Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful. 

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

Search Results

Text Identifier:"^behold_what_wondrous_grace$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scans

Behold, What Wondrous Grace

Author: Isaac Watts Meter: 6.6.8.6 Appears in 351 hymnals Lyrics: 1 Behold what wondrous grace The Father hath bestowed On sinners of a mortal race, To call them sons of God! 2 Nor doth it yet appear How great we must be made; But when we see our Savior here, We shall be like our Head. 3 If in my Father's love I share a filial part, Send down thy Spirit, like a dove, To rest upon my heart. Amen. Topics: God God the Loving Father Scripture: 1 John 3:1 Used With Tune: LEIGHTON

Tunes

tune icon
Tune authorities
Page scansAudio

ST. THOMAS

Appears in 1,006 hymnals Incipit: 51132 12345 43432 Used With Text: Behold what wondrous grace
Page scansAudio

NEWLAND

Appears in 72 hymnals Composer and/or Arranger: H. J. Gauntlett Incipit: 51322 33465 32332 Used With Text: Behold what wondrous grace
Page scans

CAPUA

Appears in 4 hymnals Composer and/or Arranger: J. D. Vinton Incipit: 33345 43446 52355 Used With Text: Behold what wondrous grace

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

Behold, What Wondrous Grace

Author: Isaac Watts Hymnal: The Hymnal of The Evangelical United Brethren Church #72 (1957) Meter: 6.6.8.6 Lyrics: 1 Behold what wondrous grace The Father hath bestowed On sinners of a mortal race, To call them sons of God! 2 Nor doth it yet appear How great we must be made; But when we see our Savior here, We shall be like our Head. 3 If in my Father's love I share a filial part, Send down thy Spirit, like a dove, To rest upon my heart. Amen. Topics: God God the Loving Father Scripture: 1 John 3:1 Tune Title: LEIGHTON
TextAudio

Behold What Wondrous Grace

Author: Isaac Watts Hymnal: The Cyber Hymnal #697 Meter: 6.6.8.6 Lyrics: 1. Behold what wondrous grace The Father has bestowed On sinners of a mortal race, To call them sons of God! 2. ’Tis no surprising thing That we should be unknown; The Jewish world knew not their King, God’s everlasting Son. 3. Nor doth it yet appear How great we must be made; But when we see our Savior here, We shall be like our Head. 4. A hope so much divine May trials well endure; May purge our souls from sense and sin, As Christ the Lord is pure. 5. If in my Father’s love I share a filial part, Send down Thy Spirit like a dove, To rest upon my heart. 6. We would no longer lie Like slaves beneath the throne; My faith shall Abba, Father, cry, And thou the kindred own. Languages: English Tune Title: SWABIA
Page scan

Behold, What Wondrous Grace

Author: Isaac Watts Hymnal: The Baptist Standard Hymnal #57 (1924) First Line: Behold what wondrous grace Topics: God the Father Grace and Mercy Languages: English Tune Title: STATE STREET

People

person icon
Authors, composers, editors, etc.

Hans G. Nägeli

1773 - 1836 Person Name: Hans George Nageli Composer of "DENNIS" in The Otterbein Hymnal Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

George Frideric Handel

1685 - 1759 Person Name: George Frederick Handel Composer of "THATCHER" in Songs of Work and Worship George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett Composer of "NEWLAND" in University Hymns Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman