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Text Identifier:"^come_ye_yourselves_apart_and_rest_awhile$"

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Come ye yourselves apart and rest awhile

Author: E. H. Bickersteth Appears in 45 hymnals Used With Tune: BENEDICTION

Tunes

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[Come ye yourselves apart and rest awhile]

Appears in 266 hymnals Composer and/or Arranger: James Langran Incipit: 31235 43321 33252 Used With Text: Come Ye Yourselves Apart
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EVENTIDE

Meter: 10.10.10.11 Appears in 1,004 hymnals Composer and/or Arranger: W. H. Monk Incipit: 33215 65543 34565 Used With Text: Come Ye Apart
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BIRMINGHAM

Appears in 27 hymnals Tune Sources: From Rev. F. Cunningham's A Selection of Psalm Tunes, 1834. Tune Key: D Major Incipit: 13153 65671 56543 Used With Text: Come ye yourselves apart and rest awhile

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Come Ye Yourselves Apart

Hymnal: Alexander's Gospel Songs #99 (1908) First Line: Come ye yourselves apart and rest awhile Languages: English Tune Title: [Come ye yourselves apart and rest awhile]
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Come Ye Yourselves Apart

Author: E. H. Bickersteth Hymnal: Northfield Hymnal No. 3 #30 (1918) First Line: Come ye yourselves apart and rest awhile Scripture: Mark 6:31 Tune Title: [Come ye yourselves apart and rest awhile]
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Come Ye Yourselves Apart

Author: Bishop Bickersteth Hymnal: Victorious Life Hymns #160 (1919) First Line: Come ye yourselves apart and rest awhile Topics: Christ; Praise and Worship; Prayer and Confession Tune Title: [Come ye yourselves apart and rest awhile]

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Composer of "MORECAMBE" in The Y.M.C.A. Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

E. J. Hopkins

1818 - 1901 Person Name: Dr. E. J. Hopkins Composer of "ELLERS" in The Song Companion to the Scriptures Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "EVENTIDE" in Redemption Songs William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman