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Anna Letitia Waring

1823 - 1910 Person Name: Anna L. Waring Topics: Hope Under Despondency; Hope Under Despondency Author of "Perfect peace" in Laudes Domini See also in: Hymn Writers of the Church ================ Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:— 1. Dear Saviour of a dying world. Resurrection. (1854.) 2. In heavenly love abiding. Safety in God. (1850.) 3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.) 4. Lord, a happy child of Thine. Evening. (1850.) 5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately. 6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.) 7. O Thou Lord of heaven above. The Resurrection. 8. Source of my life's refreshing springs. Rest in God. (1850.) 9. Sunlight of the heavenly day. New Year (1854.) 10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.) 11. Tender mercies on my way. Praise of Divine Mercies. (1850.) 12. Thanksgiving and the voice of melody. New Year (1854). 13. Though some good things of lower worth. Love of God in Christ, (1860.) These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848: 1. Father, I know that all my life, p. 367, ii. 2. Sweet is the solace of Thy love, p. 1233, ii. 10. 3. Though some good things of, &c., p. 1233, ii. 13. The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

James McGranahan

1840 - 1907 Topics: Despondency Composer of "[Far from thy sacred courts, my tears]" in Bible Songs James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Charles Zeuner

1795 - 1857 Topics: Hope Under Despondency; Hope Under Despondency Composer of "MISSIONARY CHANT" in Laudes Domini Also: Zeuner, Heinrich Christoph, 1795-1857 Zeuner, Heinrich Christopher, 1795-1857

A. J. Abbey

1825 - 1887 Topics: Despondency Composer of "COOLING" in Laudes Domini Alonzo Judson Abbey, USA 1825-1887 Professor Abbey was a music teacher, collector, writer-composer, tune book compiler and sacred music publisher. George F Root often edited his published works. John Perry

E. J. Hopkins

1818 - 1901 Topics: Despondency Composer of "CULFORD" in Laudes Domini Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

F. F. Flemming

1778 - 1813 Person Name: fr. Flemming Topics: Despondency Arranger of "FLEMMING" in Laudes Domini Friedrich Ferdinand Flemming Germany 1778-1813. Born in Neuhausen, Erzgebirge, Germany, he studied medicine at Wittenberg, 1796-1800, Jena, Vienna, and Trieste. He practiced as a physician in Berlin until his death, but, musically, is remembered for his setting of Horace's ode beginning “Integer Vitae”, from which the tune “Flemming” is adapted. He was active in musical circles and composed many songs for a male vocal ensemble, “Liedertafel”. He died in Berlin. John Perry

F. Venua

1788 - 1872 Person Name: F. M. A. Venua Topics: Hope Under Despondency; Hope Under Despondency Composer of "PARK STREET" in Laudes Domini Frederic Marc Antoine Venua; English composer Evangelical Lutheran Hymnal, 1908 Born to an Ital­i­an fa­mi­ly in France, Ve­nua at­tend­ed the Pa­ris Con­ser­va­to­ry, and stu­died com­po­sition in Lon­don. He di­rect­ed and com­posed for the ball­et or­ches­tra at the King’s The­a­ter, and be­longed the Bri­tish Roy­al So­ci­e­ty of Mu­si­cians. He re­tired to Ex­e­ter in 1858. © The Cyber Hymnal™ (http://www.hymntime.com/tch/bio/v/e/n/u/venua_fma.htm">Frederick Marc Antoine Venua)

George Burgess

1809 - 1866 Person Name: Burgess Topics: Hope Under Despondency Author of "Goeth forth with weeping" in Psalms and Hymns and Spiritual Songs Burgess, George, D.D. Bishop Burgess was born at Providence, Rhode Island, Oct. 31, 1809, and graduated at Brown University, 1826, where he was for some time a tutor. After studying for two years in Germany, he took Holy Orders, and in 1834 became Rector of Christ Church, Hartford. In 1847 he was consecrated Bishop of Maine, and also entered upon the Rectory of Christ Church, Gardiner. He died in Haiti, April 3, 1866. His Life was published by bis brother in 18G9. His works include The Book of Psalms translated into English Verse, 1839; The American Metrical Psalter, N. Y., 1864; and Poems, Hartford, 1868. His Psalms and Hymns in use are;—- 1. Lord, in Thy Name we spread the sail, Sailor’s Hymn. This hymn is included in his Poems, 1868, p. 268, but is of unknown date and origin. The hymn, "While o'er the deep Thy servants sail," is an altered form of this hymn to be sung on behalf of sailors. It was apparently rewritten for the Connecticut Psalms and Hymns, 1845. 2. The harvest dawn is near. Ps. cxxvi. From his version of Ps. cxxvi., Book of Psalms, &c, 1839, beginning with st. v. Also his American Metrical Psalter, p. 250. It is widely used. 3. The floods, 0 Lord, lift up their voice. From Ps. xciii. in his Book of Psalms, 1839, stanza iii., found in his American Metrical Psalter, p. 179. 4. When forth from Egypt's trembling strand. Ps. cxiv. From his Book of Psalms, 1839, and Psalter, 1864. It has been included in Spurgeon's Our Own Hymn Book, 1866. Of these hymns Nos. 1 and 2 are found in almost every recent American collection but that of the Protestant Episcopal Church. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Kirkham

Topics: Hope Under Despondency Author of "The foundation standeth sure" in Psalms and Hymns and Spiritual Songs

Elizabeth Manford Clark

Person Name: E. M. Clark Topics: Despondency Composer of "[My God, my God, why me forsake]" in Bible Songs Early 20th Century

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