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Break Forth into Praise
Author: Charles Wesley Meter: 10.10.11.11 Appears in 3 hymnals First Line: Break forth into praise! Our Surety and Head Lyrics: 1 Break forth into praise! Our Surety and Head,
His members to raise, has ris'n from the dead!
The pow'r of His Spirit hath quicken'd our Lord,
that we by His merit may all be restored.
2 Our Captain and King, with shouts we proclaim,
and joyfully sing the wonderful name,
the name all-victorious we publish and feel,
triumphantly glorious o’er sin, earth, and hell.
3 The pow'r of His rise we know and declare,
and rapt to the skies, His happiness share.
In heavenly places with Jesus we sit,
and Jesus’s praises with angels repeat.
4 We sing of His love while sojourning here,
till Christ from above, our Savior appear.
The heirs of salvation with triumph receive,
in full consummation of glory to live. Topics: Jesus, Risen From the Dead Easter Scripture: Psalm 106:1 Used With Tune: LYONS
Break Forth into Praise
Break Forth into Praise
Author: Charles Wesley Hymnal: Our Great Redeemer's Praise #259 (2022) Meter: 10.10.11.11 First Line: Break forth into praise! Our Surety and Head Lyrics: 1 Break forth into praise! Our Surety and Head,
His members to raise, has ris'n from the dead!
The pow'r of His Spirit hath quicken'd our Lord,
that we by His merit may all be restored.
2 Our Captain and King, with shouts we proclaim,
and joyfully sing the wonderful name,
the name all-victorious we publish and feel,
triumphantly glorious o’er sin, earth, and hell.
3 The pow'r of His rise we know and declare,
and rapt to the skies, His happiness share.
In heavenly places with Jesus we sit,
and Jesus’s praises with angels repeat.
4 We sing of His love while sojourning here,
till Christ from above, our Savior appear.
The heirs of salvation with triumph receive,
in full consummation of glory to live. Topics: Jesus, Risen From the Dead Easter Scripture: Psalm 106:1 Languages: English Tune Title: LYONS
Break Forth into Praise
Break Forth into Praise
Author: Charles Wesley Hymnal: The Cyber Hymnal #617 Meter: 10.10.11.11 First Line: Break forth into praise! Our surety and head Lyrics: 1. Break forth into praise! Our surety and head
His members to raise, hath rose from the dead;
The power of His Spirit hath quickened our Lord,
That we by His merit may all be restored.
2. Our captain and king with shouts we proclaim,
And joyfully sing the wonderful name;
The name all-victorious we publish, and feel
Triumphantly glorious o’er sin, earth, and hell.
3. The power of His rise we know and declare
And rapt to the skies, His happiness share;
In heavenly places with Jesus we sit,
And Jesus’ praises with angels repeat.
4. We sing of His love while sojourning here,
Till Christ from above our Savior appear;
The heirs of salvation with triumph receive,
In full consummation of glory to live. Languages: English Tune Title: ASPINWALL
Break Forth into Praise
Break forth into praise, our surety and head
Hymnal: A Choice Selection of Evangelical Hymns, from various authors #80 (1806) Languages: English
Break forth into praise, our surety and head
Michael Haydn
1737 - 1806 Person Name: Johann Michael Haydn Composer (attributed to) of "LYONS" in Our Great Redeemer's Praise Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
William Gardiner
1770 - 1853 Arranger of "LYONS" in Our Great Redeemer's Praise William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music.
Bert Polman
William Gardiner
Chas. H. Gabriel
1856 - 1932 Person Name: Charles Hutchinson Gabriel, 1856-1932 Composer of "ASPINWALL" in The Cyber Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
