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Ludvig Mathias Lindeman

1812 - 1887 Person Name: Ludv. M. Lindeman Topics: Fjerde Søndag i Advent Til Aftensang Composer of "[Herre Jesu Krist!]" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Ludvig M. Lindeman (b. 1812; d. 1887) was a Norwegian composer and organist. Born in Trondheim, he studied theology in Oslo where he remained the rest of his life. In 1839 he succeeded his brother as the organist and cantor of Oslo Cathedral, a position he held for 48 years up until his death. Lindeman was appointed Knight of the Royal Norwegian Order of St. Olav, and was invited to both help christen the new organ in Royal Albert Hall in London, as well as compose for the coronation of King Oscar II and Queen Sophie of Sweden. In 1883, he and his son started the Organist School in Oslo. Lindeman is perhaps best known for his arrangements of Norwegiam folk tales; over the course of his life he collected over 3000 folk melodies and tunes. Laura de Jong

Bartholomaüs Ringwaldt

1532 - 1599 Person Name: Bart. Ringwald Topics: Fjerde Søndag I Advent Til Aftengudstjeneste - Til Andend Tekstrækkes Epistel Author of "O Helligaand, du Skat saa skjøn" in Salmebog for Lutherske Kristne i Amerika Bartholomew Ringwaldt was born at Frankfort-on-the-Oder, in 1530, and was a Lutheran pastor at Langfield, in Prussia, where he died, 1598. His hymns resemble Luther's in their simplicity and power. Several of them were written to comfort himself and others in the sufferings they endured from famine, pestilence, fire and floods. In 1581, he published "Hymns for the Sundays and Festivals of the whole Year." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================ Ringwaldt, Bartholomäus (Ringwalt, Ringwald), was born Nov. 28, 1532, at Frankfurt a. Oder. He was ordained in 1557, and was pastor of two parishes before he settled in 1566 as pastor of Langfeld (or Langenfeld), near Sonnenburg, Brandenburg. He was still there in 1597, but seems to have died there in 1599, or at least not later than 1600. (Koch, ii. 182; Goedeke's Grundriss, vol. ii. 1886, p. 512; Blätter fur Hymnologie, 1885. Ringwaldt exercised a considerable influence on his contemporaries as a poet of the people, as well as by his hymns properly so called. He was a true German patriot, a staunch Lutheran, and a man who was quite ready to face the consequences of his plain speaking. His style is as a rule clear and good, though his rhymes are often enough halting; and he possessed considerable powers of observation and description. After 1577 he published various didactic poems, the most important being, (1) Newezeittung: So Hanns Fromman mit sich auss der Hellen unnd dem Himel bracht, Amberg, 1582, and the later editions enlarged and rewritten as Christliche Warnung des Trewen Eckarts, &c, Frankfurt a. Oder, 1588. In various forms and abridgments it passed through at least 34 editions up to 1700. This work is a mirror of the times and of the morals of the people. (2) Die Lauter Warheit, darinnen angezeiget, wie sich ein Weltlicher und Geistlicher Kriegsman in seinen Beruff vorhalten soil, &c, Erfurt, 1586. Of this again at least 18 eds. appeared up to 1700. In it he gives lively pictures of the life of the various ranks and orders of his time, and shows the temptations and failings of each, not by any means sparing his own class, i.e. the Lutheran clergy. As a hymnwriter Ringwaldt was also of considerable importance. He was one of the most prolific hymn-writers of the 16th century. Wackernagel, iv. pp. 906-1065, gives 208 pieces under his name, about 165 of which may be called hymns. A selection of 59 as his Geistliche Lieder, with a memoir by H. Wendebourg, was published at Halle in 1858. A number appeared in the various eds. of his Trewer Echart and Lauter Warheit as above. The rest appeared principally in his (1) Der 91. Psalm neben Siben andern schönen Liedern, &c, Frankfurt,a. Oder, 1577. (2) Evangelia, Auffalle Sontag unnd Fest, Durchs gantze Jahr, &c, Frankfurt a. Oder, N.D. The earliest edition now known is undated, but Wackernagel, i., p. 523, gives it as of 1582. It is marked as a 2nd edition, and has a preface dated Nov. 28, 1581. It contains hymns founded on the Gospels for Sundays and Festivals, &c. (3) Handbüchlin: geistliche Lieder und Gebetlein, Auff der Reiss, &c, Frankfurt a. Oder, 1586 (preface, Feb. 21, 1582). A good many of his hymns passed into German collections of the 16th and 17th centuries, and a number are still in German common use. Those of Ringwaldt's hymns which have passed into English are:— i. Es ist gewisslich an derZeit. Second Advent. The anonymous original of this hymn is one of Zwey schöne Lieder, printed separately circa 1565, and thence in Wackernagel, iv. p. 344. W. von Maltzahn, in his Bücherschatz, 1875, No. 616, p. 93, cites it as in an undated Nürnberg broadsheet, circa 1556. Wackernagel also gives along with the original the revised form in Ringwaldt's Handbüchlin, 1586. Both forms are also in the Unverfälschter Liedersegen, 1851, No. 746, in 7 stanzas of 7 lines. It is based on the "Dies Irae," but can hardly be called a version of it. The original has a picturesqueness and force which are greatly lost in Ringwaldt's revision. It was much used in Germany during the Thirty Years' War, when in these distressful times men often thought the Last Day was at hand. The translations are all, except No. 2, from Ringwaldt's text. They are:— 1. 'Tis sure that awful time will come. In full, by J. C. Jacobi, in his Psalter Germanica, 1722, p. 95 (1732, p. 202). Repeated, altered and abridged, in the Moravian Hymn Book, 1754 to 1886. It is also found in two centos. (1) The waking trumpets all shall hear (st. ii.), in Montgomery's Christian Psalmist, 1825. (2) When all with awe shall stand around (st. v.), from the Moravian Hymn Book, 1801, in the Pennsylvania Lutheran Church Book, 1868. 2. Most surely at th' appointed time. By A. T. Russell, as No. 38 in his Psalms & Hymns, 1851, repeated in the College Hymnal, N. Y., 1876. It is marked a translation from the "Dies Irae," but is really a good translation of st. i., ii., v. of the German of 1565, 3. Behold that awful day draws nigh. A translation of st. i., ii.. v., by W. Sugden, as No. 129 in the Methodist Scholars' Hymn Book, 1870. 4. The day is surely drawing near. In full by P. A. Peter as No. 457 in the Ohio Lutheran Hymnal, 1880. 5. Surely at the appointed time. By H. L. Hastings, made in 1878, and included as No. 722 in his Songs of Pilgrimage, 1886. It condenses iii., iv. as iii. 6. Tho time draws near with quickening pace. By Miss Fry, in her Hymns of the Reformation, 1845, p. 56. A hymn which has been frequently but erroneously called a translation from Ringwaldt's text, is noted as “Great God, what do I see and hear" (p. 454, i.). Hymns not in English common use:-- ii. Allein auf Gott setzt dein Vertraun. The Christian Life. In many of the older Gorman hymnbooks this is ascribed to Ringwaldt, but it is not found in any of his works now extant. Wackernagel, v. p. 327, gives it as anonymous from the Greifswald Gesang-Buch, 1597, where it is entitled "The golden A. B. C. wherein is very in¬geniously comprised what a man needs to know in order to lead an honourable and godly life." It is in 24 stanzas of 4 lines, each stanza beginning with successive letters of the alphabet. Also in Porst's Gesang-Buch, ed. 1855, No. 784. Bäumker, ii. p. 276, cites it as in the manuscript collection of a nun called Catherine Tirs, written in 1588, in the nunnery of Niesing, Münster. There it is in Low German, and begins "Allene up godt hope und truwe." Bäumker thinks Ringwaldt may possibly be the person who made the High German version. Translated as (1) "Alone in God put thou thy trust." By J. C. Jacobi, 1725, p. 29 (1732, p. 110). iii. Der Herr ist mein getreuer Hirt, Hält mich in seiner Hute. Ps. xxiii. Wackernagel, iv. p. 944, prints it from Ringwaldt's Evangelia, N.D., 1582 as above, in 7 st. of 7 1. The first four-lines of st. i. are taken from the older version, "Der Herre ist mein treuer Hirt." In the Minden Kavensberg Gesang-Buch, 1854, No. 512. Translated as (i.) "The Lord He is my Shepherd kind." By Miss Manington, 1863, p. 20. iv. Herr Jesu Christ, du höchstes Gut, Du Brunnquell der Genaden. Lent. One of the finest of German penitential hymns. Wackernagel, iv. p. 1028, gives it, in 8 st. of 7 1., from Ringwaldt's Christliche Warnung, 1588, where it is entitled "A fine hymn [of supplication] for the forgiveness of sins." In Burg's Gesang-Buch, Breslau, 1746, No. 1574. The translations are (1) “Lord Saviour Christ, my sovereign good." In the Supplement to German Psalmody, ed. 1765, p. 39. Rewritten as (2) "Lord Jesus Christ, my sov'reign good," as No. 226 in the Moravian Hymn Book , 1789. In the edition of 1886, No. 278, it begins "Jesus, thou source of every good." (3) "O Christ, thou chiefest good, thou spring." By Dr. G. Walker, 1860, p. 76. (4) "Lord Jesus Christ, thou highest good." By F. W. Young, in the Family Treasury, 1877, p. 653. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

G. J. Knowles

Person Name: G. J. Knowles, 18th cent. Topics: Advent I The Holy Communion General Composer of "BALFOUR" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940

Simon Dach

1605 - 1659 Topics: Secund Søndag I Advent Til Aftengudstjeneste - Til Sekund Tekstrækkes Lektie Author of "Jeg er hos Gud i Naade" in Salmebog for Lutherske Kristne i Amerika Dach, Simon, son of Simon Dach, interpreter to the Court of Justice at Memel, Prussia, was born at Memel, July 29,1605. He attended the Cathedral school at Königsberg, the Town school at Wittenberg, and the Gymnasium at Magdeburg. In 1626 he returned to Königsberg, where, after studying philosophy and theology at the University, he for some time acted as a private tutor. In 1633 he was appointed assistant in the Cathedral school, and in 1636 Conrector. He then, in 1639, became Professor of Poetry in the University, was five times Dean of the Philosophical Faculty, and in 1656-57 Rector of the University. He died at Königsberg, April 15, 1659 (Koch , iii. 182-191; Allg. Deutsche Biog. , iv. 685-688, &c). Dach was much of an invalid, and nearly broke down under the hard labour and poor pay of his early tutorial work at Königsberg, but found a true friend and generous patron in R. Roberthin (q.v.). In his later years the effects of the Thirty Years' War made themselves visible in Königsberg by depression of trade, famine, &c. In 1648 he lost Roberthin by death, and in 1649 many of his fellow professors fell victims to the pestilence, while during the last year of his life he suffered from a lingering consumption. These facts explain the sombreness of much of his verse. In 1636 he joined in forming the Poetical Union of Konigsberg [see Alberti], and was its poetic soul. He was the most important poet of the Königsberg School, and one of the first lyric poets of his time happy in expression, pure in style, and true hearted. But of the mass of his poems (some 1360 in all, many of which were "occasional" pieces for the Electoral House of Brandenburg, and for private friends) very few retain popularity; the best known being his Aennchen von Tharaw. Dach's hymns, some 165 in all, appeared in broadsheet form, in H. Alberti's Arien, 1638-1650, and in the Königsberg Hymnbooks, 1639-1690. They deservedly place him amongst the best hymn writers of his time, and win him the distinction of being one of the most lovable, most profound and most elegant of the more contemplative hymn writers. Their personal and subjective character, and the fact that so many are hymns of preparation for death, have prevented all but a few from finding a place in modern hymnals. Five of Dach's hymns have passed into English, all of which are included in the complete edition of his Werke by Hermann Oesterley, published at Tübingen, 1876. They are:— i. Ich steh in Angst und Pein. [Second Advent.] The Königsberg University Library possesses a broadsheet, printed at Elbing, 1642, as a Christliches Trauer-Lied to Christoph Behm, on the death, on Nov. 22, 1633, of his son Christoph, a student of theology. It was included in pt. iv., Königsberg, 1641, of H. Alberti's Arien, No. 5, in 10 stanza of 6 1., entitled " Supremi Judicis urnam non metuit fisus sanguine, Christe, tuo." Repeated in Oesterley, p. 91, as No. 1421 in the Leipzig Vorrath, 1673, and, omitting stanza viii., in the Wittenberg G. B., 1742-1866, No. 893. The only translation in C. U. is :— A dread hath come on me, a good translation, omitting stanza viii., as No. 28 in Miss Winkworth's Chorale Book for England, 1863. ii. Kein Christ soil ihm die Rechnung machen. [Cross and Consolation."] 1st published in pt. ii., Königsberg, 1640, of H. Alberti's Arien, No. 1, in 7 stanzas of 6 lines, entitled "Non caret adversis, qui pius esse velit." Included in Oesterley , p. 108, and as No. 631 in the Unv. L. S., 1851. The form translated into English is of stanza ii., iii., vii., beginning, "Wer dort mit Christo hofft zu erben," which is No. 812 in Bunsen's Versuch, 1833. The only translation in common use is:— Wouldst thou inherit life with Christ on high? A good tr. from Bunsen, by Miss Winkworth, in her Lyra Ger., 1st Ser., 1855, p. 129, and thence unaltered as No. 170 in the New Zealand Hymnal , 1872. In Sacred Lyrics from the German, Philadelphia, 1859, p. 61, it begins "Couldst thou inherit." iii. 0 wie selig seid ihr dooh, ihr Frommen . [Eternal Life.] The original broadsheet, printed at Danzig, 1635, with music by J. Stobaus, as the Musikalisches Ehrengedächtniss of Hiob Lepner, Burgomaster of the Königsberg Altstadt, who died May 9, 1635, is in the Königsberg University Library. Included in B. Derschau's G. B., Königsberg, 1639, p. 73, in 6 stanza of 4 1., repeated in Oesterley, p. 95 ; the Leipzig Vorrath, 1673, No. 1460; in Burg's G. B., Breslau, 1746, No. 1086; and many others. It is a fine hymn, founded on Rev. xiv., 13-14. Lauxmann, in Koch, viii. 673, relates that J. A. Hochstetter, Prelate of Bebenhausen, near Tubingen (d. 1720), in July, 1719, summoned his household to accompany him in visiting the family burial place in the Church, and there pointed out his resting place, spoke to them of eternal life, and ended by requesting them to ;ing this hymn, and also "Christus der ist meiu Leben" (q.v.). The only tr. in C. U. is :— 0 how blest are ye beyond our telling, a good and full translation, as No. 197 in Miss Winkworth's C. B. for England, 1863. Other translations are, (l) "O, how blest are ye whose toils are ended," by H. W. Longfellow (1846 or earlier). P. Works, Routledge, 1879, p. 648. (2) "Oh! how blessed are ye, saints forgiven," by Miss Borthwick in H. L. L., 1854, p. 32 (1884, p. 35). This is from the double form in the Berlin G. B.t 1711, No. 655, which has six stanzas to be sung alternately with Dach's stanzas by the choir as the answer of the Blessed Ones; with two concluding stanza to be sung by choir and congregation together. These eight additional st. are by Jacob Baumgarten (b. 1668, d. 1722), and begin: "Ja, höchst selig sind wir, lieben Brüder; (3) "O how blessed, faithful souls are ye," by Miss Winkworth, 1855, p. 252; (4) "How bless’d the saints; who, dying here," by Dr. G. Walker, 1860, p. 114. It may be noted that the hymn beginning, “O how blest the throng who now adoring," by A. T. Russell, in 4 stanza as No. 266 in his Ps. & Hys., 1851, while not a translation, is yet based on this hymn by Dach. In addition the following hymns by Dach have been translated into English :— iv. Nimm dich, o meine Seel' in Acht [ Treasures in Heaven.'] 1st published as No. 5 in pt. vii. Königsberg, 1648, of H. Alberti's Arien, in 10 stanza of 4 1., entitled, " As the noble Rottger von Tieffenbrock, a native of Livonia, departed this world at Königsberg in Prussia the 3lst May, 1648," with the motto— "Das ewige Gut Macht rechten Muth." Included by Oesterley, p. 208, and as No. 1762 in Knapp's Ev. L. S., 1837 (1865 No. 1668). The translations are, (1) "My soul, let this your thoughts employ," by Miss Cox, 1841, p. 133; (2) " Think, O my soul, that whilst thou art," by Lady E. Fortescue, 1843 (1847, p. 62); (3) “Beware, O man, lest endless life," by Dr. H. Mills, 1845. v. Schöner Himmelssaal. [Heaven.] A beautiful hymn of homesickness for the heavenly country. Oesterley, p. 222, gives it as "On the death of Ursula Vogt, wife of Pastor Jacob Bollius, Oct. 30, 1655. Its composition was requested on June 3, 1649." The original broadsheet, with music by H. Alberti, as her Christliches Sterbelied, is in the Königsberg University Library. It did not appear in the Königsberg G. B., 1657, but in the ed. of 1675 [Berlin] it is No. 496 (ed. 1690, No. 500), in 9 st. of 6 1. In the Unv. L. S., 1851, No. 637. It is translated as "O ye Halls of Heaven," by Miss Winkworth, 1869, p. 185. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Dach, Simon, p. 277, ii., line 14. Longfellow's translation is in his Poets and Poetry of Europe, 1815, p. 240. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Bartholomäus Crasselius

1667 - 1724 Person Name: Bath. Crasselius Topics: Andre Søndag I Advent Til Aftengudstjeneste - Til Sekund Tekstrækkes Lektie Alterer of "Hellig' Jesus, Renheds Kilde" in Salmebog for Lutherske Kristne i Amerika Crasselius, Bartholomäus, son of Johannes Crasselt, sheepmaster at Wemsdorf near Glauchau, Saxony; was born at Wernsdorf, Feb. 21, 1667. After studying at Halle, under A. H. Francke, he became, in 1701, pastor at Nidda, in Wetteravia, Hesse. In 1708 he was appointed Lutheran pastor at Düsseldorf, where he died Nov. 30, 1724, after a somewhat troubled pastorate, during which he felt called upon to testify strongly and somewhat bitterly against the shortcomings of the place and of the times (Koch, iv. 418-421; Allg. Deutsche Biographie, iv. 566-67; Bode, p. 55; manuscript from Pastor Baltzer, Wernsdorf; the second dating his call to Dusseldorf 1706). Of the 9 hymns by him which Freylinghausen included in his Geistreiches Gesang-Buch, 1704, two have been translated:— i. Dir, dir, Jehovah, will ich singen. Prayer. A hymn of supplication for the spirit of grace rightly to praise and worship God, founded on St. John, xvi. 23-28, the Gospel for Rogation Sunday. First published in the Geistreiches Gesang-Buch &., Halle, 1697, p. 587, in 8 stanzas of 6 lines. Repeated as No. 291 in Freylinghausen's Gesang-Buch, 1704, and since in almost all collections, as in the Berlin Geistliche Liedersegen. ed. 1863, No. 936. The well-known tune (known in England as Winchester New as reduced to L. M. in Hymns Ancient & Modern, No. 50) which appeared with this hymn in Freylinghausen, 1704, is altered from a melody to “Wer nur den lieben Gott lasst walten," in the Musicalisch Handbuch der Geistlichen Melodien, Hamburg, 1690. See L. Erk's Choralbuch, 1863, No. 63, and p. 247; also No. 261. The common, but erroneous ascription of this tune to Crasselius arose from confusion between the authorship of the tune and the words. There is no evidence that Crasselius wrote any tunes. Translations in common use:— 1. Jehovah, let me now adore Thee, a good and full translation by Miss Winkworth, as No. 117, in her Chorale Buch for England, 1863, set to the 1704 melody. 2. To Thee, 0 Lord, will I sing praises, in full, by Dr. M. Loy, in the Evangelical Review, Gettysburg, July 1861, and as No. 216 in the Ohio Lutheran Hymnal, 1880. Other translations are:— (i) "To Thee, Jehovah, I'll be singing," in the Supplement to German Psalmody, ed. 1765, p. 41, and in Select Hymns from German Psaltery, Tranquebar, 1754, p. 72. (2) "Draw me, O Father, to the Son," a translation of stanza ii., by P. H. Molther, as No. 185 in the Moravian Hymn Book, 1789. In the ed. of 1886 it is enlarged to 3 stanzas by the addition of the translation of stanzas i. and viii., and in this form it begins:—“To Thee, Jehovah, will I sing." (3) "To Thee, O Lord, I come with singing," by Miss Burlingham, in the British Herald, April, 1866, p. 248, repeated as No. 402 in Reid's Praise Book, 1872. ii. Erwach, 0 Mensch, erwache. Lent. Appeared in Freylinghausen's Gesang-Buch, 1704, No. 266, in 4 stanzas of 9 lines. Included in Bunsen's Versuch, 1833, No. 298, and Allgemeine Gesang-Buch 1846, No. 13. Translated as "Awake, O man, and from thee shake," by Miss Winkworth, 1855, p. 61. The hymn, "Heiligster Jesu, Heiligungsquelle," ascribed to Crasselius, is noted under J. v. Lodenstein. See also "Hallelujah! Lob, Preis und Ehr." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Geoff Weaver

b. 1943 Topics: Church Year Advent; Disciples / Calling; Earth; Elements of Worship Call to Worship; Elements of Worship Praise and Adoration; Enthronement Psalms; God as Judge; God as King; God's Reigning; God's Sovereignty; God's Wonders; God's Deeds; God's Glory; God's Justice; God's Majesty; God's Name; God's Power; God's Strength; Grace; Hymns of Praise; Idols and Idolatry; Joy; Judgment; Mission; Music and Musicians; New Creation; Occasional Services Civic / National Occasions; Offering of Sacrifice; People of God / Church Citizens of Heaven; People of God / Church Witnessing; Rejoicing Witnessing; Temple; Ten Commandments 2nd Commandment (do not make graven emages); The Creation 2nd Commandment (do not make graven emages); Truth; Witness; Year A, B, C, Christmas I, December 24 or 25; Year A, Ordinary Time after Pentecost, October 16-22; Year C, Ordinary Time after Epiphany, 9th Sunday; Year C, Ordinary Time after Pentecost, May 29-June 4 (if after Trinity Sunday) Arranger of "[Come and sing a new song]" in Psalms for All Seasons

Alfred V. Fedak

b. 1953 Person Name: Alfred V. Fedak, b. 1953 Topics: Church Year Advent; Disciples / Calling; Earth; Elements of Worship Call to Worship; Elements of Worship Praise and Adoration; Enthronement Psalms; God as Judge; God as King; God's Reigning; God's Sovereignty; God's Wonders; God's Deeds; God's Glory; God's Justice; God's Majesty; God's Name; God's Power; God's Strength; Grace; Hymns of Praise; Idols and Idolatry; Joy; Judgment; Mission; Music and Musicians; New Creation; Occasional Services Civic / National Occasions; Offering of Sacrifice; People of God / Church Citizens of Heaven; People of God / Church Witnessing; Rejoicing; Temple; Ten Commandments 2nd Commandment (do not make graven emages); The Creation; Truth; Witness; Year A, B, C, Christmas I, December 24 or 25; Year A, Ordinary Time after Pentecost, October 16-22; Year C, Ordinary Time after Epiphany, 9th Sunday; Year C, Ordinary Time after Pentecost, May 29-June 4 (if after Trinity Sunday) Composer of "CANTICUM NOVUM" in Psalms for All Seasons Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge. As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.) Laura de Jong

Valentin Thilo

1607 - 1662 Topics: Fjerde Søndag i Advent Til Høimesse; Tredje Søndag I Advent Til Høimesse -Til Tredje Teksxtækkes Evangelium Author of "O Menneske, bereder " in Salmebog for Lutherske Kristne i Amerika Thilo, Valentin, son of Valentin Thiel or Thilo [born Jan. 2, 1579, at Zinten, became diaconus of the Altstadt Church in 1603, and died of the pestilence at Königsberg in 1620], diaconus of the Altstadt Church in Königsberg, was born at Königsberg, April 19, 1607. He matriculated in 1624 at the University of Königsberg as a student of theology, but devoted himself more especially to the study of rhetoric. When the Professor of Rhetoric, Samuel Fuchs, retired in 1632, he recommended Thilo as his successor. The post was, at Thilo's desire, kept open for two years, during which he pursued his studies at the University of Leyden. On returning to Königsberg, he graduated M.A. there on April 20, 1634, and was thereafter installed as Professor of Rhetoric. During his 28 years’ tenure of office he was five times elected as dean of the Philosophical Faculty, and twice as Rector of the University. He died at Königsberg, July 27,1662. (Koch, iii 202; K. Goedeke's Grundriss, vol. iii., 1887, p. 135, &c.) Thilo was a great friend of Heinrich Albert and of Simon Dach, and was with them a member of the Königsberg Poetical Union. He was the author of two text books on Rhetoric, published in 1635 and 1647. Some of his separately printed occasional poems are noted by Goedeke as above. His hymns were almost all written for various Festivals of the Christian Year. They are as a rule short and vigorous, and are somewhat akin to those of Dach. They appeared principally in the Preussische Fest-Lieder, Elbing, 1642-44 [Berlin Library], and in the New Preussisches vollständiges Gesang-Buch, Königsberg, 1650 [Hamburg Library]. A list of their first lines is printed in the Altpreussische Monats-schrift, Königsberg, 1889, p. 308, where evidence is given to show that they are by the younger Thilo, and not, as has sometimes been said, by the father. The only hymn by Thilo translated into English is:— Mit Ernst, o Menschenkinder. Advent. This is a fine hymn founded on St. Luke iii. 4, 5, and was first published in pt. i., Elbing, 1642, of the Preussische Fest-Lieder, as No. 8, in 4 stanzas of 8 lines, entitled "On the Fourth Sunday of Advent. Parate viam Domino," and marked as by "Valentinus Thilo." Lauxmann, in Koch, viii. 8, considers st. iii. the finest, and thinks that it may have been suggested by the remembrance of his beloved sister (wife of Pastor Kuhn, of the Rossgart Church in Königsberg), who died of the pestilence on Aug. 16, 1639, and as a picture of her character. Translated as:— 1. 0 sons of men, your spirit. This is a good translation of st. i.-iii., by A. T. Russell, as No. 35 in his Psalms & Hymns 1851. 2. Ye sons of men, in earnest. This is a good translation of the original form, by Miss Winkworth, as No. 84 in her Chorale Book for England, 1863. It is repeated, omitting st. iii., in the Ohio Lutheran Hymnal 1880, No. 121. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Matthäus Apelles von Löwenstern

1594 - 1648 Person Name: Matthæus Løvenstern Topics: Første Søndag I Advent Til Høimesse -Til Sekund Tekstrækkes Evangelium Author of "Mægtigste Kriste, Menighedens Herre" in Salmebog for Lutherske Kristne i Amerika Löwenstern, Matthäus Apelles von, was born April 20, 1594, at Neustadt, in the principality of Oppeln, Silesia, where his father was a saddler. He early distinguished himself by his musical abilities, was appointed in 1625, by Duke Heinrich Wenzel of Münsterberg, as his music director and treasurer at Bernstadt: in 1626, director of the princely school at Bernstadt; and in 1631 Rath and Secretary and also Director of finance. Thereafter he entered the service of the Emperors Ferdinand II. (d. 1637), and Ferdinand III. as Rath, and was ennobled by the latter. Fi¬nally he became Staatsrath at Oels to Duke Carl Friedrich of Münsterberg, and died at Breslau, April 11, 1648 (Koch, iii. 57-60 ; Allgemeine Deutsche Biog. xix. 318, &c). Lowenstern's hymns, thirty in all, are of very varied worth, many being written in imitation of antique verse forms, and on the mottoes of the princes under whom he had served. In the original editions they were accompanied with melodies by himself. When or where they were first published (cir. 1644) is not clear. They were bound up with the Breslau Kirchen und Haus-Music, 1644, and there bear the title: Symbola oder Gedenck-Sprüche IIIirer FFFürstl. GGGn. Hn. Carl Friedrikis Hertzogs zu Münsterberg .... dann auch anderer Erlauchter Fiirstlicher Personen. Zusanibt noch etlichen absondtrs beygesetzten Geistlichen Oden. Gestellet durch M. A. v. L. Three of these hymns have been translated:— i. Christe, du Beistand deiner Kreuzgemeine. [In time of War.] 164-4, No. xvii., in 4 stanzas of 4 lines, entitled "Sapphic Ode. For spiritual and temporal peace." Included in many later collections, and as No. 215 in the Unverfälschter Liedersegen, 1851. It was a favourite hymn of Niebuhr, and also of Bunsen, who included it in his Versuch , 1833, and concluded with it the preface to his Bibelwerk. The translations in common use are:— 1. Lord of our life, and God of our Salvation. Contributed by Philip Pusey to A. R. Reinagle's Psalm and Hymn Tunes, Oxford, 1840, p. 132, in 5 stanzas. It is rather founded on the German than a translation, stanzas i., ii. on stanzas i.; iii.-v. on ii.-iv. The tune to which it was set was marked by Bunsen as an "old Latin melody," and so the Pusey hymn has sometimes been erroneously called a tr. from a Latin hymn of the 8th century. From Reinagle it passed into the Salisbury Hymn Book, 1857, and has been repeated in Hymns Ancient & Modern, Sarum Hymnal, Hymnary, Church Hymns; and in America in the Evangelical Hymnal, N. Y., 1880, Laudes Domini, 1884, and others. 2. Blest aid of Thine afflicted congregation. In full, by A. T. Russell, as No. 99 in the Dalston Hospital Hymn Book, 1848. 3. Christ, Thou the champion of the band who own. A good and full translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 855, p. 105; repeated in Schaff's Christ in Song, 1869, and the Ohio Lutheran Hymnal, 1880. In the 2nd ed. of her Lyra Germanica, 1856, it begins, "Christ, Thou the champion of that war-worn host." 4. 0 Christ, the leader of that war-worn host. A good and full tr., based on Miss Winkworth, by W. Mercer in his Church Psalm & Hymn Book, 1857, No. 279 (Oxford ed., No. 391), and repeated in the American Sabbath Hymn Book, 1858. From the version of 1858 Mr. Windle seems to have altered the form in his Collection, No. 268. ii. Nun preiset alle. [Missions.] 1644, No. xii., in 5 st. of 6 1., entitled " Alcaic Ode." A fine hymn of Praise. In the Unverfälschter Liedersegen 1851, No. 717. The translation in common use is:-— Now let us loudly. In full, by Miss Winkworth in her Chorale Book for England , 1863, No. 177, set to Lowenstern's original melody. iii. Wenn ich in Angst und Noth. [Cross and Consolation .] 1644, No. viii., in 7 stanzas of 7 lines, entitled "The 121st Psalm." It is a fine version as a hymn of consolation in times of trouble. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 984. The translations in common use are:— 1. When in distress and woe I lift. A good translation, omitting stanza v., by H. J. Buckoll, in his Hymns from German, 1842, p. 19, repeated in the Dalston Hospital Hymn Book 1848. 2. When anguish'd and perplexed. A good translation, omitting stanzas v., vi., by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 70. In her Chorale Book for England, 1863, No. 142, altered and set to the original melody by Lowenstern. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Elisabeth Creutziger

1500 - 1535 Person Name: Elizabet Creutziger Topics: Første Søndag i Advent Til Høimesse Author of "Gud Faders Søn enbaarne" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Cruciger, Elisabethe, née von Meseritz, was the daughter of a family belonging to the Polish nobility. Her parents, suffering from the persecutions of these times, had been forced to seek refuge at Wittenberg There, in May or June, 1524, she was married to Caspar Cruciger, son of a Leipzig burgess, who had enrolled himself as a student at Wittenberg in 1522. Cruciger, who was treated by Luther as his own son and accounted his most hopeful pupil, became in 1525 Rector of St. John’s School and preacher in St. Stephen's Church, Magdeburg; and in 1528 was called to become professor in the philosophical faculty at Wittenberg, but, by Luther's wish, was appointed one of the professors of Theology. Of his wife, who died at Wittenberg, May, 1535, little is known save that she was a friend of Luther's wife, a lover of music, and an affectionate wife and mother (Koch, i. 281-285; Caspar Cruciger, by Dr. Pressel, Elberfeld,1862, p. 76; Allg. Deutsche Biographie, xviii. 148, &c). The only hymn known as by her is:— Herr Christ, der einig Gotts Sohn. Christmas, first published in Eyn Enchiridion, Erfurt, 1524. In the Geistliche Lieder, Wittenberg, 1531, it is given as "Ein geistlich liedt von Christo, Elisabet Creutzigerin," and from the Rostock Gesang-Buch, 1531, it seems clear that in King's Gesang-Buch, Wittenberg, 1529, it bore the same title. Wackernagel , iii. pp. 46-47, gives four forms, all in 5 stanzas of 7 lines. In the Unverfälschter Liedersegen, 1851, No. 37. Koch, i., 282, calls it "a sublime hymn fully embracing in itself the true power of the Gospel." It has been ascribed to Andreas Knopken, but for this external evidence is entirely wanting, and in the Riga Kirchenordnung, 1537, in which his hymns appeared, this hymn is ascribed to E. Cruciger. That he as a theologian might fitly have written a hymn such as this, displaying power of theological expression (cf. st. v.) and knowledge of Latin (cf. st. i. with Prudentius's "Corde natus ex parentis") may be granted, but ladies learned in Latin and theology were not unknown in those days. Translations in common use:— 1. The only Son from heaven. A good translation of stanzas i.-iii., by A. T. Russell, as No. 41 in his Psalms & Hymns, 1851, repeated, with alterations, as No. 119 in Kennedy, 1863. 2. O Thou, of God the Father. A translation of stanzas i., iii., iv., by Miss Winkworth, as No. 155 in her Chorale Book for England , 1863, and thence as No. 277 in the Ohio Lutheran Hymnal, 1880. Translations not in common use:— (1) "Christ is the only Sonne of God," by Bp. Coverdale, 1539, (Remains, 1846, p. 553). Almost identical with (2) "Christ is the onlie Son of God," in the Gude and Godly Ballates (ed. 1567-8, folio 74), ed. 1868, p. 127. (3) "Lord Christ the eternal Father's” in the Supplement to German Psalmody, ed. 1765, p. 3. (4) "Christ, that only begotten," as No. 335 in pt. i. of the Moravian Hymn Book, 1754. (5) "Thou Maker of each creature," No. 193 in the Moravian Hymn Book, 1789, is st. iii., iv. of the 1754, rewritten by P. H. Molther. In later editions a translation of st. vi. of "Herr Jesu, Gnadensonne" (see L. A. Gotter, No. i.) was added. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)