Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful.

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

All praise to Thee, who safe hast kept

Add to Starred Hymns

Author: Thomas Ken

Thomas Ken (b. Berkampstead, Hertfordshire, England, 1637; d. Longleat, Wiltshire, England, 1711) studied at Winchester College, Hart Hall, and New College, Oxford, England. Ordained in the Church of England in 1662, he served variously as pastor, chaplain at Winchester College (1669-1679), chaplain to Princess (later Queen) Mary in The Hague, and bishop of Bath and Wells (1685-1691). He was a man of conscience and independent mind who did not shirk from confrontations with royalty. When King Charles II came to visit Winchester, he took along his mistress, the famous actress Nell Gwynne. Ken was asked to provide lodging for her. The story is told that Ken quickly declared his house under repair and had a builder take off the roof! He later… Go to person page >

Text Information

First Line: All praise to Thee, who safe hast kept
Author: Thomas Ken
Language: English
Copyright: Public Domain

Tune

DOMINUS REGIT ME (Dykes)MORNING HYMN (Barthélemon)TALLIS' CANONOtherHighcharts.com
Frequency of use
DOMINUS REGIT ME (Dykes)


MORNING HYMN (Barthélemon)

During the early 1780s François H. Barthélemon (b. Bordeaux, France, 1741; d. Southwark, Surrey, England, 1808) wrote MORNING HYMN at the request of Jacob Duche, chaplain at the Female Orphan Asylum in London, England. Duche had requested that Barthélemon compose a tune for the well-known morning…

Go to tune page >


TALLIS' CANON

TALLIS CANON is one of nine tunes Thomas Tallis (PHH 62) contributed to Matthew Parker's Psalter (around 1561). There it was used as a setting for Psalm 67. In the original tune the melody began in the tenor, followed by the soprano, and featured repeated phrases. Thomas Ravenscroft (PHH 59) publish…

Go to tune page >


Timeline

Appearance of this hymn in hymnals1870188018901900191019201930194019501960197019801990050100Percent of hymnalsHighcharts.com

Instances

Instances (1 - 9 of 9)
Page Scan

Church Hymns #2b

Page Scan

Hymns for all Christians #4

AudioPage Scan

Hymns of the Kingdom of God #345

Psalms, Hymns and Spiritual Songs #203

Page Scan

Salvation Army Songs #746

Page Scan

The Church Porch #2

Page Scan

The Church Porch #2

Page Scan

The Hymnal #2b

The Sarum Hymnal #002iii

Exclude 8 pre-1979 instances
Suggestions or corrections? Contact us
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.