Person Results

Switch back to the old search page.Advanced Search

Showing 31 - 40 of 164Results Per Page: 10 20 50

Samuel Wesley

1766 - 1837 Person Name: S. Wesley, 1766-1837 Scripture: Psalm 119 Composer of "[Blessed are the undefiled in the way]" in The Hymnary for use in Baptist churches Samuel Wesley; b. Feb. 24, 1766, Bristol; d. Oct. 11, 1837, London; composer and organist. Son of Charles Wesley, grandson of Samuel Wesley, 1662-1735

William Boyce

1711 - 1779 Person Name: William Boyce, 1710-1779 Scripture: Psalm 119 Composer of "APPLETON" in Psalter Hymnal (Blue) William Boyce (baptised 1711 – d. 7 February 1779) was an English composer and organist. See also in: Wikipedia

Charles Lockhart

1745 - 1815 Person Name: C. Lockhart, 1745-1815 Scripture: Psalm 119 Composer of "CARLISLE" in Psalter Hymnal (Blue) Born: 1745, London, England. Died: February 9, 1815, London, England. Lockhart was first organist of the Lock Hospital, and was for some years associated with Martin Madan in the musical arrangements there. Though blind from infancy, Lockhart had a distinct musical gift, and was especially known for training children’s choirs. His earliest tunes were printed on separate sheets. He published a set of hymn tunes about 1810. Sources: Frost, p. 680 Lightwood, p. 155 Nutter, p. 460 Music: CARLISLE TAMWORTH http://www.hymntime.com/tch/bio/l/o/c/lockhart_c.htm ================ http://en.wikipedia.org/wiki/Charles_Lockhart_%28musician%29

William Gardiner

1770 - 1853 Scripture: Psalm 119 Composer of "BELMONT" in Psalter Hymnal (Blue) William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

George J. Elvey

1816 - 1893 Scripture: Psalm 119 Composer of "ST. CRISPIN" in Psalter Hymnal (Blue) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Wilhelm A. F. Schulthes

1816 - 1879 Person Name: William Schulthes Scripture: Psalm 119 Composer of "LAMBETH" in Psalter Hymnal (Blue) Wilhelm August Ferdinand Schulthes Germany 1816-1879. Born at Hesse Castle, Germany, son of a German army officer, he was raised Lutheran, but turned to Roman Catholicism around 1852. He directed the Brompton Oratory choir (1852-1872). He taught music at the Convent of the Sacred Heart, Roehampton (1868-1879). He also wrote poetry. No information found regarding family or other life events. He died at Bois-de-Colombes, France. John Perry

Lewis Hartsough

1828 - 1919 Person Name: Louis Hartsough Scripture: Psalm 119 Composer of "WELCOME VOICE" in Psalter Hymnal (Blue) Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—- 1. I hear Thy welcome voice. The Divine Invitation. 2. In the rifted Rock I'm resting. Safety in Jesus. 3. Lead me to the Rock that's higher. Safety in Jesus. 4. O who'll stand up for Jesus? All for Jesus Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:— The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================ Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work. "I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use. Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist. --Robert G. McCutchan, DNAH Archives

Thomas B. Southgate

1814 - 1868 Scripture: Psalm 119 Composer of "BROOKFIELD" in The Psalter Southgate, Thomas Bishop, born at Hornsey, Middlesex, June 8, 1814; educated in the school of the Chapel Royal, where he was a chorister; studied harmony under Thomas Attwood and Sir John Goss, and the organ under Samuel Wesley; organist of Hornsey Church from 1834 to 1853, and of St Anne's, Highgate Rise, London, from the latter year until his death, which occured at Highgate, November 3, 1868. EVENSONG, No. 320 F.C.H., was published in sheet form in 1858, set to the words "God that madest earth and heaven." --James Love, Scottish Church Music: Its Composers and Sources (1891)

George C. Stebbins

1846 - 1945 Person Name: George C. Stebbins, 1846-1945 Scripture: Psalm 119 Composer of "JANET" in Psalter Hymnal (Blue) Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)