That doleful night before his death

Representative Text

1 That dreadful night before His death
The Lamb for sinners slain;
Did almost with His dying breath,
This solemn feast ordain.

2 To keep the feast, Lord, we have met,
And to remember Thee;
Help each redeemed one to repeat,
“For me, He died for me!”

3 Thy suff’rings, Lord, each sacred sign
To our remembrance brings;
We eat the bread, and drink the wine,
But think on nobler things.

4 O tune our tongues, and set in frame
Each heart that pants for Thee,
To sing, “Hosanna to the Lamb!”
The Lamb that died for me!

Source: Crowning Day No. 3 #53

Author: J. Hart

Hart, Joseph, was born in London in 1712. His early life is involved in obscurity. His education was fairly good; and from the testimony of his brother-in-law, and successor in the ministry in Jewin Street, the Rev. John Hughes, "his civil calling was" for some time "that of a teacher of the learned languages." His early life, according to his own Experience which he prefaced to his Hymns, was a curious mixture of loose conduct, serious conviction of sin, and endeavours after amendment of life, and not until Whitsuntide, 1757, did he realize a permanent change, which was brought about mainly through his attending divine service at the Moravian Chapel, in Fetter Lane, London, and hearing a sermon on Rev. iii. 10. During the next two years ma… Go to person page >

Text Information

First Line: That doleful night before his death
Author: J. Hart
Language: English
Copyright: Public Domain

Tune

MANOAH

MANOAH was first published in Henry W. Greatorex's Collection of Psalm and Hymn Tunes (1851). This anthology (later editions had alternate titles) contained one of the best tune collections of its era and included thirty-seven original compositions and arrangements by compiler Greatorex as well as m…

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NEW BRITAIN

NEW BRITAIN (also known as AMAZING GRACE) was originally a folk tune, probably sung slowly with grace notes and melodic embellishments. Typical of the Appalachian tunes from the southern United States, NEW BRITAIN is pentatonic with melodic figures that outline triads. It was first published as a hy…

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MARTYRDOM (Wilson)

MARTYRDOM was originally an eighteenth-century Scottish folk melody used for the ballad "Helen of Kirkconnel." Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) adapted MARTYRDOM into a hymn tune in duple meter around 1800. A triple-meter version of the tune was fir…

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Instances

Instances (1 - 100 of 134)
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Compilation of Hymns for the Use of the Churches of the Christian Union #d664

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Crowning Day No. 3 #53

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Hymnal Adapted to the Doctrines and Usages of the African Methodist Episcopal Church. Revised Edition #313

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