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Doris Akers

1923 - 1995 Scripture: Psalm 133:1 Author of "Sweet, Sweet Spirit" in The Worshiping Church Doris Mae Akers USA 1923-1995. Born at Brookfield, MO, one of nine siblings, her (inter-racial) parents divorced when she was age three. She then lived with her mother, who remarried when she was age six. They lived in Kirksville, MO. Some of her brothers lived with her father after the divorce. The family attended the Bethel AME Church in Kirksville, where she learned to play piano by ear at age six. She wrote her first song at age 10. In the 1930s she formed a singing gospel group with siblings, Edward, Marian, and Donald, who went by the name ‘Dot and the Swingsters’. Early in her career (1938) she moved to Los Angeles, CA. There she became known for her work with the ‘Sky Pilot Choir’, an integrated group that made recordings and appeared on Radio and TV across the country. Her fresh, modern arrangements of traditional negro spirituals drew large crowds from far and near, and increased her church’s attendance dramatically. Her choir group released three record albums. She recorded solos in 1963 and also collaborated with the Statemen Quartet in 1964. She ended working with the choir in 1965, but reunited with it again in 1974 to make a 4th recording for RCA Victor. In 1970 she moved to Columbus, OH, where she continued composing, recording, and traveling. In the 1980s she released a new gospel album each year on a regional Midwest label. She also released a few albums in Canada (not distributed in the U S). In the 1990s she began recording for the Gaither label and appeared in some of their TV productions and concerts. She was affectionately known as ‘Miss Gospel Music’, respected and admired by everyone in the gospel music business. By this time, she had mastered vocalization, keyboards, choir directing, arranging, composing, and publishing. She worked with many of the early pioneers in gospel music and authored gospel compositions, some selling millions of records for other performers and evangelists. In her final years she was Minister of Music at Grace Temple Deliverance Center, Minneapolis, MN. In 1994 she broke her ankle, and also discovered she had spinal cancer. She died at Edina, MN. She never married. She wrote 500+ songs. She received many awards over the years, including ‘Gospel Music Composer of the Year’ (for both years 1960 and 1961). In 1976, the city of Kirksville, MO, held “Doris Akers’ Day’, featuring her as the headline act, as part of the bicentennial celebration. Over 20,000 attended the celebration there. In 1992 she was honored by the Smithsonian Institution as ‘The Foremost Gospel Writer in the U S’. Her works include eight collections of music. In 2001 she was inducted into the Gospel Music Hall of Fame. In 2011 she was inducted into the Southern Gospel Music Hall of Fame. John Perry

William Amps

1824 - 1910 Person Name: W. Amps Scripture: Psalm 133 Composer of "VENICE" in Hymnal Amps was educated at Peterhouse, Cambridge (BA 1858, MA 1862). He played the organ at King’s College (1855-76) and Christ’s College. He also conducted the Cambridge University Musical Society for many years. Amps composed a good deal of music, including piano sonatas and part songs.

Fred R. Anderson

b. 1941 Scripture: Psalm 133 Author of "Behold the Goodness of Our Lord" in The Presbyterian Hymnal

Anonymous

Scripture: Psalm 133 Author of "Behold, How Pleasant and How Good" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Malcolm Archer

b. 1952 Person Name: Malcolm Archer, b. 1952 Scripture: Psalm 133:1 Composer of "TOR HILL" in Complete Anglican Hymns Old and New

Harriet Auber

1773 - 1862 Person Name: Auber Scripture: Psalm 133 Author of "Excellence of Christian unanimity" in Psalms and Hymns and Spiritual Songs Auber, Harriet, daughter of Mr. James Auber, b. in London, Oct. 4, 1773. During the greater part of her quiet and secluded life she resided at Broxbourne and Hoddesdon, Herts, and died at the latter place on the 20th Jan., 1862. Miss Auber wrote devotional and other poetry, but only a portion of the former was published in her Spirit of the Psalms, in 1829. This collection is mainly her work, and from it some useful versions of the Psalms have been taken and included in modern hymn-books, about 20 appearing in Spurgeon's Our Own Hymn Book, 1866. Miss Auber's name is widely known, but it is principally through her exquisite lyric, "Our blest Redeemer, ere He breathed," and the Epiphany hymn, "Bright was the guiding star that led." (For criticism of her work, see English Psalters, §. 17.) In addition to these and other hymns by Miss Auber, which are annotated under their respective first lines, the following are also in C. V., but principally in America:— 1.  Arise, ye people, and adore.   Easter. 2.  As Thy chosen people, Lord.   Ps. lxciii. 3.  Can guilty man indeed believe?   Ps. xciv. 4.  Delightful is the task to sing.   Ps. cxlvii. 5.  Father of Spirits, Nature's God.   Ps. cxxxi. 6.  Hail, gracious Source of every good.   Ps. Ixv. 7.  Hasten, Lord, the glorious time.   Ps. lxxii. 8.  Jehovah reigns, O earth, rejoice.   Ps. xccii. 9.  Join, all ye servants of the Lord.   H. Scriptures. 10.  Jesus, Lord, to Thee we sing.   Ps. cx. 11.  O all ye lands, rejoice in God.   Ps. lxvi. 12.  O God our Strength, to Thee the song.   Ps. lIxxxi. 13.  O praise our great and gracious Lord.   Ps. lxxviii. 14.  On thy church, O power divine.   Ps. lxvii. 15.  Sweet is the work, O Lord.   Sunday. 16.  That Thou, O Lord, art ever nigh.   Ps. lxxv. 17.  The Lord, Who hath redeemed our souls.   Ps. xxxi. 18.  When all bespeaks a Father's love.   Ps. set. 19.  When dangers press and fears invade.   Ps. lxii. 20.  Who, O Lord, when life is o'er.   Ps. xv. 21.  Whom have we   Lord,  in  heaven, but Thee.   Ps. lxxiii. 22.  Wide, ye heavenly gates, unfold.   Ascension. 23.  With hearts in love abounding.   Ps. xlv. 24.  With joy we hail the sacred day.   Sunday. 25.  Vainly through the night the ranger.   Ps. cxvii. All these psalm-versions and hymns are from her Spirit of the Psalms,   London, 1829. - John Julian, Dictionary of Hymnology (1907) ========================= Auber, Harriet, p. 90, ii. The following versions of psalms from her Spirit of the Psalms, 1829, are also in common use:- 1. Great God, wert Thou extreme to mark. Ps. cxxx. "Thy servants in the temple watched," begins with stanza ii. of this. 2. How blest are they who daily prove. Ps. xli. 3. How blest the children of the Lord. Altered from Ps. cxii. 4. Jehovah, great and awful name. Part of Ps. Ixxviii. 5. 0 Thou Whom heaven's bright host revere. Ps. Ixxxiv. 6. Praise the Lord, our mighty King. Ps. cxxxv. 7. Spirit of peace, Who as a [celestial] Dove. Ps. cxxxiii. 8. Thou by Whose strength the mountains stand. Ps. Ixv. 9. To heaven our longing eyes we raise. Ps. cxxi. 10. Vainly through night's weary hours. Ps. cxxvii. Sometimes "Vainly through the night the ranger." 11. While all the golden harps above. Easter. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in:Hymn Writers of the Church

Martin F. Ball

Scripture: Psalm 133 Author of "O How Good It Is" in Scripture Song Database

Juanita R. de Balloch

1894 - 1959 Person Name: Juanita R. de Balloch, 1894-1994 Scripture: Psalm 133:1 Translator of "In Christ There Is No East or West (Oriente ni occidente)" in Santo, Santo, Santo Born: 1894, Spain.

Anna L. Barbauld

1743 - 1825 Person Name: Mrs. Barbauld Scripture: Psalm 133 Author of "How blest the sacred tie that binds" in A Selection of Sacred Poetry Barbauld, Anna Laetitia, née Aikin, daughter of the Rev. John Ailrin, D.D., a dissenting minister, was b. at Kibworth-Harcourt, Leicestershire, June 20, 1743. In 1753 Dr. Aikin became classical tutor at a dissenting academy at Warrington. During her residence there she contributed five hymns to Dr. W. Enfield's Hymns for Public Worship, &c, Warrington, 1772. In the following year these were included in her Poems, Lond., J. Johnson, 1773. In May, 1774, Miss Aikin was married to the Rev. Rochemont Barbauld, a descendant of a French Protestant family, and a dissenting minister. For some years Mr. Barbauld conducted, in addition to his pastoral work, a boarding school at Palgrave, Suffolk. From this he retired in 1785. In 1786 he undertook the charge of a small congregation at Hampstead, and from thence he passed to the dissenting chapel (formerly Dr. Price's) at Newington Green, in 1802. He d. Nov. 11, 1808. Mrs. Barbauld continued to reside in the neighbourhood until her death, March 9, 1825. In the latter part of the same year her niece published The Works of Anna Laetitia Barbauld, with Memoir, by Lucy Aikin, 2 vols., Lond., Longman, 1825. As a writer of hymns Mrs. Barbauld was eminently successful. Their use, however, with the exception of five contributed to Dr. W. Enfield's collection, is almost exclusively confined to the Unitarian hymnals of Great Britain and America. Including these hymnals, the whole of her hymns are still in common use. These hymns appeared thus:— i. In Dr. W. Enfield's Hymns, &c., 1772. 1. Again the Lord of life and light. Easter. 2. Awake, my soul, lift up thine eyes. Conflict. 3. Behold, where breathing love divine. Christian Charity. 4. Jehovah reigns, let every nation hear. God's Dominion. A part of this was given in Collyer's Sel., 1812, No. 586, as:— 5. This earthly globe, the creature of a day. 6. Praise to God, Immortal praise. Harvest. ii. Poems, 1773 (Preface dated Dec. 1, 1772). The whole of the above, and also:— 7. God of my life and author of my days. To God the Father. This is an “Address to the Deity," in 80 1. It is given in Martineau's Collection, 1840 and 1873. From it the following centos were given in Collyer's Selection> 1812:— 8. God, our kind Master, merciful as just. 9. If friendless in the vale of tears I stray. iii. Poems revised 1792. 10. Come, said [says] Jesus' sacred voice. Invitation. 11. How blest the sacred tie that binds. Christian Fellowship. 12. Lo where a crowd of pilgrims toil. Pilgrimage of Life. From this is taken:— 13. Our country is Immanuel's ground [land]. iv. Leisure Hour Improved (Ironbridge), 1809. 14. Sweet is the scene when virtue dies. Death. v. Supplement to the Unitarian Coll. of Kippis, Bees, and others, 1807. 15. When as returns the solemn day. Sunday. 16. Sleep, sleep to day, tormenting cares. Sunday. 17. How may earth and heaven unite. Worship. vi. Works, with Memoir, 1825. In vol. i. most of the above are reprinted, and the following are added :— 18. Joy to the followers of the Lord. Joy. (c. 1820.) 19. Pure spirit, O where art thou now. Bereavement. This is dated 1808. 20. Salt of the earth, ye virtuous few. Salt of the Earth. 21. When life as opening buds is sweet. Death. This is dated " November, 1814." The more important of these hymns are annotated in this Dictionary under their first lines. Mrs. Barbauld's Hymns in Prose for Children, originally published in 1781, were long popular and have been translated into French, Italian, Spanish, and other languages. -- John Julian, Dictionary of Hymnology (1907) =================== Barbauld, Anna L., p. 113, ii. No. 18 on p. 114, i.,should be dated circa 1820. Another hymn in common use from Mrs. Barbauld's Works, &c, 1825, is, "O Father! though the anxious fear" (E. Taylor, p. 1117, in error). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in: Hymn Writers of the Church

John Barnard

b. 1948 Person Name: John Barnard (born 1948) Scripture: Psalm 133 Composer of "STEEPLE ASHTON" in Hymns for Today's Church (2nd ed.)

Benjamin Beddome

1717 - 1795 Person Name: Beddome Scripture: Psalm 133:1 Author of "Let party names no more" in The Voice of Praise Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================= Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A." Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates. Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:— "The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart." With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America. [Rev. W. R. Stevenson, M.A.] Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second. The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived." -- Excerpts from John Julian, Dictionary of Hymnology (1907) ======================= Beddome, Benjamin, pp. 121-124. Other hymns in common use:— 1. Great God, before Thy mercy-seat. (1817). Lent. 2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture. 3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i. 4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817. 5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing." 6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii. 7. Satan, the world, and sin. (1817.) In Temptation. 8. Thou, Lord of all above. (1817.) Lent. 9. Unto Thine altar, Lord. (1787.) Lent. 10. Ye saints of every rank, with joy. (1800.) Public Worship. The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II

G. K. A. Bell

1883 - 1958 Person Name: G. K. A. Bell, 1883-1958 Scripture: Psalm 133:1 Author of "Christ is the King! O friends rejoice" in Common Praise George Kennedy Allen Bell was born in 1883. He was educated at Westminster School and Christ Church, Oxford. He was chaplain to the archbishop of Canterbury in 1914, was appointed as Dean of Canterbury in 1924 and became the Anglican bishop at Chichester in 1929. He was interested in ecumenism and friendship between the Anglican Church and churches in other countries and was instrumental in starting the World Council of Churches. He was also interested in religious drama and the integration of arts in the church. Dianne Shapiro, from Lambeth Palace Library archives

John L. Bell

b. 1949 Scripture: Psalm 133:1 Author of "God Welcomes All" in Glory to God John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Robert Bennett

1787 - 1819 Scripture: Psalm 133 Composer of "EASTGATE" in The Presbyterian Book of Praise Robert Bennett was born at Bakewell, Derbyshire in 1787. His family moved to Cambridge when he was young and he became a chorister at King's College. He took music lessons from Dr. Clarke Whitfield. In 1811 he was appointed organist of the parish church in Sheffield. He was a close friend of William Sterndale, who he named his son after. (See William Sterndale Bennett) Robert Bennett composed several hymn tunes. Dianne Shapiro, from "Hymn-Tunes and Their Story" by James T. Lightwood (London: Charles H. Kelly, 1905)

Jan Berry

b. 1953 Person Name: Jan Berry, b. 1953 Scripture: Psalm 133:1 Author of "Living God, your word has called us" in Complete Anglican Hymns Old and New

Barbara Boertje

b. 1959 Person Name: Barbara Boertje, b. 1959 Scripture: Psalm 133 Author of "Psalm 133" in Sing! A New Creation

Louis Bourgeois

1510 - 1561 Scripture: Psalm 133 Composer of "GENEVAN 133" in Psalter Hymnal (Gray) Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Gabriele Brand

Scripture: Psalm 133:1 Translator (Arabic) of "Hine ma tow" in Trimum

Bread for the Journey

Scripture: Psalm 133 Arranger of "[Miren qué bueno es cuando todo el pueblo está junto]" in Global Songs 2 Bread for the Journey is a group of singers and instrumentalists who lead worship services, sing-along concerts, and workshops LOC Name Authority Files

Emily R. Brink

b. 1940 Person Name: Emily R. Brink, b. 1940 Scripture: Psalm 133 Harmonizer of "DETROIT" in Psalms for All Seasons Emily R. Brink is a Senior Research Fellow of the Calvin Institute of Christian Worship and Adjunct Professor of Church Music and Worship at Calvin Theological Seminary, Grand Rapids, Michigan. Her main areas of responsibility are conference planning and global resources. She is program manager of the annual Calvin Symposium on Worship, which draws more than 70 presenters and 1600 participants from around the world. She also travels widely to lecture and to learn about worship in different parts of the world, especially in Asia, where she has lectured in Bangladesh, China, Hong Kong, India, Indonesia, Japan, Nepal, Pakistan, Philippines, Singapore, and Taiwan. Her areas of interest include congregational song from all times and places; psalmody; hymnal editing. She was editor of four hymnals and consults with a wide range of churches on worship renewal issues. Dr. Brink is active in the American Guild of Organists, serving in both local and national offices, as well as in the Hymn Society in the United States and Canada (president from 1990 1992) and named a Fellow of the Hymn Society in 2004 in recognition of distinguished services to hymnody and hymnology. --internal.calvinseminary.edu/

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