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Text Identifier:"^come_thou_long_expected_jesus_born_to$"

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Come, Thou long expected Jesus

Author: Charles Wesley Meter: 8.7.8.7 Appears in 749 hymnals First Line: Come, Thou long expected Jesus! Born to set Thy people free Lyrics: 1. Come, thou long expected Jesus, born to set thy people free; from our fears and sins release us, let us find our rest in thee. Israel's strength and consolation, hope of all the earth thou art; dear desire of every nation, joy of every longing heart. 2. Born thy people to deliver, born a child and yet a King, born to reign in us forever, now thy gracious kingdom bring. By thine own eternal spirit rule in all our hearts alone; by thine all sufficient merit, raise us to thy glorious throne. United Methodist Hymnal, 1989 Topics: Advent First; Christ Advent; liturgical Prayer Songs

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CROSS OF JESUS

Meter: 8.7.8.7 Appears in 124 hymnals Composer and/or Arranger: John Stainer, 1840-1901 Tune Key: G Major Incipit: 31555 11713 67143 Used With Text: Come, thou long-expected Jesus
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JEFFERSON

Meter: 8.7.8.7 D Appears in 23 hymnals Tune Sources: Southern Harmony, New Haven, 1835 Tune Key: g minor Incipit: 11757 13212 11754 Used With Text: Come, Thou Long-Expected Jesus
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STUTTGART

Meter: 8.7.8.7 Appears in 408 hymnals Tune Sources: Witt's Psalmodia Sacra, 1715; alt. Tune Key: F Major Incipit: 55112 23155 64253 Used With Text: Come, Thou Long-Expected Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come, Thou Long Expected Jesus

Author: Charles Wesley Hymnal: Sing Joyfully #187 (1989) Lyrics: 1 Come, Thou long expected Jesus, Born to set Thy people free; From our fears and sins release us; Let us find our rest in Thee. Israel's strength and consolation, Hope of all the earth Thou art; Dear desire of every nation, Joy of every longing heart. 2 Born Thy people to deliver, Born a child, and yet a King, Born to reign in us forever, Now Thy gracious kingdom bring. By Thine own eternal spirit Rule in all our hearts alone; By Thine all-sufficient merit, Raise us to Thy glorious throne. Topics: Jesus Christ Advent Languages: English Tune Title: [Come, Thou long expected Jesus]
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Come, Thou Long Expected Jesus

Author: Charles Wesley Hymnal: The New Church Hymnal #545 (1976) First Line: Come, Thou long expected Jesus, Born to set Thy people free Lyrics: 1 Come, Thou long expected Jesus,Born to set Thy people free;From our fears and sins release us;Let us find our rest in Thee.Israel's strength and consolation,Hope of all the earth Thou art;Dear Desire of every nation,Joy of ev'ry longing heart.2 Born Thy people to deliver,Born a child and yet a king.Born to reign in us forever,Now Thy gracious kingdom bring.By Thine own eternal SpiritRule in all our hearts alone;By Thine all sufficient merit,Raise us to Thy glorious throne.Amen. Topics: Christ King; Christmas; Hope Languages: English Tune Title: HYFRYDOL
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Come, Thou Long Expected Jesus

Author: Charles Wesley, 1707-1788 Hymnal: The Hymnal and Order of Service #22 (1937) Lyrics: 1 Come, Thou long expected Jesus, Born to set Thy people free; From our fears and sins release us, Let us find our rest in Thee. Israel's Strength and Consolation, Hope of all the earth Thou art; Dear Desire of ev'ry nation, Joy of ev'ry longing heart. 2 Born Thy people to deliver; Born a Child, and yet a King; Born to reign in us forever, Now Thy gracious kingdom bring. By Thine own eternal Spirit Rule in all our hearts alone; By Thine all-sufficient merit, Raise us to Thy glorious throne. Amen.

People

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Authors, composers, editors, etc.

John Stainer

1840 - 1901 Person Name: J. Stainer (1840-1901) Composer of "CROSS OF JESUS" in Hymns for Today's Church (2nd ed.)

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes, 1823-1876 Composer of "SYCHAR (ST. OSWALD)" in Hymnal and Liturgies of the Moravian Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Sir Arthur S. Sullivan, Mus. Doc., 1842-1900 Composer of "LUX EOI" in Hymnal and Order of Service Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman