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Text Identifier:"^as_now_the_suns_declining_rays$"

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As Now the Sun's Declining Rays

Author: Charles Coffin; John Chandler Meter: 8.6.8.6 Appears in 58 hymnals Lyrics: 1. As now the sun’s declining rays At eventide descend, So life’s brief day is sinking down To its appointed end. 2. Lord, on the cross Thine arms were stretched, To draw Thy people nigh; O grant us then that cross to love, And in those arms to die. 3. All glory to the Father be, All glory to the Son, All glory, Holy Ghost, to Thee, While endless ages run. Used With Tune: ST. COLUMBA Text Sources: Hymni Sacri, 1736; also appeared in the Paris Breviary the same year as "Labente jam solis rota"; Translation: Hymns of the Primitive Church, 1837 (Translation)

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ST PETER

Meter: 8.6.8.6 Appears in 732 hymnals Composer and/or Arranger: Alexander Reinagle, 1799-1877 Tune Key: E Flat Major Incipit: 51765 54332 14323 Used With Text: As now the sun's declining rays
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ST. COLUMBA (IRISH)

Meter: 8.6.8.6 Appears in 204 hymnals Tune Sources: Old Irish hymn melody; From Dr. Petrie's Collection Tune Key: E Flat Major Incipit: 12345 45321 12345 Used With Text: As now the sun's declining rays
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HOLY TRINITY

Appears in 200 hymnals Composer and/or Arranger: J. Barnby Incipit: 17654 66543 33217 Used With Text: As now the sun's declining rays

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As now the sun's declining rays

Author: Charles Coffin, 1676-1749; John Chandler, 1806-1876 Hymnal: Complete Anglican Hymns Old and New #43 (2000) Meter: 8.6.8.6 Lyrics: 1 As now the sun's declining rays at eventide descend, e'en so our years are sinking down to their appointed end. 2 Lord, on the cross thine arms were stretched to draw thy people nigh: O grant us then that cross to love, and in those arms to die. 3 To God the Father, God the Son, and God the Holy Ghost, all glory be from saints on earth and from the angel host. Languages: English Tune Title: ST PETER
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As Now the Sun's Declining Rays

Author: Charles Coffin; John Chandler Hymnal: The Cyber Hymnal #197 Meter: 8.6.8.6 Lyrics: 1. As now the sun’s declining rays At eventide descend, So life’s brief day is sinking down To its appointed end. 2. Lord, on the cross Thine arms were stretched, To draw Thy people nigh; O grant us then that cross to love, And in those arms to die. 3. All glory to the Father be, All glory to the Son, All glory, Holy Ghost, to Thee, While endless ages run. Languages: English Tune Title: ST. COLUMBA
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As now the sun's declining rays

Author: Charles Coffin, 1676-1749; John Chandler, 1806-1876 Hymnal: CPWI Hymnal #9 (2010) Meter: 8.6.8.6 Lyrics: 1 As now the sun's declining rays at eventide descend, so life's brief day is sinking down to its appointed end. 2 Lord, on the cross thine arms were stretched to draw thy people nigh: O grant us then that cross to love, and in those arms to die. 3 All glory to the Father be, all glory to the Son, all glory, Holy Ghost, to thee, while endless ages run. Topics: Hymns for the Church Year Evening Languages: English Tune Title: ST COLUMBA (IRISH)

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Charles Coffin

1676 - 1749 Author of "As now the sun's declining rays" in The Hymnal Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)

John Chandler

1806 - 1876 Translator of "As now the sun's declining rays" in The Hymnal John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Joseph Barnby

1838 - 1896 Composer of "HOLY TRINITY" in The Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman
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