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DeWitt Clinton Huntington

1830 - 1912 Person Name: Rev. D. W. C. Huntington Hymnal Number: 62 Author of "The Home Over There" in Gospel Melodies New and Old Rv DeWitt Clinton Huntington USA 1830-1912. Born at Townsend, VT, one of nine siblings, he attended Syracuse University, NY, and was ordained a Methodist Episcopal minister in 1853. He married Frances Harriett Davis in 1853, and they had three children: Charles, Thomas, and Horace. After her death in 1866, he married Mary Elizabeth Moore in 1868, and they had a daughter, Mary Frances. He pastored in Rochester, NY, (1861-71 & 1876-79), Syracuse, NY, (1873-76), Olean, NY, (1885-89), Bradford, PA, (1882-85 & 1889-91), and Lincoln, NE, (1891-96), where he became a Methodist District Superintendent of relief work. At his pastorate he also personally designed and oversaw construction of a brick sanctuary seating over 1100 people. A depression in 1893 caused him to forego salary for a number of months while pastoring. As things improved, he designed an addition to the church that was finally built two decades later. He was prevailed upon to serve as Chancellor of Nebraska Wesleyan University (1898-1908), at first without pay, and asked more than once to stay after desiring to retire. In 1908 he became Chancellor emeritus and assumed the role of professor of English Bible & Ethics. He also wrote several books, one titled, “Is the Lord among us?”. Another: “Half century messages to pastors and people”. Another: “A documentary history of religion in America since 1877”. He also served on the boards of the local telephone company and Windom Bank. He contracted pleura-pneumonia and died in Lincoln, NE. A Lincoln, NE, street is named for him, as is an elementary school. He was opposed to football, thinking it had no place in a proper Christian institution, but football was re-instituted at the college after his death. John Perry

Philip Phillips

1834 - 1895 Hymnal Number: 66 Composer of "[One sweetly solemn thought]" in Gospel Melodies New and Old Phillips, Philip, commonly known as the "Singing Pilgrim," was born in Chautauqua County, N. York, Aug. 13, 1834. Although engaged in farming for a time, from an early age he devoted himself to music, and ultimately devoted himself to the work of a "Singing Evangelist," in which capacity he has visited most English-speaking countries. His popular hymnals are: (1) Early Blossoms, 1860; (2) Musical Leaves, 1862; and (3) The Singing Pilgrim, 1866. In these works he published one or two hymns, including "I have heard of a Saviour's love" (The love of Christ), as in I. D. Sankey's Sacred Songs and Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William B. Tappan

1794 - 1849 Person Name: Wm. B. Tappan Hymnal Number: 61 Author of "'Tis Midnight" in Gospel Melodies New and Old See also in: Hymn Writers of the Church ============================= Tappan, William Bingham, was born at Beverley, Massachusetts, Oct. 29, 1794, and was apprenticed to a clockmaker at Boston in 1810. In 1815 he removed to Philadelphia, where he was engaged in business for a time. In 1822 he was engaged as Superintendent of the American Sunday School Union. In 1840 he was licensed to preach with the Congregational body, his sphere of usefulness on behalf of Sunday Schools being thereby considerably widened. He died suddenly, of cholera, at West Needham, Massachusetts, June 18,1849. His poetical works include:— (1) New England and Other Poems, 1819; (2) Poems, 1822; (3) Lyrics, 1822; (4) Poetry of the Heart, 1845; (5) Sacred and Miscellaneous Poems, 1848; (6) Poetry of Life, 1848; (7) The Sunday School and Other Poems, 1848; (8) Late and Early Poems, 1849; (9) Sacred Poems, 1849; (10) Gems of Sacred Poetry, 1860. Of these works the earliest are the most-important. His hymns in common use include the following:— 1. Holy be this as was the place. Public Worship. Included in his Lyrics, 1822; and given in Lyra Sacra Americana, 1868. 2. The ransomed spirit to her home. Love. Appeared in Nettleton's Village Hymns, 1824. This is probably his best hymn. 3. There is an hour of hallowed peace. Heaven, a Place of Rest. Given in his New England and Other Poems, 1819. 4. There is an hour of peaceful rest. Heaven a Place of Rest. The author's account of this hymn in his Gems of Sacred Poetry, 1860, is that it "was written by me, in Philadelphia, in the summer of 1818, for the Franklin Gazette, edited by Richard Bache, Esq., and was introduced by him to the public in terms sufficiently flattering to a young man who then certainly lacked confidence in himself. The piece was republished in England and on the Continent, in various newspapers and magazines, and was also extensively circulated in my own native land, where it has found a place in several hymn and music-books. It was published in my first volume of Poems, at Philadelphia, in 1819, and soon after was set to music by A. P. Heinrich, Esq., in the same city." It is in Lyra Sacra Americana, 1868, p. 265. 5. 'Tis midnight, and on Olive's brow. Gethsemane. Appeared in his Poems, 1822, and repeated in Lyra Sacra Americana, 1868, and several hymnals. 6. Wake, isles of the south, your redemption is near. Missions. Appeared in the Lyrics, 1822. It was sung at the wharf in New Haven at the embarkation of Missionaries for the Sandwich Islands, 1822. 7. When sorrow casts its shades around us. Resignation. From his New England and Other Poems, 1819. It is in Lyra Sacra Americana, 1868. 8. While the solemn note of time. Saturday Evening. Published in his Poems, 1822; repeated in Lyra Sacra Americana, 1868, and thence into Thring's Collection, 1882. [Rev F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

E. J. Hopkins

1818 - 1901 Hymnal Number: 25 Composer of "[Saviour, again to Thy dear name we raise]" in Gospel Melodies New and Old Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

I. B. Woodbury

1819 - 1858 Hymnal Number: 69 Arranger of "[To the hall of the feast came the sinful and fair]" in Gospel Melodies New and Old Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Emily Sullivan Oakey

1829 - 1883 Person Name: Emily S. Oakey Hymnal Number: 118 Author of "What shall the Harvest be?" in Gospel Melodies New and Old A graduate of Albany Female Academy in New York. Taught rhetoric, composition, and foreign languages there for 24 (or 25) years. Contributed to at least 11 magazines. Published a book of poetry, At the Foot of Parnassus.. Wrote the hymn, “Sowing the Seed” in 1850. Originally published in “a western paper,” altered as it traveled from hand to hand. Popularized by Ira Sankey. Published in Gospel Hymns and Songs. Frequently requested from Edison Records, and recorded by them in 1904. According to Sankey, she was “a frail, delicate woman, always an invalid,mnever having known, as she once said, an hour of health in all her life.” E. Adams Sources: Sankey, Ira D. My Life and Sacred Songs (1906), 138-143, 281-284. Moore, Wendell. The Edison Phonograph Monthly (Mar 1904- Feb 1905), 8. Library of Congress. Catalog of Copyright Entries Part 3: Musical Compositions, Vol. 16, Part 2, Nos. 8-13 (Washington, D.C.: 1921), 1512. Oakey, Emily S. At the Foot of Parnassus (Albany: 1883), 45-46. Abbott , Edward and Madeline Vaughan Abbott Bushnell. The Literary World: A Monthly Review of Current Literature, Vol. X (Boston: 1879), 63. Munsell, J. Circular and Catalogue of the Albany Female Academy (1870), 2. Exercises of the Alumnae of the Albany Female Academy (1880), 12-14. Historical Sketch of the Albany Female Academy (1884), 19. Butterworth, Hezekiah and Theron Brown. The Story of the Hymns and Tunes (New York: 1906) 435-436. Archive.org.

Anna Bartlett Warner

1824 - 1915 Person Name: Anna B. Warner Hymnal Number: 7 Author of "We Would See Jesus" in Gospel Melodies New and Old Warner, Anna, daughter of Henry W. Warner, and sister of Sarah Warner, author of Queechy, and other novels, was born near New York City about 1822. She is the author of the novel, Say and Seal, 1859, and others of a like kind. She also edited Hymns of the Church Militant, 1858; and published Wayfaring Hymns, Original and Translated, 1869. Her original hymns in common use include:— l. Jesus loves me, this I know. The love of Jesus. In Say and Seal. 1859. 2. 0 little child, lie still and sleep. A Mother's Evening Hymn. In Temple Choir. 1867. 3. One more day's work for Jesus. Evening. From Wayfaring Hymns. 1869. 4. The world looks very beautiful. A Child Pilgrim, circa 1860. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) Pseudonym: Amy Lothrop ================ See also in: Hymn Writers of the Church

Edward Hopper

1816 - 1888 Person Name: Rev. Edward Hopper Hymnal Number: 41 Author of "Jesus, Saviour, Pilot Me" in Gospel Melodies New and Old Rv Edward Hopper DD USA 1816-1888. Born at New York City, the son of a merchant, he graduated from Union Theological Seminary, New York. He married Margaretta Wheeler. He was an author and poet and wrote several books. He pastored the Greenville Presbyterian Church, Sag Harbor Presbyterian Church on Long Island, and the Church of Sea and Land, NYC, a church for sailors, where he remained the rest of his life (for years the church building was shared with the First Chinese Presbyterian Church). Once he was asked to compose a hymn verse for the anniversary of the Seamen’s Friend’s Society meeting. Instead, he brought the verse for a hymn he had written eight years before (noted below). John Edgar Gould saw Hopper’s poem (6 stanzas) and composed a tune for it. Hopper died of a heart attack while writing a poem about heaven at his desk. John Perry =============== Hopper, Edward, D.D., was born in 1818, and graduated at Union Theological Seminary, New York, 1842. He is pastor of the Church of Sea and Land, N. Y. He is the author of 1. Jesus, Saviour, pilot me [us]. Jesus the Pilot. 2. They pray the best who pray and watch. Watching & Prayer. 3. Wrecked and struggling in mid-ocean. Wreck & Rescue. Of these No. 1 appeared in the Baptist Praise Book, 1871, and 2 & 3 in Hymns & Songs of Praise, N. Y., 1874. -- John Julian, Dictionary of Hymnology ======================= See also in: Hymn Writers of the Church

Dorothy A. Thrupp

1779 - 1847 Hymnal Number: 99 Author of "Saviour, Like a Shepherd" in Gospel Melodies New and Old Dorothy Ann Thrupp was born in London, June 10, 1779. She contributed some hymns, under the pseudonym of "Iota," to W. Carus Wilson's Friendly Visitor and his Children's Friend. Other hymns by her, signed "D.A.T.," appeared in Mrs. Herbert Mayo's Selection of Hymns and Poetry for the Use of Infant Schools and Nurseries, 1838. She was also the editor of Hymns for the Young, c. 1830, in which all the hymns were given anonymously. She died in London on December 15, 1847. --The Hymnal 1940 Companion ================================ Thrupp, Dorothy Ann, daughter of Joseph Thrupp, of Paddington Green, was born at London, June 20, 1779 and died there on Dec. 14, 1847. Her hymns, a few of which have come into extensive use, were contributed to the Rev. W. Carus Wilson's Friendly Visitor and his Children's Friend, under the nom de plume of Iota; to Mrs. Herbert Mayo's Selection of Hymns and Poetry for the use of Infant Schools and Nurseries, 1838 (3rd ed. 1846, with change of title to A Sel. . . . of Infant and Juvenile Schools and Families), in which her signature is "D.A.T."; and also to the Hymns for the Young, which she herself edited for the Religious Tract Society circa 1830, 4th ed., 1836. In 1836 and 1837 she also published Thoughts for the Day (2nd series), in which she embodied many hymns which previously appeared in the Friendly Visitor. In addition to her hymns, which are annotated under their respective first lines there are also in common use:— 1. Come, Holy Spirit, come, 0 hear an infant's prayer. Child's Prayer. Appeared in Mrs. Mayo's Selection of Hymns and Poetry, 1838, No. 14, and signed "D.A.T." 2. God loves the little child that prays. God's love for Children. Given in Miss Thrupp's Hymns for the Young, 4th ed., 1836; and again in Mrs. Mayo's Selection of Hymns and Poetry&c, 2nd ed., 1840, and signed " D.A.T." It is sometimes given as "God loves the child that humbly prays." 3. Have you read the wondrous story? Life and Death of Jesus. This appeared anonymously in Miss Thrupp's Hymns for the Young, R. T. S., 1830, No. 12, in 5 stanzas of 4 lines. In Miss Thrupp's later publications this hymn is omitted, a fact which suggests that it was not her composition, but possibly that of a friend. It is in theLeeds Sunday School Union Hymn Book, 1833-78. 4. Let us sing with one accord. Praise of Jesus. This hymn is usually associated with Miss Thrupp's name, but on insufficient evidence. We find it in the 4th edition of her Hymns for the Young, 1836, and again in the 3rd ed. of Mrs. H. Mayo's Selection of Hymns and Poetry for the Use of Infant and Juvenile Schools, &c, 1846, and in both instances without signature. We know of no evidence which justifies us in ascribing the authorship with certainty to Miss Thrupp. The hymn is in the Leeds S. S. Union Hymn Book, 1833-78, and several others. 5. Poor and needy though I be. Divine Providence. Appeared in Miss Thrupp's Hymns for the Young, 4th ed., 1836, No. 22; and again in Mrs. Mayo's Selection of Hymns and Poetry>, &c, 2nd ed., 1840, and signed "D.A.T." 6. See, my child, the mighty ocean. Love of God compared to the Sea. Given in the R. T. S.'s Hymns for the Young, 4th ed., 1836, No. 26, and in Mrs. Mayo's Selection of Hymns and Poetry, &c, 1st ed., 1838, and signed "D.A. T." In Kennedy, 1863, it begins "Have you seen the mighty ocean." 7. Thou Guardian of my earliest days. Jesus the Children's Friend. This hymn we have traced to her Hymns for the Young, 4th ed., 1836. It is sometimes given as “Thou Guardian of our earliest days." 8. What a strange and wondrous story. Life and Death of Jesus. This hymn is found without signature in her Hymns for the Young, 4th ed., 1836, and again in Mrs. H. Mayo's Selection of Hys. and Poetry, 1838, No. 173, in 4 st. of 4 1, We have found no authority for ascribing it to Miss Thrupp. 9. What led the Son of God? Love of God in Christ. This appeared anonymously in her Hymns for the Young, 1830, and again in the Leeds S. S. Union Hymn Book, 1833. In modern collections it is attributed to Miss Thrupp, on the ground that it is found in the Hys. for the Young, which she edited. 10. Who are they in heaven who stand? All Saints. Published in Mrs. Mayo's Selection of Hys. and Poetry, 3rd ed., 1846, No. 64, in 5 stanzas of 4 lines, and signed A. D.T." It is in the Prim. Methodist Sunday School Hymn Book, 1879, and others. Several additional hymns to those named above have also been attributed to Miss Thrupp on insufficient authority. This has probably arisen out of the fact that all the hymns in the Hymns for the Young, including her own, were given anonymously. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

George Frideric Handel

1685 - 1759 Person Name: G. F. Handel Hymnal Number: 1 Composer of "ST. THOMAS" in Gospel Melodies New and Old George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman