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Scripture:Genesis 11

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It Came upon the Midnight Clear

Author: Edmund H. Sears, 1810-76 Meter: 8.6.8.6 D Appears in 867 hymnals Scripture: Genesis 11:9 Lyrics: 1 It came upon the midnight clear, That glorious song of old, From angels bending near the earth To touch their harps of gold: "Peace on the earth, goodwill to all, From heav'n's all-gracious king." The world in solemn stillness lay To hear the angels sing. 2 Still through the cloven skies they come With peaceful wings unfurled, And still their heav'nly music floats O'er all the weary world. Above its sad and lowly plains They bend on hov'ring wing, And ever o'er its babel sounds The blessed angels sing. 3 All you, beneath your heavy load, By care and guilt bent low, Who toil along a dreary way With painful steps and slow: Look up, for golden is the hour, Come swiftly on the wing, The Prince was born to bring you peace; Of Him the angels sing. 4 For lo, the days have come to pass By prophets seen of old, When down into the circling years Came Christ as was foretold. His word of peace shall to the earth God's ancient promise bring, And all who take this gift will hear The song the angels sing. Topics: Society Used With Tune: CAROL
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All My Hope on God Is Founded

Author: Robert Seymour Bridges Meter: 8.7.8.7.3.3.7 Appears in 69 hymnals Scripture: Genesis 11:1 Lyrics: 1 All my hope on God is founded; he doth still my trust renew. Me through change and chance he guideth, only good and only true. God unknown, he alone calls my heart to be his own. 2 Human pride and earthly glory, sword and crown betray his trust. What with care and toil we fashion, tower and temple, fall to dust. But God's power, hour by hour, is my temple and my tower. 3 God's great goodness aye endureth; deep his wisdom, passing thought. Splendor, light, and life attend him, beauty springeth out of nought. Evermore from his store newborn worlds rise and adore. 4 Daily doth th'almighty Giver bounteous gifts on us bestow; his desire our soul delighteth; pleasure leads us where we go. Love doth stand at his hand; joy doth wait on his command. 5 Still from earth to God eternal sacrifice of praise be done, high above all praises praising for the gift of Christ his Son. Christ doth call one and all: ye who follow shall not fall. Used With Tune: MEINE HOFFNUNG Text Sources: Joachim Neander, 1650-1680, alt. (based on a hymn by )

Creator of the Earth and Skies

Author: Donald W. Hughes Meter: 8.8.8.8 Appears in 16 hymnals Scripture: Genesis 11:1 Topics: Who Pardons All Your Iniquities Used With Tune: PLAISTOW

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CAROL

Meter: 8.6.8.6 D Appears in 460 hymnals Composer and/or Arranger: Richard S. Willis, 1819-1900 Scripture: Genesis 11:9 Tune Key: B Flat Major Incipit: 53221 65655 67112 Used With Text: It Came upon the Midnight Clear
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NOEL

Meter: 8.6.8.6 D Appears in 148 hymnals Composer and/or Arranger: Arthur Seymour Sullivan (1842-1900) Scripture: Genesis 11:1-9 Tune Sources: Traditional melody Tune Key: F Major Incipit: 12321 23432 5534 Used With Text: It came upon the midnight clear
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RUSSIA

Meter: 11.10.11.9 Appears in 290 hymnals Composer and/or Arranger: Alexei Fyodorovich Lvov (1799-1871) Scripture: Genesis 11:4 Tune Key: D Major Incipit: 56653 11765 64553 Used With Text: God the Omnipotent! King who ordainest

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It came upon the midnight clear

Author: Edmund H. Sears, 1810-1876 Hymnal: Common Praise #56 (2000) Meter: 8.6.8.6 D Scripture: Genesis 11:9 Lyrics: 1 It came upon the midnight clear, that glorious song of old, from angels bending near the earth to touch their harps of gold: 'Peace on the earth, good will to men, from heaven's all-gracious King!' the world in solemn stillness lay, to hear the angels sing. 2 Still through the cloven skies they come, with peaceful wings unfurled; and still their heavenly music floats o'er all the weary world: above its sad and lowly plains they bend on hovering wing; and ever o'er its Babel-sounds the blessèd angels sing. 3 Yet with the woes of sin and strife the world has suffered long; beneath the angel strain have roled two thousand years of wrong; and man, at war with man, hears not the love-song which they bring: O hush the noise, ye men of strife, and hear the angels sing. *4 And ye, beneath life's crushing load, whose forms are bending low, who toil along the climbing way with painful steps and slow, look now! for glad and golden hours come swiftly on the wing; O rest beside the weary road, and hear the angels sing! 5 For lo, the days are hastening on, by prophet-bards foretold, when, with the ever-circling years, comes round the age of gold; when peace shall over all the earth its ancient splendours fling, and the whole world give back the song which now the angels sing. Topics: Christmas; St. Michael and All Angels; Chirstimas Midnight Languages: English Tune Title: NOEL

It Came upon the Midnight Clear (A medianoche se escuchó)

Author: Edmund H. Sears, 1810-1876; Georgina Pando-Connolly, b. 1946 Hymnal: Santo, Santo, Santo #89 (2019) Scripture: Genesis 11:1-9 Refrain First Line: CMD Topics: Año Cristiano Navidad; Christian Year Christmas; Paz; Peace Languages: English; Spanish Tune Title: CAROL
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It Came upon the Midnight Clear

Author: Edmund H. Sears, 1810-1876 Hymnal: Worship and Rejoice #191 (2003) Meter: 8.6.8.6 D Scripture: Genesis 11:9 Lyrics: 1 It came upon the midnight clear, that glorious song of old, from angels bending near the earth to touch their harps of gold: "Peace on the earth, good will to all, from heaven's all gracious King": the world in solemn stillness lay to hear the angels sing. 2 Still through the cloven skies they come, with peaceful wings unfurled, and still their heavenly music floats o'er all the weary world; above its sad and lowly plains they bend on hovering wing, and ever o'er its Babel sounds the blessed angels sing. 3 For lo, the days are hastening on, by prophets seen of old, when, with the ever-circling years, shall come the time foretold, when peace shall over all the earth its ancient splendors fling, and all the world give back the song which now the angels sing. Languages: English Tune Title: CAROL

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Authors, composers, editors, etc.

Edmund H. Sears

1810 - 1876 Person Name: Edmund H. Sears, 1810-76 Scripture: Genesis 11:9 Author of "It Came upon the Midnight Clear" in Lutheran Service Book Edmund Hamilton Sears was born in Berkshire [County], Massachusetts, in 1810; graduated at Union College, Schenectady, in 1834, and at the Theological School of Harvard University, in 1837. He became pastor of the Unitarian Society in Wayland, Mass., in 1838; removed to Lancaster in 1840; but on account of ill health was obliged to retire from the active duties of the ministry in 1847; since then, residing in Wayland, he devoted himself to literature. He has published several works. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================= Sears, Edmund Hamilton, D.D., son of Joseph Sears, was born at Sandisfield, Berkshire County, Massachusetts, April 6, 1810, and educated at Union College, Schenectady, N.Y., where he graduated in 1834; and at the Theological School at Cambridge. In 1838 he became pastor of the First Church (Unitarian) at Wayland, Massachusetts; then at Lancaster in the same State, in 1840; again at Wayland, in 1847; and finally at Weston, Massachusetts, in 1865. He died at Weston, Jan. 14, 1876. He published:— (1) Regeneration, 1854; (2) Pictures of the Olden Time, 1857; (3) Athanasia, or Foregleams of Immortality, 1858, enlarged ed., 1872; (4) The Fourth Gospel the Heart of Christ; (5) Sermons and Songs of the Christian Life, 1875, in which his hymns are collected. Also co-editor of the Monthly Religious Magazine. Of his hymns the following are in common use:— 1. Calm on the listening ear of night. Christmas. This hymn was first published in its original form, in the Boston Observer, 1834; afterwards, in the Christian Register, in 1835; subsequently it was emended by the author, and, as thus emended, was reprinted entire in the Monthly Magazine, vol. xxxv. Its use is extensive. 2. It came upon the midnight clear. Christmas. "Rev. Dr. Morison writes to us, Sears's second Christmas hymn was sent to me as editor of the Christian Register, I think, in December, 1849. I was very much delighted with it, and before it came out in the Register, read it at a Christmas celebration of Dr. Lunt's Sunday School in Quincy. I always feel that, however poor my Christmas sermon may be, the reading and singing of this hymn are enough to make up for all deficiences.'" 3. Ho, ye that rest beneath the rock. Charitable Meetings on behalf of Children. Appeared in Longfellow and Johnson's Hymns of the Spirit, Boston, 1864, in 2 stanzas of 8 lines. Dr. Sears's two Christmas hymns rank with the best on that holy season in the English language. Although a member of the Unitarian body, his views were rather Swedenborgian than Unitarian. He held always to the absolute Divinity of Christ. [Rev. F. M. Bird, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Richard Storrs Willis

1819 - 1900 Person Name: Richard S. Willis, 1819-1900 Scripture: Genesis 11:9 Composer of "CAROL" in Lutheran Service Book Richard Storrs Willis (February 10, 1819 – May 10, 1900) was an American composer, notably of hymn music. One of his hymns is "It Came Upon the Midnight Clear" (1850), with lyrics by Edmund Sears. He was also a music critic and journal editor. Willis, whose siblings included Nathaniel Parker Willis and Fanny Fern, was born on February 10, 1819, in Boston, Massachusetts. He attended Chauncey Hall, the Boston Latin School, and Yale College where he was a member of Skull and Bones in 1841. Willis then went to Germany, where he studied six years under Xavier Schnyder and Moritz Hauptmann. While there, he became a personal friend of Felix Mendelssohn. After returning to America, Willis served as music critic for the New York Tribune, The Albion, and The Musical Times, for which he served as editor for a time. He joined the New-York American-Music Association, an organization which promoted the work native of naturalized American composers. He reviewed the organization's first concert for their second season, held December 30, 1856, in the Musical World, as a "creditable affair, all things considered". Willis began his own journal, Once a Month: A Paper of Society, Belles-Lettres and Art, and published its first issue in January 1862. Willis died on May 7, 1900. His interment was located at Woodlawn Cemetery. His works and music compilations include: Church Chorals and Choir Studies (1850) Our Church Music (1856) Waif of Song (1876) Pen and Lute (1883) --en.wikipedia.org

Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan (1842-1900) Scripture: Genesis 11:1-9 Adapter of "NOEL" in Church Hymnary (4th ed.) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman