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Scripture:Acts 7
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William Henry Monk

1823 - 1889 Person Name: W. H. Monk Scripture: Acts 7:59 Composer of "EVENTIDE" in Laudes Domini William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Graham Maule

1958 - 2019 Person Name: Graham Maule, b. 1958 Scripture: Acts 7:51 Author of "Sing hey for the carpenter leaving his tools!" in Singing the Faith

Alan Gaunt

b. 1935 Person Name: Alan Gaunt, 1935- Scripture: Acts 7:1-53 Author of "The World Is Full of Stories" in Worship and Rejoice

S. Curtis Tufts

Scripture: Acts 7:36 Author of "I Am the Dream" in More Voices

John Ylvisaker

1937 - 2017 Person Name: John C. Ylvisaker Scripture: Acts 6, 7 Adapter of "Bathed in Glorious Light" in Singing the New Testament

Walter van der Kamp

1926 - 2009 Scripture: Acts 7:10-11 Author of "O Thank the LORD with Great Rejoicing" in Trinity Psalter Hymnal

Laurie F. Gauger

Person Name: Laurie F. Gauger, b. 1965 Scripture: Acts 6:8-15; 7, 8:1-3 Author of "We Praise the Christ for Martyred Saints" in Christian Worship Laurie Gauger has written and published hymns, devotions, religious curriculum materials, and hundreds of magazine articles. She has worked as an English and music teacher at Shoreland Lutheran High School (Somers, Wisconsin) and a curriculum writer and editor at Northwestern Publishing House (Milwaukee, Wisconsin). She currently serves Martin Luther College (New Ulm, Minnesota) as the campus writer/editor, producing two magazines, several newsletters, and various other publications. Her hymns have been published by Northwestern Publishing House, Concordia Publishing House, and Faith Alive. She can be reached at gaugerlf at mlc-wels.edu. Laurie Gauger

Hal H. Hopson

b. 1933 Person Name: Hal H. Hopson, 1933- Scripture: Acts 7:1-53 Composer of "MERLE'S TUNE" in Worship and Rejoice Hal H. Hopson (b. Texas, 1933) is a prolific composer, arranger, clinician, teacher and promoter of congregational song, with more than 1300 published works, especially of hymn and psalm arrangements, choir anthems, and creative ideas for choral and organ music in worship. Born in Texas, with degrees from Baylor University (BA, 1954), and Southern Baptist Seminary (MSM, 1956), he served churches in Nashville, TN, and most recently at Preston Hollow Presbyterian Church in Dallas, Texas. He has served on national boards of the Presbyterian Association of Musicians and the Choristers Guild, and taught numerous workshops at various national conferences. In 2009, a collection of sixty four of his hymn tunes were published in Hymns for Our Time: The Collected Tunes of Hal H. Hopson. Emily Brink

Rick Gunn

Scripture: Acts 7:36 Composer of "AVERY" in More Voices

Claude Goudimel

1514 - 1572 Scripture: Acts 7:10-11 Harmonizer of "GENEVAN 105" in Trinity Psalter Hymnal The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

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