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El Himnario Evangelico
Publication Date: 1893 Publisher: Sociedad Americana de Tratados Publication Place: New York
El Himnario Evangelico
Rostro divino, ensangrentado
Author: M. Mavillard Appears in 19 hymnals Used With Tune: EVENTIDE
Rostro divino, ensangrentado
LUX BENIGNA
Appears in 636 hymnals Composer and/or Arranger: J. B. Dykes Tune Key: A Flat Major Incipit: 51233 21616 51712 Used With Text: Divina Luz, con esplendor benigno
LUX BENIGNA
¡Santo! Santo! Santo! Señor omnipotente
Hymnal: EHE1893 #1 (1893) Languages: Spanish Tune Title: NICÆA
¡Santo! Santo! Santo! Señor omnipotente
Aquí juntos reunidos
Author: M. Cosido Hymnal: EHE1893 #2 (1893) Scripture: Psalm 67:3 Languages: Spanish Tune Title: HYMN OF JOY
Aquí juntos reunidos
Aparte del mundo, Señor, me retiro
Author: Mora Hymnal: EHE1893 #3 (1893) Languages: Spanish Tune Title: WE PRAISE THEE
Aparte del mundo, Señor, me retiro
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Hymnal Number: 1 Composer of "NICÆA" in El Himnario Evangelico As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Henry Monk
1823 - 1889 Person Name: W. H. Monk Hymnal Number: 30 Composer of "EVENTIDE" in El Himnario Evangelico William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Vincenzo Bellini
1801 - 1835 Person Name: Bellini Hymnal Number: 285 Composer of "DWIGHT" in El Himnario Evangelico Vicenzo Bellini, a dramatic composer, born at Catania, Sicily; early went to Naples and became known a s a composer' his first opera was performed 1824; in 1828 "La Straniera" attracted the attention of all Italy, in 1833, he founded his fortune and his fame with "Norma," "La Sonnambula," and "Puritani;" died Sept 23, 1835, aged thirty three.
A dictionary of musical information: containing also a vocabulary of musical terms, and a list of modern musical works published in the United States from 1640 to 1875 by John Weeks Moore (Boston: Oliver Ditson, c. 1876)
Vincenzo Bellini
