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Edmund S. Lorenz

1854 - 1942 Person Name: E. S. Lorenz Topics: Christmas Composer of "[Christmas bells are ringing, ringing, ringing]" in The King's Message Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund, ==================== Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900. Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany. He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889. Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934). For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree. --Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives

Henry J. Gauntlett

1805 - 1876 Person Name: Henry J. Gauntlett, Mus. Doc. Topics: The Church Year Christmas; Sunday after Christmas Composer of "MONARCH (St. Alphege)" in Evangelical Lutheran hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart, 1813-1879 Topics: Christmas; Christmas Season Composer of "REGENT SQUARE" in Worship (3rd ed.) Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Colin Gibson

b. 1933 Person Name: Colin A. Gibson Topics: Advent, Christmas, and Epiphany Composer of "REVERSI" in Halle Halle Colin Gibson (b. 1933) was born in Dunedin, the south island of New Zealand. He has been writing hymn texts and hymn settings for over 20 years. His works have been published and performed in Africa, the United States, Asia and Australasia, Great Britain and Europe. He is organist and director of the Mornington Methodist Choir, Dunedin, New Zealand, a lay preacher, and retired in 1999 as Head of the Department and Donald Collie Professor of English at the University of Otago where he currently heads the Department of Theatre Studies and continues to lecture on English Literature as Emeritus Professor. He has conducted numerous hymn workshops in New Zealand, Australia and Great Britain, and has been co-editor of a number of hymn collections. His frequent collaboration with Shirley Erena Murray is represented in several Hope publications, and he has his own published collections of hymns: Singing Love (Collins) and more recently Reading the Signature (Hope, 1994 - Code #1753) and Songs for a Rainbow People (Hope, 1998 - Code #8005). Three of his hymns are included in the Hope hymnal Worship & Rejoice (2001). --www.hopepublishing.com

Charles Price Jones

1865 - 1949 Person Name: Charles P. Jones Topics: Christmas Author of "He's Coming Again" in His Fullness Songs Charles Price Jones born December 9, 1865, near Rome, Georgia. He grew up in Kingston, Georgia, and attended the Baptist church. He was converted in 1884 while living in Cat Island, Arkansas. In 1885 he was called to the ministry and began preaching. In 1888 he attended Arkansas Baptist College and taught school in Grant County, Arkansas. He preached and pastored several Baptist churches. After asking God for a deeper experience of grace and fasting and praying for three days, Jones experienced a closeness with God, and in 1895, along with other Baptist holiness adherents, who taught that a second work of grace can cleanse the Christian of original sin. They started a holiness movement in the Baptist church, and he began teaching holiness in his congregation, Mount Helm Baptist Church in Jackson, Mississippi. He faced much opposition from some members of his congregation and other Baptist churches. Eventually the church voted to remove "Baptist" and change it to "Church of Christ." For several years, Jones led a non-denominational holiness movement. In 1899 he began to write songs for his church. Most of his hymns were inspired by a scripture passage. The congregation built the Christ Temple campus which included a 1000 seat sanctuary, a printing press, a school building, and a girl's dormitory. In 1917, Jones organized Christ Temple Church in Los Angeles and moved the printing press there. He died January 19, 1949 in Los Angeles Dianne Shapiro, from Church of Christ (Holiness) U.S.A. website and "Charles Price Jones (1865-1949) Religious Leader" by David Daniels, Mississippi Encyclopedia website (both accessed 10/9/2020)

Adam Geibel

1855 - 1933 Topics: Christmas Composer of "[Sweet bells ring on your Christmas song]" in Light in the Valley Born: September 15, 1855, Neuenheim, Germany. Died: August 3, 1933, Philadelphia, Pennsylvania. Though blinded by an eye infection at age eight, Geibel was a successful composer, conductor, and organist. Emigrating from Germany probably around 1864, he studied at the Philadelphia Institute for the Blind, and wrote a number of Gospel songs, anthems, cantatas, etc. He founded the Adam Geibel Music Company, later evolved into the Hall-Mack Company, and later merged to become the Rodeheaver Hall-Mack Company. He was well known for secular songs like "Kentucky Babe" and "Sleep, Sleep, Sleep." In 1885, Geibel organized the J. B. Stetson Mission. He conducted the Stetson Chorus of Philadelphia, and from 1884-1901, was a music instructor at the Pennsylvania Institution for the Instruction of the Blind. His works include: Evening Bells, 1874 Saving Grace, with Alonzo Stone (Philadelphia, Pennsylvania: Stone & Bechter, Publishers, 1898) Consecrated Hymns, (Philadelphia, Pennsylvania: Geibel & Lehman, 1902) Uplifted Voices, co-editor with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1901) World-Wide Hosannas, with R. Frank Lehman (Philadelphia, Pennsylvania: Geibel & Lehman, 1904) Hymns of the Kingdom, co-editor with R. Frank Lehman et al. (Philadelphia, Pennsylvania: Geibel & Lehman, 1905) --www.hymntime.com/tch/

E. E. Hewitt

1851 - 1920 Topics: Christmas Author of "Ring the Merry Bells" in Worship and Service Pseudonym: Li­die H. Ed­munds. Eliza Edmunds Hewitt was born in Philadelphia 28 June 1851. She was educated in the public schools and after graduation from high school became a teacher. However, she developed a spinal malady which cut short her career and made her a shut-in for many years. During her convalescence, she studied English literature. She felt a need to be useful to her church and began writing poems for the primary department. she went on to teach Sunday school, take an active part in the Philadelphia Elementary Union and become Superintendent of the primary department of Calvin Presbyterian Church. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

James R. Murray

1841 - 1905 Topics: Christmas Author of "Glory be to God on high" in The Primary and Junior Hymnal L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

John Francis Wade

1711 - 1786 Person Name: John Francis Wade (c. 1711-1786) Topics: Christmas; Christmas Day; Christmas Midnight; Church Year Christmas Composer (attributed to) of "ADESTE FIDELES" in Ancient and Modern John Francis Wade (b. England, c. 1711; d. Douay, France, 1786) is now generally recognized as both author and composer of the hymn "Adeste fideles," originally written in Latin in four stanzas. The earliest manuscript signed by Wade is dated about 1743. By the early nineteenth century, however, four additional stanzas had been added by other writers. A Roman Catholic, Wade apparently moved to France because of discrimination against Roman Catholics in eighteenth-century England—especially so after the Jacobite Rebellion of 1745. He taught music at an English college in Douay and hand copied and sold chant music for use in the chapels of wealthy families. Wade's copied manuscripts were published as Cantus Diversi pro Dominicis et Festis per annum (1751). Bert Polman

Frederick Oakeley

1802 - 1880 Person Name: Frederick Oakeley (1802-1880) Topics: Christmas; Christmas Day; Christmas Midnight; Church Year Christmas Translator of "O come, let us adore him" in Ancient and Modern Frederic Oakeley graduated M.A. at Oxford, and took Orders in the Church of England. He became Prebendary of Lichfield Cathedral, preacher at Whitehall, and incumbent of Margaret Chapel, London. He was active in the "Oxford Movement," and in 1845, called attention to his views for the purpose of seeing if he could continue to hold an Oxford degree, with so great a change in his opinions. The question was tried, and he was perpetually suspended unless he retracted. He then resigned his positions in the Church of England, and entered the Church of Rome, in which he became a Priest, and Canon of the diocese of Westminster. His publications are numerous, and some of them have considerable value. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ================= Oakeley, Frederick, D.D., youngest son of Sir Charles Oakeley, Bart., sometime Governor of Madras, was born at Shrewsbury, Sept. 5, 1802, and educated at Christ Church, Oxford (B.A. 1824). In 1825 he gained a University prize for a Latin Essay; and in 1827 he was elected a Fellow of Balliol. Taking Holy Orders, he was a Prebendary of Lichfield Cathedral, 1832; Preacher at Whitehall, 1837; and Minister of Margaret Chapel, Margaret Street, London, 1839. In 1845 he resigned all his appointments in the Church of England, and was received into the Roman Communion. Subsequently he became a Canon of the Pro-Cathedral in the Roman Catholic ecclesiastical district of Westminster. He died January 29, 1880. Miller (Singers and Songs of the Church, 1869, p. 497), writing from information supplied to him by Canon Oakeley, says:— ”He traces the beginning of his change of view to the lectures of Dr. Charles Lloyd, Regius Professor, delivered at Oxford about the year 1827, on the 'History and Structure of the Anglican Prayer Book.' About that time a great demand arose at Oxford for Missals and Breviaries, and Canon Oakeley, sympathising with the movement, co-operated with the London booksellers in meeting that demand.....He promoted the [Oxford] movement, and continued to move with it till, in 1845, he thought it right to draw attention to his views, to gee if he could continue to hold an Oxford degree in conjunction with so great a change in opinion. The question having been raised, proceedings were taken against him in the Court of Arches, and a sentence given that he was perpetually suspended unless he retracted. He then resigned his Prebendal stall at Lichfield, and went over to the Church of Rome." Canon Oakeley's poetical works included:— (1) Devotions Commemorative of the Most Adorable Passion of Our Lord and Saviour Jesus Christ, 1842; (2) The Catholic Florist; (3) The Youthful Martyrs of Rome, a Christian Drama, 1856; (4) Lyra Liturgica; Reflections in Verse for Holy Days and Seasons, 1865. Canon Oakeley also published several prose works, including a translation of J. M. Horst's Paradise of the Christian Soul, London, Burns, 1850. He is widely known through his translation of the “Adeste fideles.” Several of his original hymns are also in Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907)

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