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William Penfro Rowlands

1860 - 1937 Person Name: William Penfro Rowlands, 1860-1937 Scripture: Philippians 1:3-11 Composer of "BLAENWERN" in Common Praise (1998)

1725 - 1807 Person Name: Newton Scripture: Philippians 1:27 Author of "Kindred in Christ, for his dear sake" in The Voice of Praise John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

Mrs. C. H. Morris

1862 - 1929 Person Name: Lelia N. Morris Scripture: Philippians 1:21 Author of "Nearer, Still Nearer" in Hymns of Faith Lelia (Mrs. C.H.) Morris (1862-1929) was born in Pennsville, Morgan County, Ohio. When her family moved to Malta on the Muskingum River she and her sister and mother had a millinery shop in McConnelsville. She and her husband Charles H. Morris were active in the Methodist Episcopal Church and at the camp meetings in Sebring and Mt. Vernon. She wrote hymns as she did her housework. Although she became blind at age 52 she continued to write hymns on a 28-foot long blackboard that her family had built for her. She is said to have written 1000 texts and many tunes including "Sweeter as the years go by." Mary Louise VanDyke

Henry Harbaugh

1817 - 1867 Scripture: Philippians 1:21-22 Author of "Jesus, I live to Thee" in The Presbyterian Book of Praise Harbaugh, Henry, D.D., born in Franklin Co., Pennsylvania, Oct. 24, 1817, was of Swiss descent. In early life he was a farmer, carpenter, and teacher; but in 1840 he entered Marshall College, Mercersburg. Entering the ministry of the German Reformed body, he became, in 1844, Pastor at Lewisburg, Lancaster and Lebanon, Pennsylvania, and in 1864 Professor in Theology at Mercersburg. He died Dec. 27, 1867. He was Editor of the Guardian and the Mercersburg Review, in which he advocated what was called "Mercersburg Theology." His published works include sundry books about Heaven; Poems, Philadelphia, 1860, and Hymns & Chants for Sunday Schools, Lebanon, 1861. This last includes his hymns. The best known and most widely used of his compositions are:— 1. Jesus, I live to Thee. [Life consecrated to Jesus.] This hymn is dated 1850. It is No. 391 in the Hymns of the Church, N. Y., 1869; No. 255 in Allon's Supplementary Hymns, London, 1868, and is also in other collections. 2. God most mighty, sovereign Lord. [National Hymn.] Appeared in his Poems, 1860, in 8 stanzas of 8 lines, and headed, "A National Litany hymn." In some collections it is abridged, as in Hatfield's Church Hymnbook, N. Y., 1872, No. 1307; and in others part of it is altered to "Christ by heavenly hosts adored," as in the Reformed Dutch Hymns of the Church, 1869, No. 935, and others. 3. Make the cross your meditation. [Passiontide.] This translation of "Recordare sanctae crucis" (q.v.) appeared in the Mercersburg Review, 1858, p. 481, and in his Poems 1860. It is worthy of more attention than it has received. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ================== Harbaugh, H., p. 484, ii. From No. 2, “God most mighty, &c," the cento, "Thou, by heavenly hosts adored" in the Songs of Christian Praise, N. Y., 1880, No. 658, is taken. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Charles Price Jones

1865 - 1949 Person Name: C. P. J. Scripture: Philippians 1:9 Author of "Deeper, Deeper" in Soul Inspiring Songs Charles Price Jones born December 9, 1865, near Rome, Georgia. He grew up in Kingston, Georgia, and attended the Baptist church. He was converted in 1884 while living in Cat Island, Arkansas. In 1885 he was called to the ministry and began preaching. In 1888 he attended Arkansas Baptist College and taught school in Grant County, Arkansas. He preached and pastored several Baptist churches. After asking God for a deeper experience of grace and fasting and praying for three days, Jones experienced a closeness with God, and in 1895, along with other Baptist holiness adherents, who taught that a second work of grace can cleanse the Christian of original sin. They started a holiness movement in the Baptist church, and he began teaching holiness in his congregation, Mount Helm Baptist Church in Jackson, Mississippi. He faced much opposition from some members of his congregation and other Baptist churches. Eventually the church voted to remove "Baptist" and change it to "Church of Christ." For several years, Jones led a non-denominational holiness movement. In 1899 he began to write songs for his church. Most of his hymns were inspired by a scripture passage. The congregation built the Christ Temple campus which included a 1000 seat sanctuary, a printing press, a school building, and a girl's dormitory. In 1917, Jones organized Christ Temple Church in Los Angeles and moved the printing press there. He died January 19, 1949 in Los Angeles Dianne Shapiro, from Church of Christ (Holiness) U.S.A. website and "Charles Price Jones (1865-1949) Religious Leader" by David Daniels, Mississippi Encyclopedia website (both accessed 10/9/2020)

Bob Kilpatrick

b. 1952 Person Name: Bob Kilpatrick, b. 1952 Scripture: Philippians 1 Author of "Lord, Be Glorified" in Sing! A New Creation Bob Kilpatrick is a Scottish-American singer/songwriter/producer/broadcaster, born in Louisville, Kentucky. He is best known for composing the gospel standard "In My Life Lord Be Glorified", being the driving force behind Fair Oaks Records in Sacramento, CA and for presenting a regular Time Out With Bob Kilpatrick on the K-Love Radio Network. His live musical output is a mix of folk, gospel and progressive rock. Beginning in the early 70’s with his wife Cindy (similar in style to Richard & Linda Thompson) and touring through much of the 1980s and 1990s predominantly as a solo artist. His self-effacing live demeanor could be likened to a "born-again" Loudon Wainwright III. The remainder of the 1990s and the start of the following decade saw him develop into an eminent Christian music producer, working with the likes of Randy Stonehill, Phil Keaggy, Sara Groves and Noel Stookey. In 2006, Kilpatrick released his most innovative project to date entitled This Changes Everything. This was inspired by the passing of one of his spiritual mentors and also contains direct and powerful references to his Christian faith. In many ways the thematic scope of This Changes Everything is reminiscent of the Larry Norman album So Long Ago the Garden or the Jackie Leven comeback release The Mystery of Love Is Greater Than the Mystery of Death. As a songwriter, he has garnered critical and popular acclaim for his work. Beginning with "In My Life Lord Be Glorified" and following up with other favorites such as "Won By One," "I Will Not Be Ashamed," "Here Am I" and "Tell Me the Story." His 2003 compilation album Think Pray Groove documents his many musical influences that are highlighted with a live version of "In My Life Lord, Be Glorified" (he sends up his own song by performing it in the style of Frank Sinatra, Elvis Presley and The Beatles). When he is not either playing, writing or producing, Bob Kilpatrick is a national spokesman for the Colorado-based children's charity Compassion International, he travels extensively for musical and Christian ministry purposes (Kilpatrick is also an ordained minister) and is a regular contributor to the Christian musician Summits that occur in the Pacific Northwest. --en.wikipedia.org/wiki

Keith Getty

b. 1974 Scripture: Philippians 1:6 Author of "In Christ Alone" in Lift Up Your Hearts Keith Getty (b. December 16, 1974) is a world-renowned modern hymn writer. Keith developed a passion for writing good songs for the church in his twenties, and began writing for his small Baptist church. He writes and performs with his wife, Kristyn and they regularly tour the United States and the United Kingdom. (Also known as Julian Keith Getty) Laura de Jong

Stuart Townend

Scripture: Philippians 1:6 Author of "In Christ Alone" in Lift Up Your Hearts Stuart Townend (b. 1963) grew up in West Yorkshire, England, the youngest son of an Anglican vicar. He started learning piano at a young age, and began writing music at age 22. He has produced albums for Keith Routledge and Vinesong, among many others, and has also released eight solo albums to date. Some of his better-known songs include “How Deep the Father’s Love,” “The King of Love,” and “The Power of the Cross.” He continues to work closely with friends Keith and Kristyn Getty, and is currently a worship leader in Church of Christ the King in Brighton, where he lives with wife Caroline, and children Joseph, Emma and Eden. Laura de Jong

Mary Nelson Keithahn

b. 1934 Person Name: Mary Keithahn Nelson Scripture: Philippians 1:4 Author of "Sing Praise for the Journey" in Scripture Song Database Mary Nelson Keithahn, a retired United Church of Christ ordained pastor and church educator, has been a curriculum writer-editor, journalist, and lyricist for musical dramas and anthems. She still works out of her home in Rapid City, South Dakota, as a free-lance writer. In 2016 she published Elfie: Adventures on the Midwest Frontier, a chapter book for children, and Embracing the Light: Reflectioins on God’s Holy Word, a collection of meditations for individual or small group use. Augsburg Fortress also published Sing the Stories of God’s NEW People, the third in a trilogy of Bible story-based collections of songs for young children, written with her longtime colleague, John D. Horman. The two have written over a hundred hymns together, some of which are included in these hymnals and supplements: Community of Christ Sings, God’s Mission, God’s Song, Hymns of Heritage and Hope, Lift Up Your Hearts, Sing Justice! Do Justice, Sing the Faith, Singing Our Savior’s Story, Singing the New Testament, The Faith We Sing, Upper Room Worshipbook, Voices Found, Voices United, and Worship and Song. They have also published four collections of their hymns: Come Away with Me and Time Now to Gather (Abingdon, 1998), The Song Lingers On (Zimbel, 2003), and Faith That Lets Us Sing (Wayne Leupold Editions, 2017). Mary is a Life Member and former board member of Choristers Guild and a Life Member of the Hymn Society in the United States and Canada. She is also a member of ASCAP. In 2006 she received a Distinguished Achievement Award from her alma mater, Carleton College in Northfield, MN, in recognition of her work in composing text for religious music. Mary was married to the Rev. Richard K. Keithahn, a U.C.C. pastor, and widowed in 1986. She has three children, eight grandchildren, and one great-grandchild. --mnk

William Augustus Muhlenberg

1796 - 1877 Person Name: Muhlenberg Scripture: Philippians 1:23 Author of "I would not live alway; I ask not to stay" in The Voice of Praise Mühlenberg, William Augustus, D.D., son of the Rev. Dr. Mühlenberg, and grandson of Henry Melchior Mühlenberg, the patriarch of Lutheranism in America, was born in Philadelphia Sept. 16, 1796. He graduated at the University of Pennsylvania in 1814. Entering Holy Orders in 1817, he was successively Assistant Rector of St. James's Lancaster, 1823; Rector of the Church of the Holy Communion, New York, 1843; St. Paul's College, Flushing (1828); St. Luke's Hospital, New York (1855); St. John's and Long Island (1865), were established by him. He died April 6, 1877. His poetical gift was genuine, but not largely used. In 1826 he contributed four hymns to the Prayer Book Collection (of which he was one of the Committee). His Poems appeared in 1859. He had previously published Church Poetry, 1823; and The People's Psalter, 1858. I would not live alway followed in 1859 (revised in 1871). This last contains 26 pieces, the hymns in the Prayer Book Collection, 1826, with the exception of "I would not live alway," being omitted. The following are his principal lyrics:— 1. Carol, brothers, carol. Christmas Carol. "Made for the boys of St. Paul's College—-the Chorus adapted from one of the Rev.[Bishop] A.C. Coxe's Christian Ballads"-—in 1840. 2. How short the race our friend has run. Death of a Young Person. Contributed to the Prayer Book Collection, 1826. 3. I would not live alway. Eternal rest desired. Four texts of this poem are extant: 1st the Original; 2nd the version given in the Prayer Book Collection, 1826; 3rd the author's revised version of 1859; and 4th his rewritten text of 1871, the second of these being that known to the hymnbooks. The history of the poem is somewhat complicated. We quote it here as given by us in the History of the American Episcopal Church, 1885, p.637, as we have nothing further to add thereto:-— "The most famous of these (Dr. Mühlenberg's hymns) was probably first written. 'I will not live alway' has an intricate history, which was not simplified by the author's lapse of memory in his later years. In his brief ‘story of the hymn,' printed with its ‘evangelized’ text in 1871, every date is wrong by two or three years; and his assertion, ‘The legend that it was written on an occasion of private grief is a fancy,' hardly agrees with the clear and minute recollections of persons of the highest character, still living, and who knew the circumstances thoroughly. The date of composition assigned, 1824, is probably (not certainly) correct; it was written at Lancaster, in a lady's album, and began:— I would not live alway; no, no, holy man, Not a day, not an hour, should lengthen my span.' In this shape it seems to have had six eight-line stanzas. The album was still extant in 1876, at Pottstown, Pa., and professed to contain the original manuscript. Said the owner's sister, ‘It was au impromptu. He had no copy, and, wanting it for some occasion, he sent for the album.' In 1826 he entrusted his copy to a friend, who called on him on the way from Harrisburg to Philadelphia, to carry to the Episcopal Recorder, and in that paper it appeared June 3, 1826 (not 1824). For these facts we have the detailed statement of Dr. John B. Clemson, of Claymont, Del., the Ambassador mentioned, who also chances to have preserved that volume of the paper. Thus appearing (without name) it was adopted by the sub-committee [of the Prayer Book Collection, 1826]. When their report was presented to the entire committee in 1826—-not 1829, as Dr. Mühlenberg had it—-'each of the hymns was passed upon. When this came up one of the members remarked that it was very sweet and pretty, but rather sentimental, upon which it was unanimously thrown out. Not suspected as the author, I voted against myself. That, I supposed, was the end of it.’ The committee, which sat until late at night at the house of Bishop White, agreed upon their report to the Convention, and adjourned. But the next morning Dr. Onderdonk (who was not one of their number, but who, on invitation, had acted with the sub-committee, which in fact consisted of him and myself), called on me to inquire what had been done. Upon my telling him that among the rejected hymns was this one of mine, he said, 'That will never do,' and went about among the members of the committee soliciting them to restore the hymn in their report, which accordingly they did; so that to him is due the credit of giving it to the Church.' As thus adopted it was a small and altered selection from the original lines, made by Dr. Onderdonk ‘with some revision' by the author. He was never satisfied with these texts, but revised the poem in 1859, and re¬wrote it in 1871….The authorship of this, as of many another popular lyric, has been disputed. The claim of Henry Ward, a printer of Lichfield, Conn., has been vehemently urged, and revived but a few years ago. Of course it is unsupported by adequate evidence. When Dr. Mühlenberg was asked to assure ‘some of his brethren, editors of Church papers,' of his paternity, his manly reply was, ‘If they thought I was capable of letting the work of another pass for so many years as my own, they would not be sure of anything I might say.'" 4. Jesus' Name shall ever be. The Holy Name, Jesus. This is entitled "The Blessed Name of Jesus. An Evangelical Rosary." It was written in 1842, and revised for Schaff's Christ in Song in Aug., 1868. 5. King of kings, and wilt Thou deign. Submission to Jesus. Appeared in his Poems, 1859. 6. Like Noah's weary dove. The Ark of the Church. Contributed to the Prayer Book Collection, 1826, No. 24, in 5 st. of 4 1. It sometimes begins with st. ii., "0 cease, my wandering soul;" and again with st. in., "Behold the Ark of God." 7. Saviour, Who Thy flock art feeding. Holy Baptism. This is the most widely known of Dr. Mühlenberg's hymns. It was contributed to the Prayer Book Collection, 1826, No. 86, in 4 st. of 4 1. It is sometimes given as "Jesus, Who Thy flock art feeding." 8. Shout the glad tidings, exultingly sing. Christmas. Contributed to the Prayer Book Collection, 1826, No. 46, in 3 st. of 4 1., with the chorus :— "Shout the glad tidings, exultingly sing, Jerusalem triumphs, Messiah is King;" the opening lines, followed by the first stanza, and a repetition of the chorus, and so on to the end. Sometimes the hymn opens with st. i.: "Zion, the marvellous story be telling," or as “Sion the marvellous story be telling," instead of the chorus. Dr. Mühlenberg says that the hymn was written— "at the particular request of Bishop Hobart, who wanted something that would go to the tune by Avison, then popular, to the words of Moore, ‘Sound the loud timbrel,' &c. He liked the verses I made so well that he had them struck off before the hymns (Prayer Book Collection] were published, and sung in Trinity Church on Christmas day." 9. Since o'er Thy footstool here below. Earth and Heaven. Appeared in the Episcopal Register, 1824, and in his Poems, 1859. 10. The mellow eve is gliding. Evening. Dated 1825 (?) and published in his Poems, 1859. 11. The throne of his glory—-as snow it is white. Advent. Dated 1839, and published in his Poems, 1859. 12. Thine handmaid,Saviour, can it be? Admission of a Nursing Sister. Written on the words, "Come, follow me," for the reception of a Sister at St. Luke's Hospital, New York, 1859. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church