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Create in Me a Clean Heart

Meter: Irregular Appears in 30 hymnals First Line: Create in me a clean heart, O God, And renew a right spirit within me

Author: Percy Dearmer, 1867-1936 Meter: 11.10.11.6.12.12 Appears in 7 hymnals Topics: Church Year Lent First Line: Now quit your care and anxious fear and worry Lyrics: brings no gain. Lent calls to prayer, to ... Scripture: Isaiah 58:2-12 Used With Tune: QUITTEZ

The Church's one foundation

Author: Samuel John Stone, 1839-1900 Meter: 7.6.7.6.7.6.7.6 Appears in 866 hymnals Topics: Year C Lent 4 Lyrics: 1 The Church's one foundation is Jesus Christ, her Lord; she is his new creation, by water and the word: from heav'n he came and sought her to be his holy bride, with his own blood he bought her, and for her life he died. 2 Elect from ev'ry nation, yet one ... Scripture: 1 Corinthians 3:11 Used With Tune: AURELIA

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PASSION CHORALE

Appears in 526 hymnals Composer and/or Arranger: Hans L. Hassler, 1564-1612 Topics: Lent and Holy Week Tune Key: C Major Incipit: 51765 45233 2121 Used With Text: O Sacred Head, Now Wounded

CROSS OF JESUS

Meter: 8.7.8.7 Appears in 126 hymnals Composer and/or Arranger: John Stainer, 1840-1901 Topics: Lent Tune Key: G Major Incipit: 31555 11713 67143 Used With Text: There's a wideness in God's mercy

WONDROUS LOVE

Meter: 12.9.12.9 Appears in 126 hymnals Composer and/or Arranger: Paul J. Christiansen Topics: Christian Year Lent Tune Sources: USA folk hymn Tune Key: d minor or modal Incipit: 11724 54211 72576 Used With Text: What Wondrous Love Is This

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Instances

Published text-tune combinations (hymns) from specific hymnals

Litany for the Season of Lent

Hymnal: One in Faith #415 (2015) Topics: Lent First Line: Let us pray at this holy season of Lent Lyrics: ... at this holy season of Lent: Lord, have mercy. Lord, have ... Languages: English Tune Title: [Let us pray at this holy season of Lent]

These Forty Days of Lent

Author: Omer Westendorf, 1916-1997; Claudia F. Hernaman, 1838-1898 Hymnal: One in Faith #432 (2015) Meter: 8.6.8.6 Topics: Lent First Line: These forty days of Lent, O Lord Lyrics: These forty days of Lent, O Lord, With you ... Languages: English Tune Title: ST. FLAVIAN

Lord, Thine image Thou hast lent me

Author: John Scheffler; John Christian Jacobi Hymnal: Church Book #404 (1890) Meter: 8.7.7 Topics: Sundays in Lent Lyrics: ... Lord, Thine image Thou hast lent me, In Thy never-fading ... Languages: English Tune Title: LIEBE DIE DU MICH ZUM BILDE

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Authors, composers, editors, etc.

E. H. Plumptre

1821 - 1891 Person Name: Edward H. Plumptre, 1821-1891 Topics: 3rd Sunday in Lent Author of "Your Hands, O Lord, in Days of Old" in The Covenant Hymnal Edward H. Plumptre (b. London, England, August 6, 1821; d. Wells, England, February 1, 1891) was an eminent classical and biblical scholar who gained prominence in both church and university. Educated at King's College, London, and University College, Oxford, he was ordained in the Church of England in 1846. Plumptre served as a preacher at Oxford and a professor of pastoral theology at King's College, and held a number of other prestigious positions. His writings include A Life of Bishop Ken (1888), translations from Greek and Latin classics, and poetry and hymns. Plumptre was also a member of the committee that produced the Revised Version of the Bible. Bert Polman ==================== Plumptre, Edward Hayes, D.D., son of Mr. E. H. Plumptre, was born in London, Aug. 6, 1821, and educated at King's College, London, and University College, Oxford, graduating as a double first in 1844. He was for some time Fellow of Brasenose. On taking Holy Orders in 1846 he rapidly attained to a foremost position as a Theologian and Preacher. His appointments have been important and influential, and include that of Assistant Preacher at Lincoln's Inn; Select Preacher at Oxford; Professor of Pastoral Theology at King's College, London; Dean of Queen's, Oxford; Prebendary in St. Paul's Cathedral, London; Professor of Exegesis of the New Testament in King's College, London; Boyle Lecturer; Grinfield Lecturer on the Septuagint, Oxford; Examiner in the Theological schools at Oxford; Member of the Old Testament Company for the Revision of the A.V. of the Holy Scriptures; Rector of Pluckley, 1869; Vicar of Bickley, Kent, 1873; and Dean of Wells, 1881. Dean Plumptre's literary productions have been very numerous and important, and embrace the classics, history, divinity, biblical criticism, biography, and poetry. The list as set forth in Crockford's Clerical Directory is very extensive. His poetical works include Lazarus, and Other Poems, 1864; Master and Scholar, 1866; Things New and Old, 1884; and translations of Sophocles, Æschylus, and Dante. As a writer of sacred poetry he ranks very high. His hymns are elegant in style, fervent in spirit, and broad in treatment. The subjects chosen are mainly those associated with the revived Church life of the present day, from the Processional at a Choral Festival to hospital work and the spiritual life in schools and colleges. The rhythm of his verse has a special attraction for musicians, its poetry for the cultured, and its stately simplicity for the devout and earnest-minded. The two which have attained to the most extensive use in Great Britain and America are: Rejoice, ye pure in heart," and "Thine arm, O Lord, in days of old." His translations from the Latin, many of which were made for the Hymnary, 1871 and 1872, are very good and musical, but they have not been used in any way in proportion to their merits. His original hymns in common use include:— 1. Behold they gain the lonely height. The Transfiguration. Written for and first published in the Society for Promoting Christian Knowledge Church Hymns, 1871. 2. For all Thy countless bounties. National Hymns. Written for the Jubilee of Queen Victoria, 1887, and set to music by C. W. Lavington. It was printed, together with the National Anthem adapted for the Jubilee, in Good Words, 1887. 3. Lo, summer comes again! Harvest. Written in 1871 for use at the Harvest Festival in Pluckley Church, Kent, of which the author was then rector, and published in the same year in the Hymnary, No. 466. 4. March, march, onward soldiers true. Processional at Choral Festivals. Written in 1867 for the tune of Costa's March of the Israelites in the Oratorio of Eli, at the request of the Rev. Henry White, Chaplain of the Savoy, and first used in that Chapel. It was subsequently published in the Savoy Hymnary, N.D. [1870], in 4 stanzas of 4 lines; in a Choral Festival book at Peterborough, and in the S. P. C. K. Church Hymns, 1871. 5. 0 Light, Whose beams illumine all. The Way, the Truth, and the Life. Written in May 1864, and published in his Lazarus, and Other Poems, 1864, as one of five Hymns for School and College. It passed into the 1868 Appendix to Hymns Ancient & Modern, and again into other collections. 6. 0 Lord of hosts, all heaven possessing. For School or College. Written in May, 1864, and published in his Lazarus and other Poems, 1864, in 5 stanzas of 6 lines. 7. 0 praise the Lord our God. Processional Thanksgiving Hymn. Written May 1864, and published in his Lazarus, and other Poems, 1864, in 4 stanzas of 8 lines. It is a most suitable hymn for Sunday school gatherings. 8. Rejoice, ye pure in heart. Processional at Choral Festival. Written in May 1865, for the Peterborough Choral Festival of that year, and first used in Peterborough Cathedral. In the same year it was published with special music by Novello & Co; and again (without music) in the 2nd edition of Lazarus, and Other Poems, 1865. It was included in the 1868 Appendix to Hymns Ancient & Modern with the change in stanza i., line 3, of "Your orient banner wave on high," to "Your festal banner wave on high." It is more widely used than any other of the author's hymns. Authorized text in Hymns Ancient & Modern. 9. Thine arm, 0 Lord, in days of old. Hospitals. Written in 1864 for use in King's College Hospital, London, and first printed on a fly-sheet as "A Hymn used in the Chapel of King's College Hospital." It was included in the 2nd edition of Lazarus, and Other Poems, 1865; in the 1868 Appendix to Hymns Ancient & Modern; the S. P. C. K. Church Hymns, 1871; Thring's Collection, 1882; and many others. 10. Thy hand, 0 God, has guided. Church Defence. Included in the 1889 Supplemental Hymns to Hymns Ancient & Modern The closing line of each stanza, "One Church, one Faith, one Lord," comes in with fine effect. Dean Plumptre's Life of Bishop Ken, 1888, is an exhaustive and excellent work. -- John Julian, Dictionary of Hymnology (1907) =============== Plumptre, E. H., p. 897, i. Died at the Deanery, Wells, Feb. 1, 1891. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Bryan Jeffery Leech

1931 - 2015 Topics: Lent 1 Year C Author of "We Gather Here (Come, Share the Lord)" in Voices United Bryan Jeffrey Leech was born in Middlesex, England in 1931. He came to the United States in 1955 and studied at Barrington College and North Park Seminary. He was ordained in 1961 and served in the Covenant Church. He composed more than 500 songs. Dianne Shapiro

James McGranahan

1840 - 1907 Person Name: James McGranahan, 1840-1907 Topics: Lent Suffering Composer of "MY REDEEMER" in The Covenant Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

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