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Godfrey Thring

1823 - 1903 Translator of "A fortress sure is God our King" Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

Nicholas Brady

1659 - 1726 Author of "With glory clad, with strength arrayed" in Services for Congregational Worship. The New Hymn and Tune Book Nicholas Brady, the son of an officer in the Royalist army, was born in Brandon, Ireland, 1659. He studied at Westminster School, and at Christ Church College, oxford, and graduated at Trinity College, Dublin. He held several positions in the ministry, but later in life retired to Richmond Surrey, where he established a school. Here he translated some of the Psalms. Several volumes of his sermons and smaller works were published, but his chief work, like that of his co-colabourer Tate, was the "Metrical Version of Psalms." This version was authorized by King William in 1696, and has, since that time, taken the place of the earlier translation by Sternhold and Hopkins, which was published in 1562. The whole of the Psalms, with tunes, appeared in 1698, and a Supplement of Church Hymns in 1703. Of this version, which has little poetic merit, Montgomery says "It is nearly as inanimate as the former, though a little more refined." None of the "Metrical Psalms" are to be compared with the Psalms of the Prayer Book Psalter, and very few of them are worthy a place in a collection of hymns. --Annotations of the Hymnal, Charles Hutchins, 1872.

Joel Swartz

1827 - 1914 Translator of "A mighty stronghold is our God" in Book of Worship with Hymns and Tunes Lutheran pastor and poet. Born in 1827 in Shenandoah County, Virginia. Was a pastor in Baltimore and Pennsylvania

C. G. Hass

Person Name: Rev. C. G. Hass Translator of "Dear Christian people all, rejoice" in The Evangelical Hymnal

Johann Christian Jacobi

1670 - 1750 Translator (English) of "Christ Jesus Lay" in Voices Together Jacobi, John Christian, a native of Germany, was born in 1670, and appointed Keeper of the Royal German Chapel, St. James's Palace, London, about 1708. He held that post for 42 years, and died Dec. 14, 1750. He was buried in the Church of St. Paul's, Covent Garden. His publications included :— (1) A Collection of Divine Hymns, Translated from the High Dutch. Together with their Proper Tunes and Thorough Bass. London: Printed and Sold by J. Young, in St. Paul’s Churchyard; . . . 1720. This edition contains 15 hymns. Two years later this collection, with a few changes in the text and much enlarged, was republished as (2) Psalmodia Germanica; or a Specimen of Divine Hymns. Translated from the High Dutch. Together with their Proper Tunes and Thorough Bass. London: J. Young . 1722. This edition contained 62 hymns, of which 3 ("He reigns, the Lord our Saviour reigns"; "Is God withdrawing"? "Shepherds rejoice") and the first stanza of another ("Raise your devotion, mortal tongues," from "Hosannah to the Prince of Life") were taken from I. Watts. A second part was added in 1725, and was incorporated with the former part in 1732. London, G. Smith. After Jacobi's death the Psalmodia Germanica was republished, in 1765, by John Haberkorn, with a Supplement of 32 pieces. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Charles Wesley

1707 - 1788 Author of "Lord Over All, If Thou Hast Made" in The Cyber Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Madeleine Forell Marshall

b. 1946 Translator of "A Mighty Fortress Is Our God" in The New Century Hymnal

Martin H. Franzmann

1907 - 1976 Person Name: Martin Franzman Translator of "Ye Lion-Hearted, Rise Again" in The Christian Hymnary. Bks. 1-4 Born: January 29, 1907, Lake City, Minnesota. Died: March 28, 1976, Cambridge, England.

N. F. S. Grundtvig

1783 - 1872 Author of "God's word is our great heritage" in The Lutheran Hymnary Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)

August Hermann Francke

1663 - 1727 Person Name: August H. Francke Author of "Gottlob Ein Schritt Zur Ewigkeit" in The Cyber Hymnal Francke, August Hermann, son of Johann Francke, a lawyer in Lubeck, was born at Lubeck, March 22, 1663. He studied at the Universities of Erfurt, Kiel, and Leipzig, graduated M.A. at Leipzig, 1685, and thereafter lectured on Biblical subjects at Leipzig for some time. About Michaelmas, 1687, he went to Lüneburg to work under the pious superintendent C. H. Sandhagen; and there while composing his first sermon (on St. John xx. 31) he underwent that change which made him call Lüneburg his spiritual birthplace. After spending the greater part of 1688 at Hamburg, he stayed two months with P. J. Spener at Dresden, and then returned about Lent, 1689, to Leipzig, where he resumed his Biblical lectures until the old orthodox party procured an edict forbidding them in the beginning of 1690. On March 10, 1690, he received a call to become diaconus of the Augustine Church at Erfurt, and there, by his stirring exhortations to renewal of heart, living faith and holy life, he drew many, even Roman Catholics, around him, but by a combination of the old orthodox Lutherans with the Romanists he was expelled from Erfurt, Sept. 27, 1691. After a lengthened visit to P. J. Spener, then Probst of St Nicholas's Church, Berlin, he was appointed by the Elector of Brandenburg, Dec. 22, 1691, as professor of Greek and the Oriental languages, and in 1698 ordinary professor of Theology in the University of Halle; being also appointed in 1691 preacher at St. George's Church in Glaucha (suburb of Halle), a post which he exchanged in 1715 for the pastorate of St. Ulrich's, Halle. After his left side was paralysed in Nov. 1726, he patiently endured much suffering till his death on June 8, 1727, at Halle ( Koch , iv. 305-322; Allgemeine Deutsche Biographie, vii. 219-231). Francke was the spiritual son of P. J. Spener, and became one of the leaders in the " Pietistic" movement which so powerfully influenced Germany, 1680-1750, raised the tone of the community after the depression of the Thirty Years' War, revived the educational system, began systematic provision for the poor, and refined and purified domestic life. Francke was the spiritual leader and teacher, and under him and the band of professors that gathered to Halle, Halle became the headquarters of Pietism. During his time Halle sent out some 6000 graduates in theology, men imbued with his spirit, good exegetes, and devoted pastors, who spread their doctrines all over Germany, and in the early decades of the 18th cent, occupied a majority of the pulpits. The extensive buildings at Halle, which now bear the title of the "Francke Institutions," are a monument of his simple faith and philanthropic zeal. He began at Easter, 1695, by opening a room in his house for instructing the poor children of Glaucha, with a capital of about thirteen shillings. About Whitsuntide, 1695, were the beginnings of the Paedagogium, 1697 of the Latin School, 1698 of the bookselling and apothecary businesses, 1705 of the mission to the East Indies, 1710 of the Bible Society. On a place formerly occupied by beer and dancing gardens, the foundation stone of the great Orphanage was laid July 13, 1698, in a spirit of humble faith in God and fervent prayer, trusting to Him for the means to pay for the work as it progressed; and week by week as they were needed the supplies came in from far and near. In this work, as in regard to his sermons and lectures, Francke had great opposition to meet, but the Commission of Enquiry which his enemies procured resulted in a cabinet order of 1702, which is the Charter of his Institutions. In 1727 there were 134 orphans in the orphanage; and besides these 2207 scholars in the various training schools, of whom some 360, as well as 225 poor students, received daily rations; while in 1863 the value of the buildings was about £45,000., and nearly 3500 scholars received instruction. Distinguished as a professor, as a philanthropist, as a pastor, and as a preacher of gospel simplicity and soul-stirring earnestness, Francke was not prolific as a hymnwriter. Only three hymns are known by him, two of which are:— i. Gottlob em Schritt zur Ewigkeit. New Year, first published in his Schrifftmässige Anweisung recht und Gott wolgefällig zu beten, Halle, 1695, p. 534, in 12 st. of 7 l., as a "Morning and Evening" hymn, entitled "The Voice of the Bride (‘When shall I come and appear before God?’), which she raises as often as she completes a step of her mortal life; and may be used by an upright and believing soul instead of the [usual] morning and evening hymn, as also at other times." Reprinted in the Geistreiches Gesang-Buch, Halle, 1697, p. 294, Freylinghausen's Gesang-Buch, 1704, &c, and is No. 623 in the Unverfälschter Liedersegen 1851. According to Koch, viii. 176-179, it was written immediately after his expulsion from Erfurt, Sept 27, 1691, while on his way to his mother's house at Gotha, and "in the experience of the overflowing consolation of the Holy Spirit." In the spirit of his favourite motto, "Quocunque die ante aeternitatem uno stamus pede," and based on 2 Cor. v. 6 and Rev. xxii. 17-20, it is modelled on a hymn by J. V. Andreä, 1636. "Gottlob ein Schritt zur Ewigkeit Ist abermals vorbei." Koch adds that in his lifetime Francke found cases where this hymn had been blessed, that two days before his death he caused the hymn to be read to him, and said, "My faithful Jesus, I have given myself to Thee, soul and body that is sure;" and that on the day on which he died, June 8, 1727, this hymn was one of those sung at the choir meeting at Herrnhut. The translations in common use are :— 1. Thank God, that towards eternity, a full and good translation by Miss Winkworth, in her Lyra Germanica, 2nd series, 1858, p. 9. In 1860, 1 l. 1-4 of st. i., iv., vi., viii., greatly altered, and beginning, "Bless God, that towards eternity," were included as No. 74 in the American Episcopal Hymns for Church and Home. 2. Oh wouldst Thou in Thy glory come, a translation of st. iv., vii.-xi., founded by Miss Winkworth on her 1858 version, and given as No. 173 in her Chorale Book for England, 1863. Other translations are: (1) "Another step is made with God," in the Supplement to German Psalmody, ed. 1765, p. 50. Previously in Select Hymns from German Psalmody, Tranquebar, 1754, p. 79. (2) "Thank God! towards Eternity," by J. Gambold, as No. 626 in pt. i. of the Moravian Hymnbook, 1754 (1886, No. 1232). (3) "Thank God! another stage of time," by Dr. H. Mills, 1856, p. 227. ii. Was von aussen und von innen. Cross and Consolation. A fine hymn of trust in God, founded on Ps. lxii. 5-8. Written in memory of Eleonore, neé Kubitz, wife of J. H. Michaelis, professor at Halle, and appended to the funeral sermon preached by Francke on Ps. lxii. 2, in St. George's Church, Glaucha, Nov. 1, 1711. Included as No. 500 in Freylinghausen's Neues geistreiches Gesang-Buch, 1714, in 9 st. of 8 l., and recently as No. 2250 in Knapp's Evangelischer Lieder-Schatz, 1837 (1865, No. 1997). Lauxmann, in Koch, viii. 508-512, speaks of this lady as one who suffered severe afflictions, but "what from without or from within pressed on her soul she bore in quiet waiting on the help of the Lord, of Whom she could at last gratefully say 'He hath done all things well.'" Lauxmann adds, "This hymn is also a beautiful clear mirror of Francke's own thought and conversation, heart and life experiences." In his Segensvolle Fussstapfen, 1709, he was able already to relate thirty instances in which the Lord had enabled him to receive, exactly at the time when he needed it, pecuniary help in answer to his prayers during the building and conducting of the great Orphanage at Halle. Of this hymn (which should be read with the history of his great work at Halle) the only translation in common use is:— What within me and without, a good and full translation by Miss Winkworth in the first edition of her Lyra Germanica, 1855, p. 126 (st. iii. being added in the 2nd ed., 1856), and thence as No. 139 in her Chorale Book for England, 1863. With the altered first line, "Lord, Thou art my Rock of strength," three centos are in American common use:— 1. St. ii., iv., vii., ix. in Boardman's Selections, Philadelphia, 1861. 2. St. ii., vii., ix. in the Pennsylvania Lutheran Chorale Book, 1868, Dutch Reformed Hymns of the Church, 1869, and Bichards's Collection, 1881. 3. St. ii., iv., ix. in Robinson's Songs for the Sanctuary, 1865, and the Hymns & Songs of Praise, N. Y., 1874. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology

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