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How Great Thou Art

Author: Stuart K. Hine Appears in 140 hymnals First Line: O Lord, my God, when I in awesome wonder Refrain First Line: Then sings my soul, my Savior God, to thee Lyrics: ... thee: how great thou art, how great thou art! Then sings my ... thee: how great thou art, how great thou art! 2 When through ... , "My God, how great thou art!" [Refrain] Topics: Creation; Eternal Life; God as Creator; God's Greatness; God's Majesty; Jesus Christ Atonement; Jesus Christ Blood of; Jesus Christ Confidence in; Jesus Christ Second Coming; Jesus Christ Son of God; Music and Singing; Praise of God; Elements of Worship Praise and Adoration Scripture: Psalm 8:3 Used With Tune: HOW GREAT THOU ART
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Let the Whole Creation Cry

Author: Stopford A. Brooke Meter: 7.7.7.7 with alleluias Appears in 82 hymnals First Line: Let the whole creation cry Alleluia! Lyrics: ... , Alleluia! Those to whom the arts belong, Alleluia! Add their voices ... Topics: Arts and Artists Scripture: Psalm 148 Used With Tune: LLANFAIR
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God, Who Stretched the Spangled Heavens

Author: Catherine Cameron, b. 1927 Meter: 8.7.8.7 D Appears in 46 hymnals Topics: Arts, Science; Arts, Science Used With Tune: HOLY MANNA

Tunes

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O STORE GUD

Meter: 11.10.11.10 with refrain Appears in 147 hymnals Composer and/or Arranger: Stuart K. Hine Tune Sources: based on a Swedish folk melody Tune Key: B Flat Major Incipit: 55535 55664 66665 Used With Text: How Great Thou Art
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GREGORIAN

Meter: Irregular Appears in 14 hymnals Composer and/or Arranger: Lowell Mason Tune Key: E Flat Major Incipit: 32334 32332 11232 Used With Text: The Lord's Prayer
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ST. THEODULPH

Appears in 606 hymnals Composer and/or Arranger: Melchior Teschner Tune Key: C Major Incipit: 15567 11321 17151 Used With Text: All Glory, Laud and Honor

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Where Art Thou?

Author: D. O. T. Hymnal: Timeless Truths #834 Meter: 6.6.7.6.6.5.6.6 First Line: O sinner, where art thou? Refrain First Line: Where art thou? Where art thou Lyrics: ... sullen night. Refrain: Where art thou? Where art thou, Brother, on life ... ’s way? Where art thou? Where art thou? Where goest thou ... fate. [Refrain] 3 Backslider, where art thou? Since thou hast gone ... [Refrain] 4 O Christian, where art thou? Thy happy soul is ... Topics: Examination Scripture: Genesis 3:9 Tune Title: [O sinner, where art thou?]
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Thou Art My Light

Author: Minnie B. Johnson Hymnal: Songs of Christian Service #17 (1903) First Line: Thou art my Light, my blessed Redeemer Refrain First Line: Thou art my Light, my blessed Redeemer Lyrics: ... Light, my blessed Redeemer, Thou art my Hope, my Saviour and ... Friend; Thou art unchanging, cheering and guiding, Ever ... I surely depend. Refrain: Thou art my Light, my blessed Redeemer ... will fear. [Refrain] 3 Thou art my Light in every temptation ... Tune Title: [Thou art my Light, my blessed Redeemer]
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Thou Art Coming

Author: T. H. Nelson Hymnal: Gold Tried in the Fire #98 (1904) First Line: Thou art coming, O, my Savior Refrain First Line: Thou art coming, Jesus, Savior, not a man of sorrows now Lyrics: ... this glorious thought afford; Thou art coming in Thy glory, ... thy bright, resplendant throne, Thou art coming in Thy triumph, To ... home. [Chorus] 3 Thou art coming, graves shall open, And ... that day. [Chorus] 4 Thou art coming, marching millions With their ... Languages: English Tune Title: [Thou art coming, O, my Savior]

People

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Authors, composers, editors, etc.

William Walsham How

1823 - 1897 Author of "O Jesus, Thou Art Standing" in Trinity Hymnal (Rev. ed.) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

William Gardiner

1770 - 1853 Composer of "BELMONT" in The New Christian Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

John J. Overholt

1918 - 2000 Person Name: Compiler Alterer of "My God, How Wonderful Thou Art" in The Christian Hymnary. Bks. 1-4 John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

Hymnals

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Published hymn books and other collections

We Bow Our Heads

Publication Date: 1953 Publisher: Pro Art Publications Publication Place: New York, N.Y. Editors: E. M. Fuller; Pro Art Publications

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

The Children Sing

Publication Date: 1959 Publisher: Pro Art Publications Publication Place: New York, N.Y. Editors: E. M. Fuller; Pro Art Publications

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