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Text Identifier:"^come_o_creator_spirit_come_and_make_with$"

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Come, O Creator Spirit, Come

Author: Robert Bridges, 1844-1930 Appears in 26 hymnals Topics: The Holy Spirit Used With Tune: VENI CREATOR Text Sources: 9th century

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VENI CREATOR SPIRITUS

Meter: 8.8.8.8 Appears in 162 hymnals Tune Sources: Plainsong, fourth century Tune Key: B Flat Major Incipit: 56545 65122 11561 Used With Text: Come, O Creator Spirit, Come
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VENI SANCTE SPIRITUS

Appears in 58 hymnals Composer and/or Arranger: Samuel Webbe Incipit: 11123 21232 5545 Used With Text: Come, thou Holy Spirit, come
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WOOLMER'S

Appears in 13 hymnals Composer and/or Arranger: Frederick A. G. Ouseley, 1825-1889 Incipit: 11277 12354 23176 Used With Text: Come, O Creator Spirit, come

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Come, O Creator Spirit, Come

Author: Robert Bridges; Martin Luther; George Macdonald Hymnal: Rejoice in the Lord #377 (1985) Meter: 8.8.8.8 Lyrics: 1 Come, O Creator Spirit, come, and make within our heart thy home; to us thy grace celestial give, who of thy breathing move and live. 2 O Comforter, that name is thine, of God most high the gift divine: the well of life, the fire of love, our souls' anointing from above. 3 Thou dost appear in sev'n-fold dower, the sign of God's almighty power, the Father's rpomise, making rich with saving turth our earthly speech. 4 Our senses with thy light inflame; our hearts to heav'nly love reclaim; our bodies' poor infirmity with strength perpetual fortify. 5 Our mortal foe afar repel; grant us henceforth in peace to dwell; and so to us, with thee for guide, no ill shall come, no harm betide. 6 May we by thee the Father learn, and know the Son, and thee discern, who art of both, and thus adore in perfect faith forevermore. Amen. Antiphon stanza: Praise God the Father and the Son, who from the dead arose in power; like praise to the consoling one, forevermore, through ev'ry hour. Languages: English Tune Title: VENI CREATOR SPIRITUS

Come Now, Creator Spirit, Come

Hymnal: The Minter Lane Hymnal VI #16 (2013) Languages: English Tune Title: [Come now, Creator Spirit, come]

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Robert Bridges

1844 - 1930 Author of "Come, O Creator Spirit, come" in The Harvard University Hymn Book Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Martin Luther

1483 - 1546 Author (antiphon st.) of "Come, O Creator Spirit, Come" in Rejoice in the Lord Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

T. Tertius Noble

1867 - 1953 Composer of "[Come, O Creator Spirit, come]" in The Church Anthem Book Thomas Tertius Nobel (1867-1953) was born in Bath, England, educated at the Royal College of Music, and was a noted composer and organist. He served as a church or­gan­ist in Cam­bridge and Col­ches­ter. He moved to Ely Ca­thed­ral in 1892 as or­gan­ist and choir­mas­ter, and in 1898 to York Min­ster, where he found­ed the York Sym­pho­ny Or­ches­tra, di­rect­ed the York Mu­sic­al So­ci­e­ty, con­duct­ed the York Pa­geant, and re­vived the York Mu­sic­al Fes­tiv­al af­ter a lapse of 75 years. He be­came an hon­or­a­ry fel­low of the Roy­al Coll­ege of Or­gan­ists in 1905. In 1913, he moved to New York Ci­ty, where he was or­gan­ist at St. Tho­mas’ Epis­co­pal Church, and es­tab­lished its choir school and a boys’ choir. In ad­di­tion to com­pos­ing, he wrote about mu­sic ed­u­ca­tion, and helped ed­it the 1916 Pro­test­ant Epis­co­pal hym­nal, and served on the mu­sic com­mit­tee that pre­pared its 1940 suc­ces­sor. He wrote a wide range of mu­sic, but on­ly his serv­ices, an­thems and hymn tunes are still per­formed reg­u­lar­ly. Died: May 4, 1953, Rock­port, Mass­a­chu­setts. http://www.hymntime.com/tch/
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