1 Angels from the realms of glory,
wing your flight o'er all the earth;
ye who sang creation's story
now proclaim Messiah's birth:
Come and worship, come and worship,
worship Christ, the newborn king.
2 Shepherds, in the field abiding,
watching o'er your flocks by night,
God with us is now residing;
yonder shines the infant light: [Refrain]
3 Sages, leave your contemplations,
brighter visions beam afar;
seek the great Desire of nations;
ye have seen his natal star: [Refrain]
United Methodist Hymnal, 1989
|First Line:||Angels from the realms of glory|
|Title:||Angels From the Realms of Glory|
|Author:||James Montgomery (1816)|
|Refrain First Line:||Come and worship, come and worship|
|Liturgical Use:||Gospel Acclamation Songs|
stanza ii. line 2, “flock" to "flocks”. stanza iv. line 2, “Waiting" to "Watching”. stanza v. line 3, "repeals " to revokes”.These changes (together with the new title) were retained in his Original Hymns, 1853, No. 239; and must be regarded as the authorised text. By many compilers the closing stanza:—
"Sinners, wrung with true repentance, Doom'd for guilt to endless pains," &c.has been, in some instances, omitted, and in others a doxology has been substituted. That given in A Hymn Book for the Services of the Church, &c, by the Rev. Isaac Gregory Smith, 1855, reads:—
"Lord of heaven, we adore Thee, God the Father, God the Son, God the Spirit, One in glory, On the same eternal throne. Hallelujah! Lord of heaven, Three in One."Another found in the Salisbury Hymn Book, 1857, and others, including the Society for Promoting Christian Knowledge Church Hymns and Thring's Collection is:—
"Saints and angels join in praising Thee; the Father, Spirit, Son! Evermore their voices raising To the eternal Three in One. Come ye, worship; Worship Christ, the new-born King."Of the first four stanzas a rendering into Latin:—“Angeli, sancta regione lucis," by the Rev. R. Bingham, appeared in his Hymnologia Christiana Latina, 1871, pp. 79-81. The use of this hymn in various forms in English-speaking countries is extensive, abbreviations being the rule. Amongst American Hymnals, the Hymns of the Church, 1869, and the Baptist Praise Book, 1871, give the full revised and authorised text of 1825 and 1853. -- John Julian, Dictionary of Hymnology (1907)
James Montgomery wrote this text in 1816 and published it on Christmas Eve in the Sheffield Iris, a newspaper of which he was editor. He later published it in his hymn book The Christian Psalmist in 1825 under the title “Good tidings of great joy to all people.”
The hymn originally had five stanzas, but only the first four are usually sung today. Each of these stanzas calls on a part of creation to “come and worship.” The first three – angels, shepherds, and sages (wise men) – are key players in the Christmas narratives found in Luke 2 and Matthew 2. In the third stanza, there are two words which are somewhat out of date, and are occasionally edited: the very first word, “Sages,” and “natal” in the fourth line. In the fourth stanza, “Saints” refers to Simeon and Anna, who had been “watching long in hope” for the Messiah to come. The fifth, which is usually omitted due to its gloomy beginning, is addressed to “Sinners, wrung with true repentance,” announcing that redemption has come.
Two other stanzas are occasionally added. One is from another Montgomery hymn based on Philippians 2; it begins “Though an infant now we view Him.” The other is a doxological stanza from the Salisbury Hymn Book of 1857, which begins “All creation, join in praising.”
In the United States, this hymn is sung almost exclusively to REGENT SQUARE. That tune was composed in 1867 by Henry T. Smart for Horatius Bonar's doxology, “Glory be to God the Father.” The tune's name comes from Regent Square in London, the location of St. Philip's Presbyterian Church. Its minister, James Hamilton, was text editor of Psalms and Hymns for Divine Worship of 1867, where the tune was first published.
In Britain, this hymn is better known with GLORIA, the French carol tune associated with “Angels We Have Heard on High.” It is often called IRIS, after the newspaper in which Montgomery first published the text.
This hymn is suitable for Christmas and Epiphany (see stanza 3), especially as an opening hymn. A choral setting that could be used as a musical call to worship, “Angels from the Realms of Glory,” is set to REGENT SQUARE, except for one stanza that is sung to LAUDA ANIMA, with accompaniment by organ and optional brass. A grand arrangement for congregational accompaniment is found in “Five Carol Accompaniments for Brass Quartet and Organ,” which includes optional handbells and timpani. For use as a prelude, try a short organ setting such as the one in “Angels and Alleluias,” or a piano arrangement, as in the collection “Gloria.”
Tiffany Shomsky, Hymnary.org