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Thomas Jarman

1776 - 1861 Meter: 8.6.8.6 with repeat Composer of "LYNGHAM" in Trinity Hymnal (Rev. ed.) Thomas Jarman was born on 21st December 1776 in Clipston, a small village near the northern border of the County of Northampton. His father was not only a Baptist lay preacher, but also a tailor, and Thomas was brought up in the same trade, although his brother, John, followed his father’s calling to become a minister. His natural taste for music, however, considerably interfered with his work, and he was frequently reduced to dire straits, from which only the extreme liberality of his publishers relieved him. He was a man of fine, commanding presence, but self-willed, and endowed with a considerable gift of irony, as choirs frequently found to their cost. Weston quotes from Kant that Jarman neglected his work and ‘this kept him poor and soured his temper’. He joined the choir of the Baptist chapel in his native village when quite a youth, and soon became the choirmaster there. He adopted music as a profession (with occasional returns to his old trade), and was engaged as teacher of harmony and singing in many of the neighbouring villages. He was a successful choir-trainer, spending several years at Leamington, and conducted concerts as well as services, for which he was ‘constantly composing works’. The village choir festival held under his direction at Naseby, in 1837, is said to have been the talk of the district for long after. He spent some six or seven years at Leamington, during which time he enjoyed the friendship of C. Rider, a wealthy Methodist who did much good for the psalmody of Lancashire and elsewhere some fifty or sixty years ago. Jarman published an enormous quantity of music, including over six hundred hymn-tunes, besides anthems, services, and similar pieces. Amongst his many anthems written for special occasions there is one for the opening of the new Baptist chapel at Clipston. Another is a MAGNIFICAT for Dr Marsh's Episcopal chapel at Leamington, where Thomas Jarman was called to assist the quire in their study and performance of psalmody. Thomas Jarman lived to the good old age of eighty-five, dying in 1861, and lies buried in the graveyard attached to the Baptist chapel at Clipston in Northants. --immanuelsground.com/composers/ (excerpts)

William Shrubsole

1760 - 1806 Meter: 8.6.8.6 with repeat Composer of "MILES LANE" in Hymns for the Living Church William Shrubsole (bap. 1760, d. 1806), organist. United Kingdom.When young, he sang in the choir at Canterbury Cathedral, He became organist at Bangor Cathedral, when he was dismissed for attending non-comformist meetings. He then became organist of Spa Fields Chapel, London, holding that post until his death. He was a successful teacher. He was an alto singer and sung at Westminster Abbey and Drury Lane churches. He knew Edward Perronet, who wrote the words to the hymn he composed music for. Perronet left Schrubsole property in his will. John Perry Not to be confused with W. (William) Shrubsole 1759-1829 bank clerk and hymn writer.

James Edmund Jones

1866 - 1939 Meter: 8.6.8.6 with repeat Composer of "WALDEN" in The Hymnary for use in Baptist churches

Fulbert of Chartres

960 - 1028 Person Name: Fulbert of Chartres, ca. 975-1028 Meter: 8.6.8.6 with repeat Author of "Sing, Choirs of New Jerusalem" in Trinity Hymnal (Rev. ed.) Fulbert of Chartres, Saint and Bishop (St. Fulbertus Carnotensis), flourished in the 11th century, having been consecrated Bishop of Chartres (probably) in 1007, and dying on April 10th, 1028. His collected works were published at Paris in 1608, but with the exception of one hymn, "Chorus novae Hierusalem" (q.v.), are very little known. That hymn in its original Latin form was included in the Sarum Breviary, and, in one English form or another, finds a place in most of our English Hymnals as "Ye choirs of New Jerusalem." [Rev. Digby S. Wrangham, M.A.] --John Julian, Dictionary of Hymnology

Frederick Lucian Hosmer

1840 - 1929 Person Name: Frederick Lucian Hosmer, 1840-1929 Meter: 8.6.8.6 with repeat Author of "From Age to Age" in Singing the Living Tradition Hosmer, Frederick Lucian, B.A., was born at Framingham, Mass., in 1840, and educated at Harvard, where he graduated B.A. in 1869. Entering the Unitarian Ministry in 1872 he has held charges in Quincy, Ill., 1872-77; Cleveland, Ohio, 1878-92; St. Louis, 1894-99; and since 1899, at Berkeley, Cal. His Way of Life, 1877, was a compilation of Prayers and Responsive Services for Sunday Schools. Of Unity Hymns and Carols, 1880, he was joint editor with W. C. Gannett and J. V. Blake. His hymns were published jointly by him and W. C. Gannett (q.v.), as The Thought of God in Hymns and Poems (Boston: Little, Brown & Co.), 1st Series, 1885; 2nd Series, 1894. Of his 56 hymns in this work the following have come into common use, for the most part during the past ten years:— 1. Father, to Thee we look in all our sorrow. [Trust in God.] Written in 1881 upon the death of a member of the author's congregation, and published in The Thought of God, 1st Series, 1885. 2. From age to age how grandly rise. [Unity.] Written for the annual festival of the Free Religious Assoc, Boston, June 2, 1899, and first published in Souvenir Festival Hymns, 1899. Subsequently altered by the author to "From age to age the prophet's vision." 3. From age to age they gather, all the brave of heart and strong. [Victory of Truth.] "Written in 1891 for the Dedication of Unity Church, Decorah, Iowa, and published in The Thought of God, 2nd Series, 1894. 4. From many ways and wide apart. [College or School Reunion.] Dated in The Thought of God, 2nd Series, 1894, as having been written in 1890. 5. Go not, my soul, in search of Him. [God Within.] Written in 1879, printed in the Boston Christian Register, May 31, 1879, and included in The Thought of God, 1st Series, 1885, with the title, "The Indwelling God." 6. I cannot think of them as dead. [Eternal Life.] Written in 1882, and first published in The Thought of God, 1st Series, 1885, and entitled "My Dead." in the English collections it is usually given as "We cannot think of them as dead." 7. I little see, I little know. [Trust.] "A Psalm of Trust," written in 1883, first appeared in the Boston Christian Register, and again in The Thought of God, 1st Series, 1885. 8. Immortal by their deed and word. [The Spirit of Jesus.] Written in 1880, and first published in Unity Hymns and Carols, Chicago, Ill., 1880, and then in The Thought of God, 1st Series, 1885. 9. Many things in life there are. [Mystery in all Things.] Written in 1885, and first published in The Thought of God, 1st Series, 1885, with the title "Passing Understanding," and the quotation "The Peace of God which passeth all understanding." 10. Not always on the mount may we. [On the Mount.] This lesson from the Transfiguration was written in 1882, and published in the Chicago Unity, April 1, 1884. After revision by the author, it was included in the 1st Series of The Thought of God, 1885. 11. Not when, with self dissatisfied. [Lent.] Written in 1891, and given in The Thought of God, 2nd series, 1894, p. 33. It is in The Public School Hymn Book, 1903, and others. 12. O beautiful, my country. [National Hymn.] As “Our Country," written in 1884, and published in the Chicago Unity Festivals, 1884; and again in The Thought of God, 1885. 13. O Light, from age to age the same. [Dedication Anniversary.] Written in 1890 for the fiftieth anniversary of the Second Congregational Church (Unitarian), Quincy, 111. Included in The Thought of God, 2nd Series, 1894, and entitled "From Generation to Generation." 14. O Lord of Life, where'er they be. [Life in God.] "Written in 1888 for Easter service in Author's own church," and first published in the Chicago Unit, and again in The Thought of God, 2nd Series, 1894. The "Alleluia!" refrain, which is added in some collections to each verse, is appended, in the original, to the last verse only. 15. O Name, all other names above. [Trust in God.] Under the title "Found. 'They that know Thy name will put their trust in Thee!’ this hymn, written in 1878, was given in The Thought of God, 1st Series, 1885. 16. O Prophet souls of all the years. [Unity.] “Written in 1893 for, and sung at, the Unitarian gathering in connection with The World's Parliament of Religions (World's Fair), Chicago, Sep., 1893," and included in The Thought of God, 2nd Series, 1894, and entitled "One Law, One Life, one Love." 17. O Thou, in all Thy might so far. [God All in All.] This hymn, given in The Thought of God, 1st Series, 1885, with the title "The Mystery of God," was written in 1876, and first published in the New York Inquirer. 18. O thou in lonely vigil led. This encouragement for lonely workers was written for the "Emerson Commemoration, W. U. C, 1888," and included in The Thought of God, 2nd Series, 1894. 19. O Thou, Who art of all that is. [Divine Guidance.] Under the title "Through unknown paths," this hymn was included in The Thought of God, 1st Series, 1885. It was written in 1877. 20. O Thou, Whose Spirit witness bears. [Dedication of a Place of Worship.] Written for the Dedication of First Unitarian Church, Omaha, Feb. 6, 1891, and published in The Thought of God, 2nd Series, 1894, with the title "The Inward Witness," and the subscription "For T. K., Omaha, 1801." 21. On eyes that watch through sorrow's night. [Easter] A Carol for Easter Morn, written in 1890 for the author's congregation, and published in The Thought of God, 2nd Series, 1894. 22. One thought I have, my ample creed. [The Thought of God.] This is the initial hymn to the collection The Thought of God, 1st Series, 1885, and supplies the title to the work. It was written in 1880, and first published in the Chicago Unity Hymns and Carols, 1880, and then in The Thought of God, 1885. 23. The rose is queen among the flowers. [Flower Service.] "Written in 1875, first published in The Sunnyside, a song book for Sunday Schools, and again in The Thought of God, 1st Series, 1885, under the title "Flower Sunday." 24. Thy kingdom come, — on bended knee. [Missions.] "Written in 1891 for the Commencement of the Meadville Theological School (Meadville, Pa.), June 12, 1891, and published in The Thought of God, 2nd Series, 1894," under the title "The Day of God," and the subscription, "M. T. S., June 12, 1891." 25. We pray no more, made lowly wise, For miracle and sign. [Greater Faith Desired.] Written in 1879, and first published in The Christian Register (Boston), Mar. 22 of that year, under the title 'The Larger Faith.'" Included under the same title in The Thought of God, 1st Series, 1885. Sometimes given as "Made lowly wise, we pray no more." 26. When courage fails, and faith burns low. [Victory of Truth.] Under the title "Loyalty," this hymn was given in The Thought of God, 1st Series, 1885. It was written in 1881. 27. Where men on mounts of vision Have passed the veil within. [Dedication of a Place of Worship.] "Written in 1891 for the Dedication of First Unitarian Church, Oakland, California." Included in The Thought of God, 2nd Series, 1894, entitled "Holy Places," and subscribed " For C. W. W., Oakland, Cal., 1891." These annotations are from manuscript notes supplied to us by the author. Of these hymns all are in common use in America, and more than one half in Great Britain, mainly by Unitarians and Congregationalists. Amongst Unitarian hymn-writers of the last twenty years Mr. Hosmer is the most powerful and original known to us. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Edgar C. Robinson

Meter: 8.6.8.6 with repeat Arranger (fauxborudon) of "MILES LANE" in The Book of Praise

George Gascoigne

1525 - 1577 Person Name: George Gascoigne, 1540-1577 Meter: 8.6.8.6 with repeat Author of "You That Have Spent the Silent Night" in Singing the Living Tradition Gascoigne, George, son and heir of Sir John Gascoigne. The date and place of his birth are unknown, but it is probable that he was born about 1525, and from a statement in the Address to Queen Elizabeth prefixed to one of his works, he seems to have spent a part of his early life in Westmoreland. He was educated at Trinity College, Cambridge, from whence he entered the Middle Temple as a student of law before 1548; but neglecting his studies he led a life of reckless extravagance and dissipation, on account of which he was disinherited by his father. In 1555 he migrated to Gray's Inn, but seems to have left it also. In 1557-58 he represented Bedford in Parliament. In 1565 he returned to Gray's Inn, and there, in the following year, two plays by him were represented, The Supposes, translated from the Italian of Ariosto, and Jocasta, adapted from the Phoenissae of Euripides. To the latter Gascoigne contributed three acts. In 1572 he was returned to Parliament as member for the borough of Midhurst: but objections being made to his character he appears not to have taken his seat, and not long afterwards went to the Low Countries and took service with William of Orange, from whom he received a captain's commission. His gallant conduct in the field obtained the favourable notice of that Prince, but after some time he was taken prisoner by the Spaniards and sent back to England. During Gascoigne's absence his first book, A Hundredth sundrie Floures bound up in one small Poesie, the manuscript of which he had left in the hands of a friend, was printed in 1572 or 1573 without his permission, and after his return from Holland, he published in 1575 a corrected and enlarged edition of his Poesies. Thenceforward he seems to have led a literary life, and is said to have been in some way attached to the court. On the occasion of Elizabeth's celebrated visit to Kenilworth in the summer of 1575, Gascoigne was commissioned by Leicester to devise the masques, &c, performed for the Queen's entertainment. He died at Stamford, Lincolnshire, Oct. 7, 1577, and was probably buried by his friend George Whetstone in the family vault of the Whetstones at Barnack, but this id not certainly known. At some time between 1558 and 1568 Gascoigne married Elizabeth Breton, mother, by her first husband, of the poet Nicholas Breton, and by her had a son. His widow survived until 1585. Gascoigne is noticeable as being one of the earliest English dramatists, the first English satirist, and the first English critic in poetry. In 1869 his poems were collected and edited for the Roxburghe Library by W. C. Hazlitt, and in 1868 his Notes of Instruction in English Verse; The Steele Glas; and The Complaynt of Philomene were included in English reprints edited by Edward Arber, together with Whetstone's metrical life of Gascoigne. To modern hymnody he is known by "We that have passed in slumber sweet," an altered version of his morning hymn, "Ye that have spent the silent night;" and other religious poems. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Thomas Benjamin

b. 1940 Person Name: Thomas Benjamin, 1940- Meter: 8.6.8.6 with repeat Composer of "BENNINGTON" in Singing the Living Tradition Thomas Benjamin was born in 1940 in Bennington, Vermont. He received degrees from Bard College, Bradeis, Harvard and Eastman. He has taught at the National Music Camp at Interlochen, the University of Houston's School of Music, and the Peabody Conservatory of The John Hopkins University. He is the co-author of three music theory texts and the author of two books on counterpoint. He has composed music for violin, piano, viola, orchestra, chamber orchestras and choir. He has also written oratorios, cantatas, operas, and a number of hymn tunes for the Unitarian church. Dianne Shapiro from "A digital library of Unitarian Universalist biographies, books, and media," Harvard Square Library, accessed online 8/9/2020