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Text Identifier:"^god_whose_farm_is_all_creation$"

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God, Whose Farm Is All Creation

Author: John Arlott Meter: 8.7.8.7 Appears in 33 hymnals

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STUTTGART

Meter: 8.7.8.7 Appears in 417 hymnals Composer and/or Arranger: Christian F. Witt, 1600-1716; Kenneth D. Smith, b. 1928 Tune Key: F Major Incipit: 55112 23155 64253 Used With Text: God, Whose Farm Is All Creation
Audio

SHIPSTON

Meter: 8.7.8.7 Appears in 55 hymnals Composer and/or Arranger: Ralph Vaughan Willisms Tune Key: E Flat Major Incipit: 13565 43231 13565 Used With Text: God, Whose Farm Is All Creation

HARVEST GIFTS

Meter: 8.7.8.7 Appears in 1 hymnal Composer and/or Arranger: Larry J. Long, b. 1954 Tune Key: F Major Used With Text: God, Whose Farm Is All Creation

Instances

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Published text-tune combinations (hymns) from specific hymnals

God, Whose Farm Is All Creation

Author: John Arlott (1914-1991) Hymnal: Common Praise (1998) #261 (1998) Meter: 8.7.8.7 Topics: Creation; God, maternal images; Stewardship; Rogation Days; Harvest Thanksgiving Scripture: Deuteronomy 26:1-11 Languages: English Tune Title: SHIPSTON

God, Whose Farm Is All Creation

Author: John Arlott Hymnal: Voices United #300 (1996) Meter: 8.7.8.7 Topics: The Living God Our Response to God - in times and seasons; Creation; God Creator; Gratitude; Harvest; Petition; Praise; Providence; Rogation; Rural Life; Service Music Offering; Sowing and Reaping; Stewardship; Sun; Thankfulness; Work and Recreation; Worship; Proper 10 Year A Languages: English Tune Title: SHIPSTON

God, Whose Farm Is All Creation

Author: John Arlott, 1914-1991 Hymnal: Evangelical Lutheran Worship #734 (2006) Meter: 8.7.8.7 Topics: Creation; Creation; Growth Languages: English Tune Title: HARVEST GIFTS

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Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Adapter of "STUTTGART" in Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Willisms, 1872 - 1958 Arranger of "SHIPSTON" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Christian Friedrich Witt

1660 - 1717 Person Name: Christian F. Witt, 1600-1716 Composer of "STUTTGART" in Worship (3rd ed.) Christian F. Witt (b. Altenburg, Germany, d. 1660; d. Altenburg, 1716) was an editor and compiler of Psalmodia Sacra (1715); about 100 (of the 774) tunes in that collection are considered to be composed by him, including STUTTGART, which was set to the text "Sollt' es gleich." Witt was chamber organist and later Kapellmeister at the Gotha court. He composed vocal and instrumental music, including some sixty-five cantatas. Bert Polman