpit or upon the platform, always a brilliant and interesting speaker. He was of a genial and pleasing disposition, and a high sense of humor was one of his most striking characteristics. Very few men had greater ability in painting pictures from the imagination. He could thrill an audience with his vivid descriptions, inspiring others with the same thoughts that inspired him. His melodies are sung in every civilized land, and many of his hymns have been translated into foreign tongues. While preaching the Gospel, in which he found great joy, was his life-work, music and hymnology were favorite studies, but were always a side issue, a recreation. In the year 1880, he took a rest of four years, visiting Europe. In 1885 he felt that he needed more rest, and resigned his pastorate at Plainfield, and visited in the South and West, also spending some time in Mexico. He returned, much improved in health, and again took up his work in Plainfield. On the death of Wm. B. Bradbury, Messrs. Biglow & Main, successors to Mr. Bradbury in the publishing business, selected Dr. Lowry for editor of their Sunday-school book, Bright Jewels, which was a great success. Subsequently Dr. W. Doane was associated with him in the issue of the Sunday-school song book, Pure Gold, the sales of which exceeded a million copies. Then came Royal Diadem, Welcome Tidings, Brightest and Best, Glad Refrain, Good as Gold, Joyful Lays, Fountain of Song, Bright Array, Temple Anthems, and numerous other volumes. The good quality of their books did much to stimulate the cause of sacred song in this country. When he saw that the obligations of musical editorship were laid upon him, he began the study of music in earnest, and sought the best musical text-books and works on the highest forms of musical composition. He possessed one of the finest musical libraries in the country. It abounded in works on the philosophy and science of musical sounds. He also had some musical works in his possession that were over one hundred and fifty years old. One of his labors of love some years ago was an attempt to reduce music to a mathematical basis. On the established fact that Middle C has two hundred and fifty-six vibrations per second, he prepared a scale and went to work on the rule of three. After infinite calculation and repeated experiments, he carried it far enough to discover that it would not work. A reporter once asked him what was his method of composition — "Do you write the words to fit the music, or the music to fit the words?" His reply was, "I have no method. Sometimes the music comes and the words follow, fitted insensibly to the melody. I watch my moods, and when anything good strikes me, whether words or music, and no matter where I am, at home or on the street, I jot it down. Often the margin of a newspaper or the back of an envelope serves as a notebook. My brain is a sort of spinning machine, I think, for there is music running through it all the time. I do not pick out my music on the keys of an instrument. The tunes of nearly all the hymns I have written have been completed on paper before I tried them on the organ. Frequently the words of the hymn and the music have been written at the same time." The Doctor frequently said that he regarded "Weeping Will Not Save Me" as the best and most evangelistic hymn he ever wrote. The following are some of his most popular and sweetest gospel melodies: "Shall We Gather at the River?," "One More Day's Work for Jesus," "Where is My Wandering Boy To-night?," "I Need Thee Every Hour," "The Mistakes of My Life," "How Can I Keep from Singing?," "All the Way My Saviour Leads Me," "Saviour, Thy Dying Love," "We're Marching to Zion," etc. "Shall We Gather at the River?" is perhaps, without question, the most widely popular of all his songs. Of this Mr. Lowry said: "It is brass band music, has a march movement, and for that reason has become popular, though for myself I do not think much of it." Yet he tells us how, on several occasions, he had been deeply moved by the singing of that hymn, "Going from Harrisburg to Lewisburg once I got into a car filled with half-drunken lumbermen. Suddenly one of them struck up, "Shall We Gather at the River?" and they sang it over and over again, repeating the chorus in a wild, boisterous way. I did not think so much of the music then as I listened to those singers, but I did think that perhaps the spirit of the hymn, the words so flippantly uttered, might somehow survive and be carried forward into the lives of those careless men, and ultimately lift them upward to the realization of the hope expressed in my hymn." "A different appreciation of it was evinced during the Robert Raikes' Centennial. I was in London, and had gone to meeting in the Old Bailey to see some of the most famous Sunday-school workers in the world. They were present from Europe, Asia, and America. I sat in a rear seat alone. After there had been a number of addresses delivered in various languages, I was preparing to leave, when the chairman of the meeting announced that the author of "Shall We Gather at the River?" was present, and I was requested by name to come forward. Men applauded and women waved their handkerchiefs as I went to the platform. It was a tribute to the hymn; but I felt, when it was over, that, after all, I had perhaps done some little good in the world, and I felt more than ever content to die when God called." On Children's Day in Brooklyn, in 1865, this song was sung by over forty thousand voices. While Dr. Lowry said, "I would rather preach a gospel sermon to an appreciative, receptive congregation than write a hymn," yet in spite of his preferences, his hymns have gone on and on, translated into many languages, preaching and comforting thousands upon thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God for His goodness to the children of men. What he had thought in his inmost soul has become a part of the emotions of the whole Christian world. We are all his debtors. Rev. Robert Lowry, D. D., died at his residence in Plainfield, K J., November 25, 1899. Dead, yet he lives and his sermons in gospel song are still heard and are doing good. Dr. Lowry was a great and good man, and his life, well spent, is highly worthy of a place among the world's greatest gospel song and hymn writers. -- Biography of Gospel Song and Hymn Writers ------- Lowry, Robert, D.D., son of Crozier Lowry, was born at Philadelphia, Pennsylvania, March 12, 1826, and educated at Lewisburg University. Having received ordination as a Baptist Minister, his first charge was at West Chester, Pennsylvania. From thence he passed to New York City, and then to Brooklyn, N. Y. In 1876 he was appointed Professor of Rhetoric in his University. On resigning his Professorship he undertook the charge of the 2nd Baptist Church, New Jersey. Dr. Lowry has been associated with some of the most popular Sunday School hymn-books published in the States, including Happy Voices, 1865; Chapel Melodies, 1868; Bright Jewels, 1869; Pure Gold, 1871; Royal Diadem, 1873; Tidal Wave, 1874; Fountain of Song1877; Welcome Tidings, 1877, &c. Of Dr. Lowry's hymns those which have attained the widest circulation are:— 1. Jerusalem, for ever bright. Heaven. Appeared in the American Tract Society's Happy Voices, 1865, with music by the author. 2. Low in the grave He lay. Resurrection of Christ. Written in 1874 and published in Brightest and Best, 1875. 3. Marching on, marching on. Sunday School Battle Song. Appeared, with music by the author, in Happy Voices, 1865. 4. My home is in heaven, my rest is not here. In Happy Voices, 1865, with music by the author. 5. My life flows on in endless song. Joy in God. In Bright Jewels, 1869; the Royal Diadem, 1873, and others in America and Great Britain, with music by the author. 6. One more day's work for Jesus. Work for Christ. Published, with music by the author, in Bright Jewels, 1869. 7. Shall we gather at the river? Mutual recognition in the Hereafter. The origin of this hymn is thus set forth in E. W. Long's Illustrated History of Hymns and their Authors, Philadelphia, 1876, p. 64:— ”On a very hot summer day, in 1864, a pastor was seated in his parlour in Brooklyn, N. Y. It was a time when an epidemic was sweeping through the city, and draping many persons and dwellings in mourning. All around friends and acquaintances were passing away to the spirit land in large numbers. The question began to arise in the heart, with unusual emphasis, ‘Shall we meet again? We are parting at the river of death, shall we meet at the river of life?' ‘Seating myself at the organ,’ says he, ‘simply to give vent to the pent up emotions of the heart, the words and music of the hymn began to flow out, as if by inspiration:— ‘Shall we gather at the river, Where bright angel feet have trod?’" In 1865 the hymn and music were given in Happy Voices, No. 220, in 5 stanzas of 4 lines and a chorus. The hymn has since passed into a great number of hymnals in Great Britain and America. 8. Take the wings of the morning; speed quickly thy flight. Exhortation to Repentance. Written for, and published with music by the author in, the Royal Diadem, 1873. 9. Weeping will not save me. Salvation through Faith. Published in the Chapel Melodies, 1868. 10. What can wash away my stain? Precious Blood of Jesus. Given in the Welcome Tidings, 1877, with music by the author. 11. Where is my wandering boy tonight! The absent Child. In the Fountain of Song, 1877, together with music by the author. Most of these hymns are given in Mr. I. D. Sankey's Sacred Songs & Solos, Pts. i., ii. --John Julian, Dictionary of Hymnology (1907)

J. Howard Entwisle

1865 - 1901 Meter: 7.8.7.8 with refrain Composer of "[Christ will me His aid afford]" J Howard Entwisle USA 1865-1901. Born in PA, he became a musician and songbook editor-compiler in Philadelphia, PA, in the 1890s. He collaberated with William J Kirkpatrick, also of Philadelphia, promoting gospel songs. He helped compile “Songs of love and praise #4”, then later “Songs of love and praise #5”. Other published works were: “Bright melodies” (1899), “Heavenly sunlight” (1900), “Exalted praise” (1901). He died in Philadelphia. John Perry