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Kenneth G. Finlay

1882 - 1974 Person Name: Kenneth G. Finlay (1882-1974) Meter: 6.6.8.6 Composer of "GARELOCHSIDE" in Seventh-day Adventist Hymnal

1920 - 2009 Person Name: William J. Reynolds Meter: 6.6.8.6 Composer of "COLORBURST" in Moravian Book of Worship Pseudonyms include: Bigelow, James Buie, Dean Clark, John Day, Francis Dorff, Gregory Dorsey, Jane Drakestone, John East, Richard Eastis, Ellen Frye, Dan Gregory, Peter Harrold, Stan Hawk, John Horn, Ellen Ingham, Marie Jordaan, Jacques Keely, Grant Kije, Cyd Kringel, Cark Kuliami, Tiki [?] Lee, Wilbur Long, Richard Long, Robert MacDougall, Thom Madsen, Carl O. Monroe, Lou Munroe, June Reed, Ruth Rodgers, Lee Rosemont, David Ross, Don Saul, J. Crawford Sneed, Roger Wheeler, Annette Winston, Clyde York, Henry --Email from William Colson to Mary Louise VanDyke, 4 May 2005, DNAH Archives. Names taken from the program of Reynolds' retirement dinner. Colson notes, "The program has faded and the one designated with a question mark is not 100% certain."

L. O. Emerson

1820 - 1915 Person Name: Luther O. Emerson Meter: 6.6.8.6 Composer of "ADDISON" in Book of Worship with Hymns and Tunes Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

F. D. Huntington

1819 - 1904 Person Name: Frederick D. Huntington Meter: 6.6.8.6 Author of "There is no night in heaven" in African Methodist Episcopal hymn and tune book Huntington, Frederic Dan, D.D., was born at Hadley, Massachusetts, in 1819, and graduated at Amherst College, 1839, and Cambridge Divinity School, 1842. From 1842 to 1855 he was an Unitarian Minister in Boston; and from 1855 Professor of Christian Morals, and University Preacher, at Harvard. In 1859 he received Episcopal Ordination. He was for some time a Rector in Boston; and in 1869 he was consecrated Bishop of Central New York. With Dr. F. D. Hedge he edited the Unitarian Hymns for the Church of Christ, Boston, 1853. This collection contains three of his hymns:— 1. 0 Love Divine, lay on me burdens if Thou wilt. Supplication. 2. 0 Thou, in Whose Eternal Name. Ordination. 3. 0 Thou that once on Horeb stood. God in Nature. The cento, "Father, Whose heavenly kingdom lies," in the Hymns of the Spirit, Boston, 1864, is from No. 2. Dr. Huntington has also edited, with Dr. Hedge, Elim: Hymns of Holy Refreshment, a collection of Sacred Poetry. From this work his hymn for Burial, "So heaven is gathering one by one," is taken. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology

James Russell Woodford

1820 - 1885 Person Name: J. R. Woodford, 1820-85 Meter: 6.6.8.6 Author of "Within the Father's House" in Evangelical Lutheran Hymnary Woodford, James Russell, D.D., was born April 30, 1820, and educated at Merchant Taylors School, and Pembroke College, Cambridge, of which he was a scholar; B.A. Senior Optime, and 2nd class in the Classical Tripos. He was ordained in 1843, and became second Master in Bishop's College, Bristol; and Curate of St. John the Baptist, Broad Street, in that city. He became Incumbent of St. Saviour's, Coalpit Heath, 1845; of St. Mark's, Easton, Bristol, 1848; and Vicar of Kempsford, Gloucestershire, 1855. In 1868 he was preferred by the Crown to the important vicarage of Leeds on Dr. Atlay's appointment as Bishop of Hereford. He was several times Select Preacher at Cambridge. He was also Hon. Chaplain to the Queen (1867). In 1873 he was consecrated, in Westminster Abbey, Bishop of Ely. He died at Ely on Oct. 24, 1885. Bishop Woodford published Sermons, 1853; Lectures for Holy Week, 1853; Lectures on the Creed, 1853; Sermons, 1864; and Sermons, Charges, &c, at later dates. His Hymns arranged for the Sundays and Holy Days of the Church of England appeared in 1852 and 1855. He also joined H. W. Beadon, and Greville Phillimore in editing The Parish Hymn Book, 1863, and (enlarged) 1875. To these collections his original hymns, and his translations from the Latin, were contributed. The originals include:— 1. Lamb of God, for sinners slain. Passiontide. 1852. 2. Not by Thy mighty hand. Epiphany. 1863. 3. O come, and with the early morn. Easter. 1852. 4. Within the Father's house. Epiphany. 1863. Bishop Woodford's translations are annotated under their respective Latin first lines. They are good and popular, the best known being "Thee we adore, O hidden Saviour, Thee." -- John Julian, Dictionary of Hymnology (1907)

Fred Pratt Green

1903 - 2000 Person Name: F. Pratt Green, b.1903 Meter: 6.6.8.6 Author of "The first day of the week" in The Book of Praise The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

William H. Walter

1825 - 1893 Person Name: William Henry Walter (1825-1893) Meter: 6.6.8.6 Composer of "FESTAL SONG" in Trinity Hymnal (Rev. ed.)

Carl Schalk

1929 - 2021 Person Name: Carl F. Schalk, 1929- Meter: 6.6.8.6 Composer of "DES PLAINES" in Lutheran Book of Worship Carl F. Schalk (b. Des Plaines, IL, 1929; d. 2021) is professor of music emeritus at Concordia University, River Forest, Illinois, where he taught church music since 1965. He completed graduate work at the Eastman School of Music in Rochester, New York, and at Concordia Seminary, St. Louis, Missouri. From 1952 to 1956 he taught and directed music at Zion Lutheran Church in Wausau, Wisconsin, and from 1958 to 1965 served as director of music for the International Lutheran Hour. Honored as a Fellow of the Hymn Society in the United States and Canada in 1992, Schalk was editor of the Church Music journal (1966-1980), a member of the committee that prepared the Lutheran Book of Worship (1978), and a widely published composer of church music. Included in his publications are The Roots of Hymnody in The Lutheran Church-Missouri Synod (1965), Key Words in Church Music (1978), and Luther on Music: Paradigms of Praise (1988). His numerous hymn tunes and carols are collected in the Carl Schalk Hymnary (1989) and its 1991 Supplement. Bert Polman

Dorothy A. Thrupp

1779 - 1847 Person Name: Dorothy A. Thrupp, 1779-1847 Meter: 6.6.8.6 Author of "Come, Holy Spirit, Come" in Ambassador Hymnal Dorothy Ann Thrupp was born in London, June 10, 1779. She contributed some hymns, under the pseudonym of "Iota," to W. Carus Wilson's Friendly Visitor and his Children's Friend. Other hymns by her, signed "D.A.T.," appeared in Mrs. Herbert Mayo's Selection of Hymns and Poetry for the Use of Infant Schools and Nurseries, 1838. She was also the editor of Hymns for the Young, c. 1830, in which all the hymns were given anonymously. She died in London on December 15, 1847. --The Hymnal 1940 Companion ================================ Thrupp, Dorothy Ann, daughter of Joseph Thrupp, of Paddington Green, was born at London, June 20, 1779 and died there on Dec. 14, 1847. Her hymns, a few of which have come into extensive use, were contributed to the Rev. W. Carus Wilson's Friendly Visitor and his Children's Friend, under the nom de plume of Iota; to Mrs. Herbert Mayo's Selection of Hymns and Poetry for the use of Infant Schools and Nurseries, 1838 (3rd ed. 1846, with change of title to A Sel. . . . of Infant and Juvenile Schools and Families), in which her signature is "D.A.T."; and also to the Hymns for the Young, which she herself edited for the Religious Tract Society circa 1830, 4th ed., 1836. In 1836 and 1837 she also published Thoughts for the Day (2nd series), in which she embodied many hymns which previously appeared in the Friendly Visitor. In addition to her hymns, which are annotated under their respective first lines there are also in common use:— 1. Come, Holy Spirit, come, 0 hear an infant's prayer. Child's Prayer. Appeared in Mrs. Mayo's Selection of Hymns and Poetry, 1838, No. 14, and signed "D.A.T." 2. God loves the little child that prays. God's love for Children. Given in Miss Thrupp's Hymns for the Young, 4th ed., 1836; and again in Mrs. Mayo's Selection of Hymns and Poetry&c, 2nd ed., 1840, and signed " D.A.T." It is sometimes given as "God loves the child that humbly prays." 3. Have you read the wondrous story? Life and Death of Jesus. This appeared anonymously in Miss Thrupp's Hymns for the Young, R. T. S., 1830, No. 12, in 5 stanzas of 4 lines. In Miss Thrupp's later publications this hymn is omitted, a fact which suggests that it was not her composition, but possibly that of a friend. It is in theLeeds Sunday School Union Hymn Book, 1833-78. 4. Let us sing with one accord. Praise of Jesus. This hymn is usually associated with Miss Thrupp's name, but on insufficient evidence. We find it in the 4th edition of her Hymns for the Young, 1836, and again in the 3rd ed. of Mrs. H. Mayo's Selection of Hymns and Poetry for the Use of Infant and Juvenile Schools, &c, 1846, and in both instances without signature. We know of no evidence which justifies us in ascribing the authorship with certainty to Miss Thrupp. The hymn is in the Leeds S. S. Union Hymn Book, 1833-78, and several others. 5. Poor and needy though I be. Divine Providence. Appeared in Miss Thrupp's Hymns for the Young, 4th ed., 1836, No. 22; and again in Mrs. Mayo's Selection of Hymns and Poetry>, &c, 2nd ed., 1840, and signed "D.A.T." 6. See, my child, the mighty ocean. Love of God compared to the Sea. Given in the R. T. S.'s Hymns for the Young, 4th ed., 1836, No. 26, and in Mrs. Mayo's Selection of Hymns and Poetry, &c, 1st ed., 1838, and signed "D.A. T." In Kennedy, 1863, it begins "Have you seen the mighty ocean." 7. Thou Guardian of my earliest days. Jesus the Children's Friend. This hymn we have traced to her Hymns for the Young, 4th ed., 1836. It is sometimes given as “Thou Guardian of our earliest days." 8. What a strange and wondrous story. Life and Death of Jesus. This hymn is found without signature in her Hymns for the Young, 4th ed., 1836, and again in Mrs. H. Mayo's Selection of Hys. and Poetry, 1838, No. 173, in 4 st. of 4 1, We have found no authority for ascribing it to Miss Thrupp. 9. What led the Son of God? Love of God in Christ. This appeared anonymously in her Hymns for the Young, 1830, and again in the Leeds S. S. Union Hymn Book, 1833. In modern collections it is attributed to Miss Thrupp, on the ground that it is found in the Hys. for the Young, which she edited. 10. Who are they in heaven who stand? All Saints. Published in Mrs. Mayo's Selection of Hys. and Poetry, 3rd ed., 1846, No. 64, in 5 stanzas of 4 lines, and signed A. D.T." It is in the Prim. Methodist Sunday School Hymn Book, 1879, and others. Several additional hymns to those named above have also been attributed to Miss Thrupp on insufficient authority. This has probably arisen out of the fact that all the hymns in the Hymns for the Young, including her own, were given anonymously. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

P. P. Bliss

1838 - 1876 Person Name: Philip P. Bliss Meter: 6.6.8.6 Author of "Soon And Forever" in The Cyber Hymnal Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives. Bert Polman ================= Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:— i. The Prize, 1870. 1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds. 2. Through the valley of the shadow I must go. Death anticipated. 3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16. ii. The Charm, 1871. 4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost." 5. Ho! my comrades! see the signal. Faithfulness. 6. O! Jerusalem, the golden city, bright, &c. Heaven. 7. On what Foundation do [did] you build? Christ the Foundation. iii. The Song Tree, 1872. 8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c. iv. The Joy, 1873. 9. In me ye may have peace. Peace. 10. To die is gain. Death anticipated. v. Sunshine, 1873. 11. Down life's dark vale we wander. Death anticipated. 12. More holiness give me. For Holiness. 13. Only an armour-bearer. Soldiers of the Cross. 14. Standing by a purpose true. Faithfulness. 15. This loving Saviour stands patiently. Invitation. vi. Gospel Songs, 1874. 16. A long time I wandered. Peace and Joy. 17. Brightly beams our Father's mercy. Mercy. 18. Come, brethren, as we march along. Praise. 19. Free from the law, O happy condition. Redemption. 20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known." 21. How much owest thou? Divine Claims. 22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar. 23. See the gentle Shepherd standing. The Good Shepherd. 24. Though the way be sometimes dreary. Divine Leading. 25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'" vii. Gospel Hymns, No. 1, 1875. 26. One offer of salvation. The Name of Jesus. 27. Wandering afar from the dwellings of men. The Lepers. viii. The International Lesson Monthly, 1875. 28. Weary gleaner, whence comest thou? Duty. 29. The whole world was lost in the darkness of Sin. Light of the world. 30. Man of sorrows! what a name. Redemption. 31. The Spirit, O sinner, in mercy doth move. Holy Spirit. ix. Gospel Hymns, No. 2, 1876. 32. At the feet of Jesus. The good choice. 33. Come, sing the Gospel's joyful sound. Salvation. 34. Cut it down, cut it down. Justice and Mercy. 35. Do you see the Hebrew captive? Prayer. 36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people. 37. In Zion's rock abiding. Safety. 38. Repeat the story o'er and o'er. Grace and Peace. 39. Tenderly the Shepherd. The Good Shepherd. x. Gospel Hymns, No. 3, 1878. 40. Hear ye the glad good news from heaven. Faith and Salvation. 41. I will sing of my Redeemer. Praise. xi. Gospel Hymns, No. 4, 1881. 42. 'Tis known on earth and heaven too. More about Jesus. xii. Various. 43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:— 44. March to the battle-field. Duty and Victory. 45. There is sin in the camp. Hinderances. 46. 'Tis the promise of God. Praise. 47. While the silvery moon-beams, fall, New Birth. 48. God is always near me. Omnipresence. Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877. Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.) -John Julian, Dictionary of Hymnology (1907) ======================== Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:— 1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877. 2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906. These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:— “Do you see the Hebrew captive kneeling?" p. 294. "Down life's dark vale we wander." p. 285. "Ho! my comrades, see the signal." p. 105. "'Tis the promise of God full salvation to give." p. 99. --John Julian, Dictionary of Hymnology, New Supplement (1907)