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I Am Jesus' Little Lamb
Author: William Fleming Stevenson; Henriette Louise von Hayn Meter: 7.7.8.8.7.7 Appears in 38 hymnals First Line: I am Jesus' little lamb, Ever glad at heart I am
I Am Jesus' Little Lamb
Bright and Glorious Is the Sky
Author: Nikolai F. S. Grundvig; Jens C. Aaberg Meter: 7.7.8.8.7.7 Appears in 11 hymnals Topics: Epiphany; Christian year--Epiphany Scripture: Matthew 2:1-12 Used With Tune: DEJLIG ER DEN HIMMEL BLAA Text Sources: Service Book and Hymnal (1958), alt.
Bright and Glorious Is the Sky
Jesus Makes My Heart Rejoice
Author: Henriette Louise von Hayn; Frederick W. Foster Meter: 7.7.8.8.7.7 Appears in 33 hymnals Lyrics: 1 Jesus makes my heart rejoice,
I’m his sheep, and know his voice;
he’s a Shepherd, kind and gracious,
And his pastures are delicious;
constant love to me he shows,
yea, my very name he knows.
2 Trusting his mild staff always,
I go in and out in peace;
he will feed me with treasure
of his grace in richest measure;
when athirst to him I cry,
Living water he’ll supply.
3 Should not I for gladness leap,
led by Jesus as his sheep?
For when these blessed days are over
to the arms of my dear Savior
I shall be conveyed to rest.
Amen, yea, my lot is blessed. Topics: Christian Education and Nurture; Christ--Guidance; Christ--Shepherd, the; Joy; Love for Christ; Thankfulness Scripture: Psalm 23 Used With Tune: HAYN
Jesus Makes My Heart Rejoice
WEIL ICH JESU SCHÄFLEIN BIN
Meter: 7.7.8.8.7.7 Appears in 44 hymnals Composer and/or Arranger: Ewald Weiss, 1906-98 Tune Sources: Choral-Buch...Brüder-Gemeinen, Leipzig, 1784 Tune Key: C Major Incipit: 51665 43516 65435 Used With Text: I Am Jesus' Little Lamb
WEIL ICH JESU SCHÄFLEIN BIN
Who is He?
Author: B. R. Hanby Hymnal: Redemption Songs #34a (1937) Meter: 7.7.8.8.7.7 First Line: Who is He in yonder stall Refrain First Line: 'Tis the Lord! oh, wondrous story! Topics: Praise and Opening Languages: English Tune Title: LOWLINESS
Who is He?
Who is He?
Author: B. R. Hanby Hymnal: Redemption Songs #34b (1937) Meter: 7.7.8.8.7.7 First Line: Who is He in yonder stall Refrain First Line: 'Tis the Lord! O wondrous story! Topics: Praise and Opening Languages: English Tune Title: TIBERIAS
Who is He?
Splendid are the heavens high
Author: Nikola Frederik Severin Grundtvig, 1783-1872; J. C. Aaberg Hymnal: Hymns and Hymnwriters of Denmark #65 (1945) Meter: 7.7.8.8.7.7 Lyrics:
Splendid are the heavens high,
Beautiful the radiant sky,
Where the golden stars are shining,
And their rays, to earth inclining,
-: Beckon us to heaven above :-
It was on a Christmas night,
Darkness veiled the starry height;
But at once the heavens hoary
Beamed with radiant light and glory,
-: Coming from a wondrous star :-
When this star so bright and clear
Should illume the midnight drear,
Then, according to tradition,
Should a king of matchless vision
-: Unto earth from heaven descend :-
Sages from the East afar
When they saw this wondrous star,
Went to worship and adore Him
And to lay their gifts before Him
-: Who was born that midnight hour :-
Him they found in Bethlehem
Without crown or diadem,
They but saw a maiden lowly
With an infant pure and holy
-: Resting in her loving arms :-
Guided by the star they found
Him whose praise the ages sound.
We have still a star to guide us
Whose unsullied rays provide us
-: With the light to find our Lord :-
And this star so fair and bright
Which will ever lead aright,
Is God’s word, divine and holy,
Guiding all His children lowly
-: Unto Christ, our Lord and King :-
Languages: English
Splendid are the heavens high
Anonymous
Meter: 7.7.8.8.7.7 Translator of "I Am Jesus' Little Lamb" in Moravian Book of Worship In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
B. R. Hanby
1833 - 1867 Meter: 7.7.8.8.7.7 Author of "Who is He?" in Redemption Songs Benjamin Russell Hanby was born July 22, 1833, the oldest of eight children, to Bishop William Hanby in Rushville, OH. The family moved to Westerville,OH where Bishop Hanby was a "conductor" on the Underground Railroad. In his short life Benjamin graduated from Otterbein, taught school, became a United Brethren minister, started a singing school, was editor for John Church publishers in Cincinnati and composed many songs and hymns before he died of tuberculosis March 15, 1867. His home in Westerville was Ohio's first memorial to a composer. It was a stop on the Underground Railroad for slaves escaping to Canada and is a national historic site, a Methodist church Landmark and a Network to Freedom site for the National Park Service. There is a Hanby Residence Hall at Otterbein University. Best known for "Up on the housetop" and "Darling Nellie Gray," Hanby published many hymns including "Little Eyes" and "Who is He?
Mary Louise VanDyke
B. R. Hanby
Christian Gregor
1723 - 1801 Meter: 7.7.8.8.7.7 Composer of "[Weil ich Jesu Schäflein bin] (5166543)" Gregor, Christian, son of Georg Gregor, a peasant living in the Silesian village of Dirsdorf, near Peilau, was born at Dirsdorf, Jan. 1, 1723. In 1742 he went to Herrnhut, where he was at first employed in tuition. He became leader of the music in the [Moravian] Brethren's congregation at Herrnhaag, in 1748, and in 1749 at Zeist; but in 1753 he returned to Herrnhut as cashier of the Brethren's Board of Direction. He was, in 1756, ordained diaconus, in 1767 presbyter, and in 1789 bishop of the Brethren's Church. On Nov. 6,1801, he attended a meeting, held at Herrnhut, of the Board of Direction of which he had been a member from 1764. Just as he entered his house at Berthelsdorf, near Herrnhut, he was struck with paralysis, and died that same day. (Koch, vi. 436; Allgemeine Deutsche Biographie, ix. 630.)
He was a man greatly beloved and respected, simple of heart, loving, earnest and hardworking; and was entrusted with many important missions and visitations. His hymns are characterised by childlike fervour of devotion to his crucified Lord. A number appeared in Des kleinen Brüder-Gesangbuchs dritter Theil, Barby, 1767; but they were mostly contributed to the Gesang-buch zum Gebrauch der evangelischen Brüder Gemeinen, Barby, 1778, of which he was the principal editor. He was also an excellent organist, and edited, in 1784, a collection of accompanying tunes for the hymnbook of 1778, contributing thereto various melodies by himself. A little volume entitled Historische Nachrteht vom Brüder-Gesangbuche des Jahres 1778, und von dessen Lieder-Verfassern, Gnadau, 1835 (2nd ed., 1851), occasionally referred to in these pages, is based on materials collected by Gregor.
His hymns in English common use are:—
i. Bis dereinst mein Stündlein schlägt. [Love to Christ.] 1778, No. 640, in 5 st. of 4 1. Translated as:—
Till permitted hence to go, of st. i., ii., iv., as No. 563 in the Moravian Hymn Book, 1801 (1886, No. 1228). In 1826 an original st.anza by T. Bird was added, beginning, " Till the day when I shall tread." Repeated thus in 1886, No. 1228, and in J. A. Latrobe's Collection, 1841, No. 484.
ii. Die Gottes Cherubim. [The Angels.] Appeared as No. 1877 in Appendix xii. c, 1746, to the Herrnhut Gesang-Buch of 1735, thus :—
"Die Gottes Cherubim
Erheben ihre Stimm,
(Funkelnd von Blitz und Strahl,)
Ihr Lied ist, wenn ichs sagen darf,
Dazu spielt mehr als eine Harf:
Ehre dem Seitenmaal!"
In 1778 it is included as No. 1600, beginning, "Die Gottes Seraphim," and expanded to three stanzas; i. of the Angels; ii. of the Redeemed; iii. of the Church on Earth. Here the song, "Ehre dem Seitenmaal," is given to the Church on Earth, and a paraphrase of Is. vi. 3, to the Angels. The only translation in common use is :—
The Seraphim of God, in full from the 1778, by J. Miller and F. W. Foster, as No. 792 in the Moravian Hymn Book, 1789 (1886, No. 1220), repeated in J. A. Latrobe's Collection, 1841, No. 424. Another translation is The Cherubims of God," from the original form, as No. 93 in pt. iii. of the Moravian Hymn Book, 1748.
iii. Heiliger, heiliger, heiliger, Herr Zebaoth. [Public Worship.] The introductory hymn in 1778, in 4 st. of 81, as on "The Word of God." The only translation is:—
Holy Lord, Holy lord, Holy and Almighty Lord, by F. W. Foster, C. G. Clemens, and J. Swertner, as No. 1 in the Moravian Hymn Book, 1789 (1886, No. 1). Included from the text of 1801, as No. 217 in Dr. Pagenstecher's Collection, 1864.
iv. Nach tausendfachen Plagen. [Passiontide.] 1778, No. 128, in 8 1. It is translated as :—
Behold, my soul, Thy Saviour, by P. H. Molther, as No. 352 in the Moravian Hymn Book, 1789. See No. vi.
v. 0 angenehme Augenblicke. [Eternal Life.] Written in 1766. In 1778, No. 1749, in 2 st. of 8 1. The translations are :—
1. What heavenly joy and consolation, by P. H, Molther, of st. i., as No. 886 in the Moravian Hymn Book, 1789 (1886, No. 1314, st. iii.). Included as st. iii. of No. 403 in the Irish Church Hymnal, 1873.
2. 0 what joy, 0 what joy awaiteth me. No. 988 in the Moravian Hymn Book, 1801. In the 1886 edition it is marked as a translation of No. v. as above. It bears more resemblance, however, to "O wie wallt mein Herz," which is No. 268 in the 1806 Appendix to the Brüder Gesang-Buchof 1778.
vi. 0 süsse Seelenweide. [Passiontide.] 1778, No. 167, in 11 st. of 8 1. St. i., ii. are ascribed to Gregor; iii., iv., xi. to Johann Prätorius ; and v.-x. to C. B. von Zinzendorf (taken from Nos. 40 and 41 of the collected edition of his hymns, 1754). The translation is:—
How is my soul delighted, a translation of st. i., ii., iv., v., vii., x. by F. W. Foster, and J. Miller, as No. 360 in the Moravian Hymn Book, 1789. In the 1801 and later editions (1886, No. 407), Molther's translation of No. iv. was prefixed as st. i., new trranslations of st. viii., x. given, and the rest altered. In the Book of Common Praise, ed. 1872, No. 86, is st. i., ii., 11. 5-8, and iii., by Gregor; and iv., 11. 5-8, by Prätorius, beginning, "Behold, my soul, thy Saviour."
vii. 0 Tage wahrer Seligkeit. [Joy of Forgiveness.] 1778, No. 398, in 6 st. of 8 1., included in the Berlin Geistliche Lieder S. , ed. 1863. Translated as:—
O days of solid happiness in full as No. 340 in the Moravian Hymn Book, 1801 (1886, No. 386). Two centos from the text of 1849 are in common use :—
1. "What days of solid happiness," st. i.-iv., as No. 433 in the edition of 1857 of Mercer's The Church Psalter & Hymnbook.
2. "Whene'er we contemplate the grace," st. iv.-vi. as No. 396 in the Irish Church Hymnal, 1873.
viii. Wenn schlägt die angenehme Stunde. [Ascension.] Written for Aug. 17, 1765, and included as No. 113 in 1767, as above, in 8 1. Translated as :—
When, O when shall I have the favour, by P. H. Molther, c. 1774, included as No. 839 in the Moravian Hymnbook, 1789, repeated as st. ii. of No, 403, in the Irish Church Hymnal, 1873. In the 1886 ed. of the Moravian Hymnbook, No. 1314, it begins, "O when shall I have that great favour."
ix. Wie wifd mir einst dooh sein. [Eternal Life.] 1778, No. 1743, in 10 st. of 6 1. In the Historische Nachricht thereto, st. i.-iii. are marked as by Gregor, and st. iv.-x. as by N. L. von Zinzendorf. St. iv.-x. are recast from a hymn beginning, "Die Bäume blühen ab," writ¬ten in the autumn of 1721, and included as No. 1245 in the 3rd edition, 1731, of his Sammlung geistund lieblicher Lieder, in 46 st. of 4 1., the stanza of the original used being in order 39, 42, 34, 18, 22, 29, 45. The only translation in common use is:—
What shall I feel, when I, in full from the 1778, by J. A. Latrobe, as No. 885 in the Moravian Hymnbook, 1789 (1886, No. 1301). Two centos are in use:-
1. "How shall the joy be told"; st. i.-iv., vi., viii. altered in J. A. Latrobe's Collection, 1841, No. 498.
2. "I hear the enraptured song"; st. 2, 6, 9, 10, as No. 582 in the App. of 1873 to Mercer's The ChurchPsalter & Hymnbook.
Hymns not in English common use:—
x. Ach mein Heir Jesu! dein Nahesein. Communion with Christ. 1767, as above, No. 432, in 10 st. In the Berlin Geistliche Lieder S.,, ed. 1863, No. 925. Justly characterised by Dr. Schaff in his Christ in Song, 1869, p. 496, as "One of the sweetest hymns from the holy of holies of the believer's personal communion with his Saviour, and very characteristic of Moravian piety in its best form." The trsanslations are (1) "What peace divine, what perfect happiness," by P. H. Molther, as No. 278 in the Moravian Hymn Book, 1789 (1849, No. 362). In the 1886 ed. of the Moravian Hymn Book, No. 359, it begins with the translation of st. v., "Gracious Redeemer, grant to us while here." (2) "Jesus, our Lord, when Thou art near," by Dr. H. Mills, 1845 (1856, p. 122). (3) "Ah dearest Lord! to feel that Thou art near," by Miss Winkworth, 1858, p. 168. (4) "Ah, Jesus, Lord, Thou art near to me," in the British Herald, Dec, 1866, p. 372, and as No. 304 in Reid's Praise Book, 1872. (5) "Jesus, my Lord, Thy nearness does impart," by E. Reynolds for Schaff’s Christ in Song, 1869, p. 496.
xi. Hallelujah! der Heiland lebt. Easter. 1778, No. 203, in 17 st. (st. xiv. being by Matthaus Stach, and first published as st. ii. of No. 109, in 1767). Translated as "Sing Hallelujah, Christ doth live," as No. 131 in the Moravian Hymn Book, 1801 (1886, No. 142), repeated in Bishop Ryle's Collection, 1860, No. 131. Beginning with the translation of st. ix., “The God of Peace, to guilty man," 6 st. were included as No. 90 in Reid's Praise Book, 1872. [Rev. James Mearns, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Christian Gregor
Small Church Music
Meter: 7.7.8.8.7.7 Editors: Henriette Louise von Hayn Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 7.7.8.8.7.7
Christian Classics Ethereal Hymnary
